Category Archives: Reviews

Sacri Suoni – Time to Harvest (2026)

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Well good morning, and happy Friday (I guess)!

After about a day and a half of reprieve during which I turned off all our auxiliary heaters in the kitchen, bathroom, and basement — because the outdoor temperatures actually had hovered just slightly above freezing for a brief while — we’ve dipped back into frigid cold and it’s projected to continue to get worse over the next day or two.

Plus the entire eastern part of the USA is bracing for the worst snowfall we’ve had in quite some time. Around here (western Pennsylvania), folks are already making comparisons to the Snowmageddon of 2010 or even the Blizzard of ’93 … and we haven’t even seen a single flake yet.

So obviously it seems like a perfect day to be listening to music that comes from a region known for its extreme cold and winter weather! Presenting the first new 2026 release we’ll be checking out: Time to Harvest by Sac—

Err, whoops. I’m being informed (pretend for a second I’m wearing an earpiece) (and that you can see me rather than just reading these words I’ve written) that I’ve apparently misread the band’s name, which is Sacri Suoni (which means “Sacred Sounds” in Italian), not Suomi, and as it turns out the band is therefore not actually Finnish as I had initially thought, but they’re from Milan, Italy. Where it’s currently — (checks notes) — in the mid-40s. (Degrees Fahrenheit, that is.) And probably significantly higher than that during harvest time.

Well since we’re all here already, let’s listen to this album anyway. Brand-new off the presses today! (Also, don’t you hate when people say “checks notes”? Isn’t that so annoying? It’s just the worst, right?)

 

Sacri Suoni – Time to Harvest (Electric Valley Records, 23 January 2026)

 

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Nomadic Rituals – Fust (2025) || Cursed Monk Records – Year IX Compilation (2026)

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Fucking earwigs, amiright? I watched Spike Lee‘s 2025 film Highest 2 Lowest over the weekend (which I enjoyed, by the way, despite its middling ratings — although admittedly I have not seen the Kurosawa original it was based on; I guess I probably should), and almost nonstop over the past few days I keep finding “Oh What a Beautiful Mornin’” (originally from Oklahoma, but it plays during the opening of this movie as Denzel‘s character looks down over New York City from the balcony of his probably-billion-dollar apartment.

Anyway, it is NOT a Beautiful Mornin’ here in the valley. It’s like six degrees outside (Fahrenheit, which I think is something like negative a hundred in the rest of the world), and it’s been the kind of windy that wakes you up sporadically throughout the night because it keeps rattling the windows. So I am very much dragging this morning. Fortunately I don’t actually need to go outside (thank you, remote work) so I can just throw on an extra layer or two and push through it. And anyway by this afternoon I heard it’s supposed to go up to like 15F (aka minus 50C or something).

And fortunately, there is a simple doctor-recommended remedy for getting rid of earwigs: listening to something else, ANYTHING else. Especially at a high volume. And I’ve got some great candidates here.

 

Cursed Monk Records – Year IX Compilation (03 January 2026)

 

Nomadic Rituals – Fust (digital: self-released, CD/vinyl: Cursed Monk Records, 14 March 2025 | cassette: Fiadh Productions, 11 July 2025)

 

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Daevar – Amber Eyes (2024), Sub Rosa (2025)

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Hey y’all. Remember the other day when I told you about The Lasting Dose Fest? If you’re planning on hitting the Hamburg gig tonight, you should probably already be on your way there! Since it’s around noon here in the eastern U.S., it’s probably getting close to showtime in Germany, if my understanding of time zones is correct (which is rarely the case).

But if you were sleeping on the event or weren’t already excited about it, what if I told you one of the performers put out one of my favorite albums of the year — in each of the past two years? Interested now?

 

Daevar – Amber Eyes (The Lasting Dose Records, 22 March 2024)

 

Daevar – Sub Rosa (The Lasting Dose Records, 28 March 2025)

 

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GRIN – Acid Gods (2025) || The Lasting Dose Fest 2026

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The Lasting Dose Fest 2026

 

The Lasting Dose Records has announced a showcase festival for several bands involved with the label, to be held later this week in Hamburg and Berlin.

The Hamburg show will be taking place at MS Stubnitz on Friday the 16th (tickets and more information here), and will feature performances by Daevar, GRIN, Ultrablut, and Earthbong.

Then, in Berlin at Neue Zukunft on Saturday the 17th (tickets/info here), with GRIN, Ultrablut, Earthbong, Sarkh, and Blacksmoker.

 

So if you find yourself in northern Germany on those dates, or if you’re anywhere within driving/train/whatever distance of the country’s two largest cities and feeling adventurous, it’s highly recommended that you go check out what TLD has to offer.

But if you need a bit more encouragement — or for those of us who find ourselves on the wrong side of the planet, but who would like a little something to listen to at home in order to live vicariously — let’s check out Acid Gods which was released last year by one of the bands who’ll be gracing both nights of the fest with their presence: GRIN.

 

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New Cathedral Release! || Bandcamp Friday Merch

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Inbox overflowing with messages from every band and label you’ve ever heard of (and tons you don’t even remember subscribing to)? Must be Bandcamp Friday!

If you need help wading through the oceans of stuff being marketed at you all day, I’m here to help with a few selections to highlight.

 

First: our good friends over at Philip K. Discs have dropped some sweet exclusive merch today.

  • They’ve got super-limited mystery bundles, packed in custom-designed cereal boxes and filled with tons of label-related goodness, but there are only TWO sets available!
  • “This Vending Machine is a Compilation” full-color poster-sized prints as companion pieces to last year’s compilation of the same name.
  • From Chaos to Ambiguity: A Theology of Noise Rock – the guidebook to noise rock written by the label’s owner (spoiler alert: not Philip), now available signed by the author.
  • And there’s lots more where these came from, from printed ‘zines to sculpted mini-figurines to hot sauce bottles to a special edition Touching Grass CD bundled with an actual packet of grass seed — check it all out right here!

 

Next, get yourself ready for winter weather with a brand new pair of socks! But not just any socks, these ones come emblazoned with the logo of Italian dark-occult/doomsters Messa. Wear them in good health!

 

And finally…

 

Cathedral – Society’s Pact With Satan (Rise Above Records, 03 October 2025)

 

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Hell – Submersus (2025), S/T (2017)

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Happy Friday!

I haven’t seen a lot of people talking about this (of course, having withdrawn from all major social media platforms, I don’t see a whole lot of much these days!) but a new album is coming out today that just might end up in the running for Album of the Year. At least, it’s at the top of my list of everything I’ve heard so far in 2025.

Although it wouldn’t be shocking for Hell, the Salem, Oregon-based purveyors of corrosive sludge-doom, to be flying under the radar. The single-member ensemble (though they did come together as a full band at least once, because I saw them perform in Pittsburgh approximately eleven years ago, and they absolutely killed it) have always been relatively anonymous and never seemed very big on self-promotion.

Part of the Gilead family (at least tangentially) for several years, and more recently affiliated with Sentient Ruin; over their first decade, Hell released four different albums called Hell (the most recent of which we’ll talk about here), in addition to various splits and EPs (some of which were also called Hell). And today, the next soul-crushing chapter has emerged, which for a fun change of pace, has been given a title other than Hell…

 

Hell – Submersus (physical: Sentient Ruin / digital: Lower Your Head, 11 July 2025)

 

Hell – Hell (Sentient Ruin, 11 April 2017)

 

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Coffin Womb – Godless (2024), The Trauma Process (2025)

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If you haven’t figured it out based on your email inbox bursting at the seams, It Is Bandcamp Friday.

Before we all head out for the weekend, real quick let me call your attention to two releases (one from early last year and one from early this year) by Pittsburgh’s Coffin Womb, self-described as “A bunch of losers who just want to ruin your day.”

 

Coffin Womb – Godless (Syrup Moose Records, 23 February 2024)

 

Coffin Womb – The Trauma Process (self-released, 10 January 2025)

 

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Orme – No Serpents, No Saviours; The Weir – Grasping (2024/2025)

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Just announced: This Friday is Bandcamp Friday for the first time in 2025. So if you have been planning to make any music purchases, tomorrow would be a great time to do it, because 100% of the funds end up in the pocket of the band or record label (and not the corporate overlords who own Bandcamp).

However, if you have dollars (or euros, francs, dinars, whatever) burning a hole in your pocket and you don’t have anything in particular to spend it on — please feel free to browse the archives here at Valley of Steel for recommendations. And here are two more worth checking out, each a lengthy chunk of heavy doom, each originally released by the respective band last year, and each recently re-released as cassette tapes by our Dutch friends at Breathe Plastic Records.

 

Orme – No Serpents, No Saviours (self-released 23 August 2024 / cassette reissue by Breathe Plastic, 31 January 2025)

 

The Weir – Grasping (self-released 04 October 2024 / cassette reissue by Breathe Plastic, 31 January 2025)

 

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Raphael Weinroth-Browne – Worlds Within Live (2021); Jason Blake feat. RWB – Candles Burn (2024)

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Good afternoon, y’all. Last time, we talked about the most recent release by Canadian neofolk trio Musk Ox and the news that their music was being featured in the CBS medical/mystery drama Watson. (In case you missed it, episode 2, which broadcast about two weeks ago, set their song “Weightless” against a montage wrapping up the various storylines near the end of the show.)

Anyway, at that time I had promised more music from Musk Ox members would be forthcoming, and so here we are. The group’s cellist (and co-writer/arranger) Raphael Weinroth-Browne put out his first solo record back in 2020, which at the time was met with plenty of acclaim on this website. But the following year, he released a brand new version of the whole thing re-recorded live, which we’ll take a look at here. And to cap things off, we’ll also check out an EP the cellist created in collaboration with Chicago-based Warr guitarist Jason Blake, just about eleven months ago.

 

Raphael Weinroth-Browne – Worlds Within Live (self-released, 02 July 2021)

 

Jason Blake featuring Raphael Weinroth-Browne – Candles Burn (7d Media, 05 April 2024)

 

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Musk Ox – Inheritance (2021); Nathanael Larochette – Old Growth (2023)

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Good afternoon! If you’ve been a longtime visitor around these parts, you’ll remember Musk Ox, from all the times we’ve previously discussed that Canadian folk trio as well as some of its members’ numerous other musical pursuits.

Well, yesterday I received an interesting bit of news from the group:

 

Hi Everyone!

We hope you are all well, safe, thriving and taking time to nurture whatever endeavours bring you fulfillment.

We just wanted to share some exciting news. After years of people telling us that our music would be great for tv/film we are thrilled to announce that several of our songs will appear in the new medical/mystery series Watson on CBS! The second episode airs tonight (Sun Feb 16th) at 9pm EST and features our song “Weightless.” We’re honoured to have been asked to provide songs for this series and are grateful for the opportunity to reach new audiences with our music. If you happen to catch the episode tonight, take a video while our song plays and tag us @muskoxofficial.

 

Musk Ox – Inheritance (self-released, 09 July 2021)

 

Nathanael Larochette – Old Growth (self-released, 21 July 2023)

 

For the uninitiated, Watson is a brand-new show (the pilot episode premiered on CBS and Paramount+ last month, with regular weekly episodes scheduled to begin as of last night) which stars Morris Chestnut as the titular doctor. In this modernized adaptation, Watson is moving on from the canonical death of his former partner in crime-solving, Sherlock Holmes, whereupon he has started a medical facility — a fictional foundation set right here in Pittsburgh, PA — that appears (based on the one episode that has aired thus far) to specialize in rare and unusual ailments, thus calling upon the doctor’s famed investigative skills.

While I don’t usually find myself drawn toward medical dramas, I’ve always been a connoisseur of all things Holmes-related, so I decided to investigate that pilot when it aired and have been looking forward to the continuation of the story for these past couple weeks. The series can be found streaming here, where I was already planning to check out the second episode tonight, but now I’ll also have my ears attuned to catch the inclusion of the Musk Ox material mentioned above.

As I’ll be stuck at work for another few hours still, in the meantime it seemed like a perfect time to revisit the 2021 album on which the song in question was originally released. And while we’re at it, it never hurts to pop in to see what else these musicians have been up to lately, so I’ll toss in one member’s solo album as a bonus in this article, and then spend some time with another member’s output shortly thereafter.

 

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