Begrime Exemious – Primeval Satellite (2014), The Enslavement Conquest (2016)

Begrime ExemiousPrimeval Satellite (Dark Descent Records, 31 August 2014)

 

Begrime ExemiousThe Enslavement Conquest (Dark Descent Records, 04 March 2016)

 

Good afternoon. About three years ago, Edmonton-based filthy death metal squad Begrime Exemious ventured south across the border into these United States, in celebration of which I had dug out their album from two years prior (Visions of the Scourge) to write about it at that time. Well, there have been reports of another stirring from the north — apparently the horde is on the move again — and so it seemed like an appropriate time to share with you a few things the band has done since the last time. Ironically, the first of these was actually released just a couple of months after the previous review was published. And the other came out early last year — so by historical standards I’m actually pretty far ahead of the game by sharing that one with you now! Anyway, please direct your eyes and ears to the following — and then see the comments section for a list of cities slated for begriming.

 

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Begrime Exemious – Visions of the Scourge (2012)

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Begrime ExemiousVisions of the Scourge (Dark Descent Records, 04 April 2012)

 

Good afternoon! Remember yesterday when I wrote about the new Wrought Iron album? I mentioned that they’d be having a release show to celebrate TONIGHT, at Howler’s Coyote Cafe in Bloomfield (Pittsburgh). Full details on that can be found right here. That show also features locals Post Mortal Possession and two out-of-town bands who are each currently engaged in (separate) tours: Cryptic Yeast from New York, and Begrime Exemious from Alberta.

Well as it turns out, I remembered that I had an album from the Canadian band — one that I’d never quite gotten around to writing about, so it’s just sort of been sitting here in my “to do” pile for the past 2+ years. With this news that they’re coming to Pittsburgh, in the midst of what I believe to be their first American tour (outside of a short excursion down the Pacific coast last summer), I figured it’s as good a time as any to revisit Begrime Exemious and their second full-length album Visions of the Scourge. (They’ve also released a number of splits and EPs, before and since then, and you may be interested to learn that pretty much their whole discography is available to download from Bandcamp for free or “pay what you like” — see the relevant link at the end of this post.)

 

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Wrought Iron – Rejoice and Transcend (2014)

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Wrought IronRejoice and Transcend (Grimoire Records, 24 June 2014)

 

Ever since the band was formed (which was at the end of 2011), and especially since they started playing live shows (the following spring), there’s been a significant amount of buzz surrounding Wrought Iron within Pittsburgh’s underground music scene. People who’ve caught their live shows (often appearing with some pretty big names, like Abigail Williams, Absu, Alcest, Dying Fetus, False, and Nachtmystium, just to name a few) have reported being spellbound by the ferocity as well as the raw talent on display.

Well, that — and one other thing too. It seems like whenever this band is being discussed, the performance of vocalist Kenny Snyder often gets brought up; several times I’ve witnessed certain people (without mentioning anyone specifically, but I will say it’s almost always been members of other local bands) trying to imitate the combined snarl-shriek-squawk that these folks affectionately refer to as “like a dying pterodactyl.”

Anyway. I personally may have been a little bit late to the party, but after hearing them recommended so highly for so long, I finally got the chance to see Wrought Iron last summer (and a couple more times since then). I was very impressed by what I saw and heard — they definitely lived up to the hype, no question about that. Fast-forward another year, and we find the band recording an album with Maryland’s Grimoire Records, which is being released digitally (as well as on CD or cassette) today.

 

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Just Released: Anhedonist – Netherwards


 

AnhedonistNetherwards (Dark Descent Records, 10 April 2012)

 
Good morning, Readers. Do you think I’m strange? Wait, don’t answer that. What I mean is, does it sound strange to you if I say that listening to some of the darkest, most mournful and depressing music actually makes me feel better? Here’s an example: last year I listened to a stream of Loss‘s critically-acclaimed album Despond, when that was made available shortly before the album’s release. I thought it was really good stuff — but shortly after that I was reading some reviews on some of the blogs I frequent, and admittedly I was confused by what they were saying. Stuff like how the experience took the listener to a really dark place, filled with torture and anguish and misery. I remember thinking to myself, I should really go back and listen to that again, because I remember coming out feeling peaceful and uplifted.

So with that in mind, I’ve come to the conclusion that there are two possible things happening here: either I am totally strange, with some sort of abnormal personality disorder… or else being at work (where I do quite a bit of my music listening) is such an awful and soul-crushing experience, that listening to aural expressions of pure melancholy actually can brighten that environment. I don’t know, probably it’s a little bit of both.

In any case, I’ve developed quite a taste for the doomier side of music. I love doom metal, I’ve found that I generally prefer death/doom over standard death metal, and just within the past year or so I’ve discovered a strong passion for Funeral Doom. So, the next logical step would be a Funeral Doom plus Death Metal hybrid, right? Of course it would. I propose that it would be called Funeral Death. Ladies and gentlemen, meet Anhedonist.
 
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MDF Update: Apparently Morgion was Scheduled to Perform? Anyway, That’s Been Postponed.

NOTE — Updated 07 January 2013 — This post originally referred to Maryland Deathfest X (which took place in May 2012). However, Morgion was announced as one of the confirmed performers for this year’s MDF XI (scheduled for May 2013). Recent reports (see the comment section, below) are indicating that this may not be happening as planned, either. Stay tuned, and I promise to share all the facts with you as soon as I have heard anything from an official source. But it’s not looking real optimistic at the moment.

 
UPDATE #2 — 08 January 2013 — Okay, it’s now been made officially official, Morgion will not be playing in 2013 either. Possibly not at any other time in the future, either.

 

Ok, first off, what the hell!!? I know I’ve been super busy with work crap and school crap and all kinds of other crap lately, but how did I miss the news that Morgion — the legendary doom metal band from the 90’s and early 2000’s — was getting back together to play at this year’s Maryland Death Fest!?!?

Anyway, so I’ve just learned that the band has been forced to postpone their previously-scheduled reunion performance. It was going to take place at MDF on the 25th of May, but… (as drummer Rhett Davis, formerly of Morgion and now with Gravehill, explains):
 

It is with great regret that I must inform you all that Morgion must postpone our performance at this year’s Maryland Death Fest, on Friday May 25th. Jeremy (Peto – Bass/Vocals) recently sustained a quite serious neck & back injury, serious enough to where he must undergo surgery and months of physical therapy. Needless to say we are all very concerned for his health and well-being, we must ask you to be patient with us just a lil’ bit longer! On the positive, we have our Rabid Decay DemoLive Rehearsal DemoTravesty 7″ EP re-release on CD called God of Death & Decay on Dark Descent Records, as well as the double gatefold Solinari vinyl release on Parasitic Records due before MDF! I do have to stress this is NOT a cancellation, this is a postponement… Our sincere apologies for this, but the circumstances are quite serious and we hope our fans/friends understand and wish Jeremy a speedy recovery!

 
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