Begrime Exemious – Visions of the Scourge (2012)

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Begrime ExemiousVisions of the Scourge (Dark Descent Records, 04 April 2012)

 

Good afternoon! Remember yesterday when I wrote about the new Wrought Iron album? I mentioned that they’d be having a release show to celebrate TONIGHT, at Howler’s Coyote Cafe in Bloomfield (Pittsburgh). Full details on that can be found right here. That show also features locals Post Mortal Possession and two out-of-town bands who are each currently engaged in (separate) tours: Cryptic Yeast from New York, and Begrime Exemious from Alberta.

Well as it turns out, I remembered that I had an album from the Canadian band — one that I’d never quite gotten around to writing about, so it’s just sort of been sitting here in my “to do” pile for the past 2+ years. With this news that they’re coming to Pittsburgh, in the midst of what I believe to be their first American tour (outside of a short excursion down the Pacific coast last summer), I figured it’s as good a time as any to revisit Begrime Exemious and their second full-length album Visions of the Scourge. (They’ve also released a number of splits and EPs, before and since then, and you may be interested to learn that pretty much their whole discography is available to download from Bandcamp for free or “pay what you like” — see the relevant link at the end of this post.)

 

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Wrought Iron – Rejoice and Transcend (2014)

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Wrought IronRejoice and Transcend (Grimoire Records, 24 June 2014)

 

Ever since the band was formed (which was at the end of 2011), and especially since they started playing live shows (the following spring), there’s been a significant amount of buzz surrounding Wrought Iron within Pittsburgh’s underground music scene. People who’ve caught their live shows (often appearing with some pretty big names, like Abigail Williams, Absu, Alcest, Dying Fetus, False, and Nachtmystium, just to name a few) have reported being spellbound by the ferocity as well as the raw talent on display.

Well, that — and one other thing too. It seems like whenever this band is being discussed, the performance of vocalist Kenny Snyder often gets brought up; several times I’ve witnessed certain people (without mentioning anyone specifically, but I will say it’s almost always been members of other local bands) trying to imitate the combined snarl-shriek-squawk that these folks affectionately refer to as “like a dying pterodactyl.”

Anyway. I personally may have been a little bit late to the party, but after hearing them recommended so highly for so long, I finally got the chance to see Wrought Iron last summer (and a couple more times since then). I was very impressed by what I saw and heard — they definitely lived up to the hype, no question about that. Fast-forward another year, and we find the band recording an album with Maryland’s Grimoire Records, which is being released digitally (as well as on CD or cassette) today.

 

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