Tag Archives: England

Fen – Dustwalker (2013)

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Fen – Dustwalker (Code666, 21 January 2013)

 

Hey, people. It’s time once again to take a little stroll back in time — all the way to last year. I am determined to finish reviewing everything on my top albums of 2013 list before the end of 2014, and with this one I’m publishing today, I’ll officially reach the halfway point! No worries, there are still over three months for me to work through the rest of these (while still somehow trying to keep up with newer stuff, too). Oh well, I’ll get there eventually (hopefully). It just gets kind of frustrating sometimes, especially when bands keep putting out newer stuff faster than I can keep up with them — as is the case with UK atmospheric/progressive black metal band Fen (not to be confused with the Canadian prog-rock band of the same name). They’ve just announced that their fourth LP Carrion Skies will be coming out this November through Code666, which is exciting news for sure, but first I need to share their awesome THIRD album Dustwalker with you!

I publicized some of the details about this album when they were first announced, nearly two years ago, and I have been really enjoying listening to it ever since it was released (about three months after that). I’d say it’s about time I got around to following up and writing about the album itself!

 

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Sunwølf – Beholden to Nothing and No One (2014)

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Sunwølf - Beholden To Nothing And No One

Sunwølf – Beholden to Nothing and No One (30 June 2014)

 

Hello out there, and Happy Monday everyone! My original plan was for this review to be published last Friday, but that was the 4th of July, aka Independence Day, which is the American holiday commemorating the time when some folks who lived here decided to send a letter to England saying they wanted to get a divorce. And I realized that it would be very un-patriotic of me to finish writing this on that date. Not because it’s about a British band, but because it would have involved actually doing something productive on a day off from work. In this country, we take our leisure time very seriously. But now it’s Monday and time to jump right back in. So here’s Beholden to Nothing and No One, a massive 80+ minute collection of post-metal/ambient music (spanning two CDs) by Leodensian band Sunwølf.

 

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Monsterworks – Album of Man (2013)

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Monsterworks – Album of Man (Mortal Music, 28 March 2013)

 

So I just realized in a few more days this year will be half over — and I also realized that I’m nowhere near halfway through writing reviews for LAST year’s top albums list… yikes! If I don’t want to still be working on these when I’m supposed to be putting together THIS year’s list, I guess I’d better get moving at a quicker pace. So here’s another one for you guys.

Monsterworks from London, England (formerly New Zealand) have been making crazy mishmashes of awesome music for nearly twenty years, and during that time they’ve released roughly seven hundred albums and EPs. I don’t know the exact number, but I’ve heard that they’ve done two more (Earth and Universe) since the one I’m currently writing about (which was only fifteen months ago) and they’ve just announced that they’ll have ANOTHER two (Overhaul and Existence) by early next year. Seriously.

I’m sure I’ll get caught up on all of that some day. Maybe. But for now, let’s talk about Album of Man, which came out last March.

 

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Review: Satan – Life Sentence

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Satan – Life Sentence (Listenable Records, 21 May 2013)

 

Hello, readers. As I mentioned a few days ago when I published my list of year-end lists (if you missed it, the collection can be found right here; my own personal list of 2013’s best releases can be found by scrolling all the way to the bottom), and as you could certainly tell yourself just by poking around a little bit, I really dropped the ball when it came to getting much writing done last year. And consequently, I neglected to share a great deal of music with you folks. Believe me, I feel bad about that, because there’s so much of it that I’ve been really enjoying listening to, and it’s pretty unfair not to pass that along. So on that note, let’s talk about Satan.

 

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Another Mortal Music DR Coming Soon: Monsterworks

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Well holy shit, check this out.  It’s just like they say: speak of the devil and he appears at your elbow.

In this case, “the devil” is Mortal Music‘s Digital Releases — their little gift packages containing a few tracks at a time from a particular band, and made available for free download for a limited time, eventually leading up to a full-length album from that band.

Just this afternoon I was talking about the fact that Ion Vein is getting the details straightened out for their second DR, and I had literally just hit the “Publish” button on that article, when an email suddenly popped up in my in-box telling me that Monsterworks has announced details for the release of their second DR!

 
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Out Last Week: Monsterworks – Man::Instincts (FREE Download!)

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Monsterworks – Man::Instincts (Mortal Music, 10 July 2012)

 
Whoah.

Despite all my attempts to stay alert and focused on doing my job, I think I might have accidentally dozed off a little bit just now.

And let me tell you — I had one fucked up dream.

Picture this: King Diamond and his band, Chris Cornell and the rest of Soundgarden, Rob Zombie, Glen Benton and the rest of Deicide, and all four dudes from Mastodon somehow all met up at a party, where they ended up playing cards and drinking and having a good time, and suddenly they decided they wanted to collaborate on a musical project. All of them.

Naturally, with so much talent in the room, nobody could decide who should be the vocalist, so they figured the only fair way would be to let everyone sing — sometimes they’d take turns, or sometimes they’d all join together in like this massive heavy metal choir. Something like the chorus in the Blue Öyster Cult song “Extra Terrestrial Intelligence,” just on a much grander scale.

Another issue arose when it came time to start writing songs, since they all came from such diverse musical backgrounds. But this supergroup soon discovered that they at least had some influences in common — all the great old-school metal, proto-metal, and hard rock bands. So they let this sound be the foundation for their new music, and as they began working together on the songs, they found that the little bits of death metal, stoner metal, thrash, NWOBHM, and whatever else kept creeping into the writing process seemed to mesh together surprisingly well. (I know it doesn’t make a whole lot of sense — I told you it was a pretty crazy dream!)

 
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Free Music Alert: Download the New Telepathy. Single!

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Telepathy. – Lucretius (03 July 2012, self-released)

 
Hello there, Readers. How are you enjoying your Monday so far?

I guess that’s kind of like asking for your opinion on receiving surgery without any anaesthesia, isn’t it…

Personally, I am really having trouble getting re-acclimated to the whole “working” thing — it’s like that feeling when you’ve been away on vacation for a whole week and somehow forgot how to do everything.

Oh well, I do have one piece of good news to share with you, that just might help give you a little bit of motivation (or at least help you wake up) today. I’ve learned that the UK-based instrumental prog band Telepathy. have just put out a brand new single!

 
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Now Available: Undersmile – Narwhal

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Undersmile – Narwhal (Future Noise Recordings, 28 May 2012)

 
If you spend any amount of time poking around this blog (and I highly encourage you to do so!), you’ll quickly notice that I have a fairly broad range of musical taste. Most of the stuff that I listen to would be classified under some metal genre or other, although not all of it. Everything else would usually fall into one or more categories of punk, hardcore, hard rock, or pretty much anything that’s heavy, but once again, you still couldn’t fit all that I listen to in such neat little boxes. Even just looking at the metal music, you’d find me all over the spectrum there as well, touching upon (at least to some degree) practically every subgenre ever invented.

However, one recurring theme you might discover, is that I’ve always had a certain affinity towards the sludgey, the grimey, the filthy, and in particular, the mind-numbingly slow. If it sounds like it was recorded with an hourglass instead of a metronome, chances are I’ll be all over it like zombies attacking a MENSA convention.

So naturally, when I first discovered Oxfordshire’s Undersmile (courtesy of American Aftermath including one of their songs on last summer’s Summer of Sludge compilation), I instantly fell in love, because they just totally hit all the right buttons for me.

Late last year when I heard the news that they were in the process of recording their debut full-length album, I was delighted, and later, when more details and some preview tracks started to emerge, I got even more excited.

Did you ever have something you were anticipating so much that you almost felt nervous about whether it would ultimately live up to the hype? Even if it turns out to be really really good, could it possibly be as good as you were expecting? Or even worse, what if the thing you were so convinced was going to be amazing — and that you’ve been telling everyone around you how amazing you think it’ll be — turns out to be terrible? Of course, you wouldn’t be looking forward to something that much without having some prior knowledge or some sort of basis on which to establish those expectations, so there’s a very small chance that it would, in fact, be awful — but there’s still that remote possibility. Isn’t that just nerve-wracking?

Well now that I’ve gotten my copy of Undersmile’s Narwhal and listened to it a few times, I’ve discovered that I didn’t even know the meaning of the words “terrible” or “awful”…

 

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Now Available for FREE: Basement Torture Killings – The First Cumming

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Basement Torture Killings – The First Cumming (Self-released, Summer 2008)

 
London-based deathgrind/goregrind band Basement Torture Killings are also sometimes referred to by the acronym BTK — not coincidentally, the same initials used by serial killer Dennis Rader (in which case the letters stood for “Bind, Torture, Kill”). With this sort of pedigree, and with song titles such as “Drill Bit Erotica,” “Cut, Drained and Disposed,” and “Necrophiled and Cannibalised,” your first reaction might be — as mine was — to expect them to be one of those super-extreme-brutal-death-wacko bands. You know, where the whole thing sounds so muddled and the guitars and bass are both equalized so low that you can’t distinguish between them? And usually the vocals sound more like a handful of crickets tossed into a bunch of stomach acid inside a blender set to “puree”? I don’t know how people listen to that sort of thing, to be honest, and if you’re with me on that, then you’re in for a pleasant surprise just as I was when I first heard BTK’s music.
 
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The “Signmeto” Unsigned Band of the Week: Jamie Parker

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Hello, readers.  To be honest with you, as much as I’ve bitched and moaned about the workdays dragging by, I really can’t believe it’s already Monday again!  This weekend went by far too quickly, but not only that, it hardly feels like last Monday was a whole week ago.  I’m guessing this is because school is just about wrapping up for this semester (only one more week to go!) and I’m trying to make sure everything is caught up and turned in before the deadline, and so it is starting to feel like days are slipping away from me.  But enough about that, like I said, it’s Monday, and you all know what that means!  It’s time for the “Signmeto” Unsigned Band of the Week!  As you know, this is the thing where I go to the “Sign Me to Roadrunner Records” website and check out the messages that bands have written to me asking for a review of their music.  Then I grab one of those bands, listen to the songs they’ve got posted, then I write about them here so YOU can discover some awesome new music. 

Today I’m looking at a solo artist from Dorchester, in the southern part of England, whose name is Jamie Parker.  He says the three songs currently included on his Signmeto page are just demo tracks that will soon be re-recorded with a new full band line-up, but they sound pretty fully realized to me.  I like where things seem to be going with this project so far, and if you like your stoner rock on the heavier end of the spectrum, then you’ll probably dig it as well.

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