Tag Archives: Italy

Sacri Suoni – Time to Harvest (2026)

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Well good morning, and happy Friday (I guess)!

After about a day and a half of reprieve during which I turned off all our auxiliary heaters in the kitchen, bathroom, and basement — because the outdoor temperatures actually had hovered just slightly above freezing for a brief while — we’ve dipped back into frigid cold and it’s projected to continue to get worse over the next day or two.

Plus the entire eastern part of the USA is bracing for the worst snowfall we’ve had in quite some time. Around here (western Pennsylvania), folks are already making comparisons to the Snowmageddon of 2010 or even the Blizzard of ’93 … and we haven’t even seen a single flake yet.

So obviously it seems like a perfect day to be listening to music that comes from a region known for its extreme cold and winter weather! Presenting the first new 2026 release we’ll be checking out: Time to Harvest by Sac—

Err, whoops. I’m being informed (pretend for a second I’m wearing an earpiece) (and that you can see me rather than just reading these words I’ve written) that I’ve apparently misread the band’s name, which is Sacri Suoni (which means “Sacred Sounds” in Italian), not Suomi, and as it turns out the band is therefore not actually Finnish as I had initially thought, but they’re from Milan, Italy. Where it’s currently — (checks notes) — in the mid-40s. (Degrees Fahrenheit, that is.) And probably significantly higher than that during harvest time.

Well since we’re all here already, let’s listen to this album anyway. Brand-new off the presses today! (Also, don’t you hate when people say “checks notes”? Isn’t that so annoying? It’s just the worst, right?)

 

Sacri Suoni – Time to Harvest (Electric Valley Records, 23 January 2026)

 

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S.I.D. – City of Chemistry; Private Prisons – Extrication (2022)

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Hello — and Merry Christmas Eve Eve, to those who celebrate.

What a nasty, ugly day this has turned out to be: snow, rapidly plummeting temperatures, and huge wind gusts that very nearly sent our trash cans careening down into the river. Again. That is, we lost one of them to the river during a windstorm a couple years ago; this time both of them did go flying after they were emptied this morning, but I was able to rescue one from the edge of the embankment, while the other has managed to wedge itself between two trees halfway down the hillside, just out of reach of any of the long-handled implements I have readily available so I’m hoping it will stay in place long enough for me to figure out a way to retrieve it.

Anyway, enough about that, let’s listen to some nasty, ugly music befitting such a nasty, ugly day!

 

S.I.D. – City of Chemistry (digital 15 July 2022; vinyl 14 October 2022, Gruesome Records / SFA Records / V.A.N.G.A. Records)

 

Private Prisons – Extrication (Trepanation Recordings, 16 December 2022)

 

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Lys – Silent Woods (2021); Negativa – 04 (2022)

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Hey, Happy Monday and Happy Last Day of January to you!

If you’ve got a few moments to spare, I’d like to share a couple albums — the first of which was released near the end of last year (and was the first solo record by a member of Italian ambient black metal band Enisum), while the second was just released at the end of last week by a single-member black metal project from Spain.

 

Lys – Silent Woods (Avantgarde Music, 29 October 2021)

 

Negativa – 04 (vinyl Mystískaos / Dissociative Visions, CD Nebular Carcoma, 28 January 2022 – US, 11 February EU)

 

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Devoid of Thought – Outer World Graves; Ad Infinitum – Hypnagogic Conveyance (2021)

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Hello out there, readers! Today our mission is to explore strange new worlds, to seek out new life and new civilizations, to boldly grab our headphones and listen to some cosmic death metal and cosmic black metal!

 

Devoid of Thought – Outer World Graves (Everlasting Spew Records, 27 August 2021)

 

Ad Infinitum – Hypnagogic Conveyance (self-released, 13 December 2021)

 

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Prehistoric Pigs – Everything is Good (2015), The Fourth Moon (2021)

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All right, y’all — today I’ll be treating you to two heaping helpings of fuzzed-out instrumental goodness, courtesy of la famiglia italiana who constitute the trio Prehistoric Pigs.

 

Prehistoric Pigs – Everything is Good (The Smoking Goat Records, 26 April 2015)

 

Prehistoric Pigs – The Fourth Moon (Go Down Records, 26 November 2021)

 

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Humulus – The Deep (2020)

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Humulus – The Deep (Kozmik Artifactz, 28 February 2020)

 

If you couldn’t tell from the band name (humulus are the plants which grow the flowers we refer to as hops), that very cool cover art of a cephalopod holding up a beer bottle may clue you in: this Italian trio is birra-obsessed.

In fact, in the first ten years since their formation, these Lombardi gentlemen have put as much passion and effort into the development of their own self-titled brew as they have into creating three albums and EPs. So while their sound on this fourth release The Deep (released just a few days ago) may superficially resemble the style universally known as “stoner rock,” wouldn’t it make much more sense to call this “alcoholic rock”?

 

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Suum – Cryptomass (2020)

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Suum – Cryptomass (Seeing Red Records, 14 February 2020)

 

Have you ever been tricked by an album cover? Like, you got totally drawn in by this mesmerizing artwork that so perfectly encapsulates a particular mood — but then you listen to it and the music sucks, or at least it completely fails to match up with your expectations based on its exterior?

Or looking at it from the opposite side: how often has poorly-designed and/or conceptually uninteresting imagery caused you to bypass listening to something, which for all you know could have ended up being your new favorite record if you had actually given it a chance?

Well, today we’ve got the rare treat of an album whose outward appearance exactly lines up with its internal contents, Cryptomass — the sophomore release from Roman doomsters Suum, which emerged mere days ago from the decaying catacombs illustrated above (and credited to the band’s guitarist, “Antonio Painkiller“), by way of Ohio’s Seeing Red Records.

 

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Earth and Pillars – Earth II (2019)

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Earth and Pillars – Earth II (Avantgarde Music, 25 October 2019 [digital]; 15 November 2019 [CD]; 22 November 2019 [LP])

 

Good afternoon! Looking back a few years, I remember being quite taken with the atmospheric qualities of Earth I, the debut album by Italian blackened entity Earth and Pillars — which had originally been released in 2014, but we wrote a little something about it upon its vinyl reissue in 2016.

Well, just last month its sequel Earth II has emerged out of the æther, with the first physical manifestations (on compact disc) popping up last week, to be followed by a vinyl record edition tomorrow. Whichever format suits your fancy, would be worth seeking out.

 

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Ufomammut – Ecate (2015), 8 (2017)

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Ecate

Ufomammut – Ecate (Neurot Recordings, 31 March 2015)

Ufomammut – 8 (Neurot Recordings, 22 September 2017)

 

The name Ufomammut seems to be one that we Americans tend to struggle with. But fortunately the band has been kind enough to explain its origin: “ufo” (OOH-foe) is the Italian word for “UFO,” while “mammut” (MAMM-utt) means “mammoth.” Therefore the correct pronunciation of the name would be “OOH-foe-MAMM-utt.” Got it?

The etymological origin of their name is also one of the most accurate descriptions a band has ever given itself, as this trio combine the mysterious spaced-out vibe of a flying saucer with the earth-shaking immensity of a prehistoric pachydermic behemoth.

And now, for the first time in two years, they are bringing this spectacle to North American soil: hitting Maryland Death Fest this weekend, as well as Northwest Terror Fest in early June, and then surrounding these dates with a month-long loop around the whole country that kicks off TONIGHT (Wednesday the 23rd) in Providence. Of course we’ll supply you with details about all these shows later. But first, an introduction to the band’s music for the uninitiated …

 

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Opera IX – Back to Sepulcro (2015)

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Opera IX – Back to Sepulcro (Dusktone, 01 November 2015)

 

This year marks three full decades since guitarist Ossian started Opera IX in Biella (Piedmont region, in the foothills of the Italian Alps). The band has put out an extensive discography in thirty years, and undergone numerous line-up changes, as they gradually morphed into the titans of occult black metal they would become known as.

One major shake-up occurred back in 2014 with a wholesale replacement of the entire band (other than its founder), including the departure of bassist Vlad who had been around since very early on, and vocalist of the previous decade-plus M. the Bard (who sadly departed permanently late last year).

With a brand-new ensemble — including M:A Fog (drums), Alessandro Muscio (keyboard), Scùrs (bass) and Abigail Dianaria (vocals) — in tow, Ossian proceeded to put together an album (in late 2015) that featured brand-new recordings of several songs from Opera IX albums past.

In today’s post we’ll check out Back to Sepulcro — as well as discussing what the band has been up to since that time. (Spoiler alert: a new album anticipated later this year, plus an appearance at MDF later this month!)

 

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