Disemballerina – Fawn; A Stick and a Stone – Root Shock (2021)

Good afternoon! If you’ve been hanging around here for a bit, you’ve probably heard Disemballerina, whose 2014 and 2016 albums were covered here, and A Stick and a Stone who had a release we discussed back in 2017 and one just this past January.

But if you haven’t — both are musical projects that generally tend toward the folk/ambient, sometimes a bit on the experimental side with unusual instrumentations, but always highly expressive, cathartic responses to both inner and outer turmoil. And over the past few months each has released a new single or EP, both of which I’d like to point in the direction of your ears today. Enjoy!

 

DisemballerinaFawn (Riff Merchant Records, 06 August 2021)

 

A Stick and a StoneRoot Shock (Spirit House, 03 November 2021)

 

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Disemballerina – Undertaker (2014), Poison Gown (2016)

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DisemballerinaUndertaker (Graceless Recordings, 28 June 2014)

 

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DisemballerinaPoison Gown (Minotauro Records, 10 July 2016)

 

Moving right along with our theme of not-exactly-metal music, today we’re going to cover a pair of albums by Portlandian trio Disemballerina. This ensemble first came to my attention about two years ago when harp/viola player Myles Donovan had contacted me about their album Undertaker, which had been mixed and mastered by Tad Doyle and released via the Loss-owned Graceless Records. It was described as “something like doomed chamber music,” and had cover art that was taken from a series of images where the harpist had placed found bird carcasses (in this case, a blue heron) into the photocopier at Kinko’s. With a pedigree like that, of course I was instantly intrigued.

Disemballerina, it turns out, had been formed back in 2009 by Donovan and guitarist Ayla Holland. The two have worked with a number of other musicians over the years, but their line-up is currently set with the inclusion of cellist Jennifer Christensen. Last month, the “doomed chamber” group had another album emerge — Poison Gown — through Italian label Minotauro Records, and so today we’ll tackle both of those records.

 

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