Grizzlor – Cycloptic (Hex Records, 28 October 2015)
Rhin – Passenger (Grimoire Records, 06 May 2016)
Hey — remember a few weeks ago when I wrote about a split record by Barren Womb from Norway and New Haven’s Grizzlor? Maybe you missed it because it was only a couple short paragraphs, buried among reviews of two Bardus albums. Whatever the case, in that article (which you can find right here), I pointed out how the two songs contributed by the Connecticutian band were nasty and punky but also just catchy enough to make one want to check out more of their stuff. Well I didn’t realize it at the time, but there wouldn’t be a long wait to be able to do just that — in fact, technically it was a negative amount of time, since that article was published almost a year after the split with Barren Womb was released, and in the meantime — about seven months later, but still a few months before I wrote the article — Grizzlor had already put out another 7″ record.
Today I’m going to discuss that record with you, and I’ll also throw in some words about a brand-new album — due out next Friday from Grimoire Records — by Rhin from Shepherdstown (a small town at the easternmost tip of West Virginia, near the border with Maryland and Virginia). As an added bonus for those readers who live near Philly, Brooklyn, or New Haven, these two bands will be performing in your city this weekend! Further details on those shows will be found at the end of the article. But first, let’s talk about some music …
Lifetime Shitlist – Lifetime Shitlist (Grimoire Records, 10 June 2014)
Well holy crap. When did this happen — I can’t believe it’s more than halfway through August already! (Well, to be honest, just the fact that we’re more than halfway through 2014 seems kind of insane…) The past month or two has completely been a blur to me, mostly in regards to craziness at work. My company bought another company, adding tons of extra paperwork for us pencil-pushers, exactly at the same time that someone in my department who’d had lots of responsibilities had to suddenly go out on medical leave. Add in all the usual week-long summer vacations that people tend to take, plus new temps who’ve needed training as they’ve come and gone randomly over the past several weeks, and I’ve barely been finding time to breathe or eat (let alone sit still long enough to even LISTEN to much music, nevermind trying to actually WRITE anything!)
But I have had the chance to listen to some stuff recently — some really good stuff — and gradually things will be settling down a bit. And anyway, I don’t want you to think I’ve forgotten about you, readers! So I’ll be trying to take advantage of what little freetime I can find (for example right now I’m writing this intro on the bus at 4:30 am, instead of sleeping, since I found myself inexplicably unable to sleep most of last night anyway), to share with you some new releases that you really ought to hear. Besides, this particular EP I’d like to tell you about today is only sixteen minutes long, give or take, so I’ll try to keep this relatively short.
Wrought Iron – Rejoice and Transcend (Grimoire Records, 24 June 2014)
Ever since the band was formed (which was at the end of 2011), and especially since they started playing live shows (the following spring), there’s been a significant amount of buzz surrounding Wrought Iron within Pittsburgh’s underground music scene. People who’ve caught their live shows (often appearing with some pretty big names, like Abigail Williams, Absu, Alcest, Dying Fetus, False, and Nachtmystium, just to name a few) have reported being spellbound by the ferocity as well as the raw talent on display.
Well, that — and one other thing too. It seems like whenever this band is being discussed, the performance of vocalist Kenny Snyder often gets brought up; several times I’ve witnessed certain people (without mentioning anyone specifically, but I will say it’s almost always been members of other local bands) trying to imitate the combined snarl-shriek-squawk that these folks affectionately refer to as “like a dying pterodactyl.”
Anyway. I personally may have been a little bit late to the party, but after hearing them recommended so highly for so long, I finally got the chance to see Wrought Iron last summer (and a couple more times since then). I was very impressed by what I saw and heard — they definitely lived up to the hype, no question about that. Fast-forward another year, and we find the band recording an album with Maryland’s Grimoire Records, which is being released digitally (as well as on CD or cassette) today.
Myopic – Beyond the Mirror’s Edge (17 January 2014 CD / 04 March 2014 cassette, Grimoire Records)
Good afternoon, folks, and HAPPY FRIDAY! You all are probably anxious to get the weekend started, perhaps with some awesome music to listen to, and perhaps without a lot of crap to read before you get to listening. I understand. I’ll try to make this short and sweet. Which makes sense, because with just four tracks spanning approximately 25 minutes, this EP that was just released a week ago by Baltimore-based Grimoire Records is short — and also pretty fucking sweet.
The Beyond the Mirror’s Edge EP is the first thing I’ve ever heard from both Myopic, a three-piece band from Takoma Park, Maryland (just outside Washington), and from the Grimoire label. But if this little package of blackened post metal (with just a touch on the experimental side) is any indication, then I’m pretty excited to see what the future holds for both of them.