In Case You Missed It: Sanctorum – Semper Fidelis

SanctorumSemper Fidelis (Auburn Fox Records, 21 March 2011)

Hello, friends.  I have to tell you, I am beginning to write this review once more, with some amount of trepidation.  That feeling has nothing to do with the album or the band in particular, but this is now the third time I’ve decided to sit down and write this, and the first two were cut short because I became otherwise distracted by some catastrophe.   Well, maybe that’s too strong of a word, but in any case, I’ve experienced a couple of unfortunate mishaps, each of which had me preoccupied on those particular days. So I’m hoping the third time will be the charm, for this review of Semper Fidelis, which happens to be the third album from Colcestrian metal band Sanctorum (following 2008’s Ashes of Redemption and their 2006 debut The Heavens Shall Burn).

This latest album is actually almost a year old by now, although I’ve only had a copy of it for the past two months — I actually just discovered the band after I reviewed My Ruin‘s A Southern Revelation when it was released back in December. Right around that same time, I learned that the bands would be performing together on an extensive tour across the UK (which, incidentally, just concluded last night in Sanctorum’s hometown of Colchester).

Anyway I hope I haven’t already frightened you away by talking about my own bad luck, because believe me– though I might have had some problems getting the opportunity to actually write about this album, there’s been no shortage of chances to listen to it, which I have done many, many times over these two months. (And, I might add, with no harmful side effects!)

So, keep on reading and I’ll finally get a chance to share this music with you, that I have been meaning to do for so long!

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In Case You Missed It: Visions – Home

VisionsHome (Basick Records, 18 July 2011).

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Dear Reader, I have a confession to make.

I know this has the potential to forever diminish your opinion of me as a music critic, as a metalhead, and perhaps even as a person, but it’s something I need to get off my chest. 

Here goes… I’m just not that into Dillinger Escape Plan.  I never have been, and to be honest, I fail to understand why this band is held in such universally high regard by critics and fans alike, just as I fail to understand the majority of the music they make.

I accept that there are surely listeners out there who thrive on such frenetic chaos and see a complex beautiful sense of order in what appears to be only random madness to my simple ears.  But on the other hand, I expect that there must be some like-minded souls out there, nodding in agreement as they read these words, but afraid to ever speak publicly for fear that (like in the case of the Emperor’s New Clothes) they would be ridiculed by the others who DO get it (or at least who claim to).

Anyway, the reason this discussion is sort of relevant stems from my decision to listen to Peterbourian band Visions‘ debut LP Home, which was released earlier this year.  Since they are a relatively new band (formed in 2009), and given that this is their first album, I didn’t really know what to expect beyond what is written in the official press release and some other advertisements I’ve seen.

First, we have the fact that they had been signed by UK label Basick Records (and the fact that the album itself was mixed and mastered by members of labelmates Monuments and Chimp Spanner), which sort of hints at some proggy/techy/melodic-y leanings.  But at the same, I kept seeing that infamous marketing phrase “for fans of…” and in every case, it seems to include Dillinger Escape Plan.

Well, if any of that made me feel apprehensive at all, I decided to plow ahead anyway (or I guess I should say “plough ahead” since we’re talking about a British band here), and let me just say, I’m really glad that I did.

Keep reading after the jump for some more in-depth analysis, plus your chance to listen to some of the songs (including one available for free download)…

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Coming Soon: Undersmile Debut Album Promises to be ‘Hideous’

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Oxonian sludge quartet Undersmile have announced some new details for their forthcoming debut album Narwhal

First, near the end of last week, it was revealed on their Facebook page that producer/engineer Billy Anderson (whose impressive resume includes work on albums by such luminaries as Eyehategod, Melvins, High on Fire, and many others) is currently mixing the record.

Then, earlier today, a press release from Future Noise gave a tentative release date of 9 April, 2012.

Hel Sterne, one of the band’s two vocalists and guitarists, personally has assured me that the new release will be “hideous”.  She was also kind enough to provide the following video as a preview of what you can expect in April:

Narwhal will be the band’s first official full-length release, but is coming on the heels of their recent EP Undertaker (a split between Undersmile and Caretaker) which is available for streaming, or for purchase via either digital download or CD, at Bandcamp.

Also available for streaming or digital download at Bandcamp is last year’s EP A Sea of Dead Snakes, although sadly I have learned that the limited-run CD copies (which, like the split EP above, had been made available by Blindsight Records) recently have sold out.

Stay tuned right here for further information as it becomes available, or even better, “like” Undersmile on Facebook for updates direct from the source!