Two Reviews: Eyehategod and Enabler (2014)

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EyehategodEyehategod (Housecore Records, 27 May 2014)

enabler-cover

EnablerLa Fin Absolue du Monde (The Compound, 27 May 2014)

 

I will not be getting any sleep tonight. I’ve already accepted this as an unfortunate but unavoidable truth, and am now working on moving on. Maybe it’s just me, but I’ve discovered that since about age 30, it has become way more difficult to function on litte (or no) sleep, and now that I’m hitting the halfway point of that decade, getting enough rest has become a very precious commodity. It isn’t ever easy, especially when my two-hour (each way) commute necessitates that I leave home at 5:00 in the morning, meaning I have to wake up around 4-4:30. That wouldn’t be so bad, if I were able to fall asleep around 10:00 each night, but that’s a rare occurrence — and tonight in particular it will be completely impossible.

I’m going to the Eyehategod/Enabler/Ringworm show at The Rex Theater in Pittsburgh (part of the tour I wrote about last week). The show is scheduled to start at 7:00, but in addition to the three touring bands, there had been two local openers scheduled (Under Everything and Hericide), and then somewhere along the way the Dune sandworm-named band Shai Hulud got thrown into the mix (I guess they are currently on their way home from a tour and just happened to be passing through town today and so now apparently they’re playing at this show as well). Naturally, with six bands, even if things kick off exactly at seven, there’s no way it’ll end anywhere before midnight — and that’s the absolute best case scenerio. Add in an hour drive to get home (that two-hour commute I mentioned involves bus-riding and walking), and I probably won’t be able to be in bed any earlier than 2:00. Falling asleep that late and waking up at 4:00 would probably make me even more tired and miserable than if I didn’t sleep at all. So here we are.

But, shit, what am I going to do — NOT go see Eyehategod in their first appearance in this area since …… well, the Bandsintown archive goes back more than seven years and doesn’t have a single Pittsburgh date listed. Neither does Setlist.fm have any mention of them playing here. In fact, the only thing I could find after an extensive five minutes of web-searching was a couple YouTube videos from a show in the summer of 1998. Basically the point I’m trying to make is, this is a pretty monumental event, and if I don’t take advantage of this chance to see one of the most important bands in the history of sludge metal, I might never have another opportunity.

 

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Good Gnus (New Stuff From Inter Arma And Today Is The Day!)

Gary-Gnu

 

Good Gnus!

 

Hey, good afternoon! We’ll be returning to our regular schedule of album reviews and snarky remarks shortly. But first I wanted to pass along a couple of tidbits that have hit my in-box courtesy of Earsplit PR. Apparently there will be some new material emerging in the near future from two bands who both happened to be among the most impressive live acts I’ve seen in the past year: Inter Arma and Today is the Day. Also Inter Arma has a shit-ton of tour dates coming up over the next couple of months, including a stop in my nearest metropolis — and perhaps a city near you as well. You’ll find the full list below.

 

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Upcoming Shows: Across Tundras Heading Across the U.S.A.

Hey, just a quick heads-up so you can start getting excited about this: Nashville, Tennessee’s Across Tundras are heading out on tour in just a couple of days, and will be making their way back and forth across the country, almost non-stop for two months. A full list of dates can be found at the end of this post, including a few yet to be confirmed or still needing booked.

But first, here’s a small sampling of what’s in store for you if the band is coming near where you live (spoiler alert: they are coming to Pittsburgh!) If the name wasn’t already in use for a similar genre, I’d be tempted to call this desert rock, because in my opinion that expression suits this music perfectly: it’s very mellow and introspective, sometimes sparse, and it’s extremely heavy without being especially loud. I don’t know if that makes sense, when you read it, but have a listen and see what I mean…

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