Graves at Sea / Sourvein – Split EP (Seventh Rule Recordings, 13 May 2014)
Sourvein – Aquatic Occult (Metal Blade, 08 April 2016)
Hello and good afternoon, longtime friends and first-time visitors. I hope your Monday has been, at minimum, tolerable. From this side, “Today I didn’t even have to strangle anyone with their own phone cord or throw my computer through the cubicle wall out of frustration / I got to say it was a good day.”
Anyway, whatever kind of day you’re having, get ready for some positive, uplifting vibes to be coming your way from the music I have here to share with you. Now, that music is going to start with Graves at Sea, and for those who’ve heard the full-length they put out earlier this month (reviewed here), you’ll be able to tell right away that last statement was at least partly sarcastic. (For those who haven’t heard it, what the hell are you waiting for? Go read that review, or even better, check them out in person during their tour that starts tonight in Atlanta!)
The remainder of this article will be about material — some of it a couple years old, some from just a few days ago — by the southern sludgery cesspit Sourvein; although it may not seem that way, this is (supposedly) where the positivity comes into the equation. Or at least truthfulness and realism. Off we go …
Fist Fight in the Parking Lot – Fist Fight in the Parking Lot (21 February 2012, Innervenus Music)
Good evening, readers! Sorry for the tardiness of this review — I totally meant to publish it this morning, but then I got distracted by something shiny. It happens. Actually it was an announcement that the new self-titled album by Corrosion of Conformity was streaming in full over at AOL Music. I hadn’t heard it yet, and I don’t know how long it’ll be available, so I wanted to jump on that. I’m sure you can understand. If you haven’t heard it yet, you’ll probably want to check it out, too.
From what I’d read about it, the new COC album is supposed to appeal to fans of their earlier, more hardcore-oriented work, as well as those who prefer their more recent foray into Sabbath-inspired stoner metal. So I was curious to see what it was all about. What I found surprised me: I heard very little of the sound mainly associated with either era of the band’s history, instead feeling more of an old-school doom vibe — along the lines of some of Wino‘s earlier work, or any of a slew of his bands’ imitators. A style I enjoy, to be sure, but one that can also seem monotonous at times, over the course of an entire record. This was one of those occasions: despite some higher points, the album really didn’t reach out and grab my attention at any point. Missing here were the truly memorable songs that make you want to sing along, or hear them again and again.
Well, all of that soon changed, because a little later in the day I switched gears to the brand new release by Pittsburgh’s Fist Fight in the Parking Lot, made available today through the Innervenus Music Collective.