Two Reviews: The American Edition

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Two Reviews: The American Edition

 

Hey folks! Happy Thursday to you. (Does it seem strange to be excited that it’s the second-to-last day of the week? Like, the week isn’t almost over yet, but it’s almost almost over? I don’t know. But I’m definitely feeling that way this week.) Anyway.

So you might have noticed, a few days ago I wrote a thing about some Canadian bands I listened to last week on Canada Day. Well, a few days after that holiday is Independence Day for the United States of America, so it only seems natural that I should follow that post about Canadian music with one that is American-themed.

In digging through my massive archive of Stuff To Eventually Write About And Share With You, I selected two things that feature the word “American” — one in the band name and the other in the album title — although beyond this (and the fact that both actually live in America), there is very little in common between the two. I’m not saying that they’re quite polar opposites — not quite — but I’d imagine that a Venn diagram showing fans of these two albums wouldn’t have a huge amount of overlap. Maybe I’m wrong, maybe lots of you will absolutely love both of them. That would be cool. But there’s only one way to find out…

 

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Now Available on Vinyl: Autarch – The Death of Actiacus

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AutarchThe Death of Actiacus (originally released 19 April 2013 on cassette and via Bandcamp; re-released May 2014 on vinyl by Headfirst! Records and All We Know Records)

 

Crust, as a musical genre, can be difficult to precisely pinpoint — it seems to hover somewhere around the intersection of gritty hardcore punk and various forms of extreme metal such as death/thrash/crossover or, sometimes, black metal. (This last association works especially well when the combined genres also incorporate atmospheric or “post-metal” elements.) While musically the term can span a fairly wide spectrum (while staying primarily within the general confines of the collection of styles mentioned), crust as a concept tends to be more clearly defined by its attitude and lyrical themes — often focusing on things like social issues, or protesting against perceived injustices. Therefore, it would seem to make sense for a band called Autarch to identify themselves with that tag: “autarchy” is a philosophy similar to anarchy, but with a strong emphasis on self-governance and pure individualism.

Following a self-titled demo in 2012 (which you can download from Moshpit Tragedy here, either for free or by donating any amount you choose, which will then be sent to Canada’s Cedar Row Farm Animal Sanctuary), this group from the Blue Ridge region of western North Carolina released an album called The Death of Actiacus last spring. (“Actiacus” is one of several names used for Apollo, due to the fact that one of the major ancient Greek temples dedicated to this god of sun and light was located at a site called Actium — so it seems, metaphorically, the album title is basically referring to the extinguishing of light.)

And now (actually, sometime within the past week), the album has been made available in a limited vinyl edition (just 300 copies pressed on grey marble). And the band is also in the midst of a tour up and down the eastern U.S. and Canada — with only a handful of dates remaining before they head back home, but including a stop in Pittsburgh tonight (Wednesday, 28 May). More on both the tour and the album can be found below.

 

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Devouter Records Does It Again: Solar Halos’ Self-Titled Debut (Review)

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Solar HalosSolar Halos (20 January 2014, Devouter Records)

 

When halo rings the moon or sun, rain’s approaching on the run.

So goes the old saying. The atmospheric phenomenon known as a halo (which could be solar or lunar) involves the refraction of light through ice crystals in the air; as a beam of light strikes the crystalline structure at just the right angle, it is refracted as if passing through a prism, and the rays end up being bent into an arc shape that appears (to the viewer on the ground) to encircle the source of that light (i.e. the sun or moon). Traditionally this has been seen as an omen of approaching bad weather — which makes sense because, as people discovered when they started learning more about the science behind meteorology, the conditions that produce this optical wonder involve a certain amount of moisture being in the air as well as the approach of a warmer front which would generally precipitate (pun intended) impending rainfall. A quick Google image search shows that these halos are beautiful to look at, even though they may be foreshadowing that things could soon turn dark and unpleasant.

There’s another truism that says an email that comes from Devouter Records is a sign of excellent music on its way. Although not nearly as old or well-known, I’ve found this statement to be 100% accurate, dating back to the 2012 LP Trephine by MAKE and through every release since then. Added just a week ago to this impressive list is the debut album by Solar Halos, who just happen to come from the same North Carolina town (Chapel Hill) as their labelmates.

 

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MAKE – Axis EP

 

MAKEAxis (01 November 2012, Black Iron Records)

 
Hellooooooooo out there, readers! I vaguely remember that I used to do this thing where I’d listen to music, and then write about it, and then you’d read it and listen to the music too, and then everyone was happy. I don’t know why I haven’t been doing much of that recently — I guess a variety of reasons which could pretty much be summed up as “life getting in the way” — but I do want to get back into the habit.

Today let’s talk about this EP that was released by the North Carolinian post-atmospheric-ambient-blackish-doomy band MAKE back at the beginning of this month. I told you it would be coming (here and here) and if you’ve been reading my stuff for a while you already know how much I fawned over their debut LP Trephine (reviewed here).

Somehow during the course of all of that, I neglected to share the preview video for the EP — for which I apologize, but I shall make up for it by adding it here:
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More MAKE News…

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Hey there, party people! You might have noticed that I just wrote about these guys a little over a week ago, when I learned that they had a new three-track EP ready to be released at the beginning of next month. At that time, I told you that Axis was being released through Black Iron Records as a digital download on Bandcamp, on the first of November — which is just two more days away, so hopefully you’re as excited as I am about that!

But since that post, I learned even better news, with the promise of even more new MAKE material coming our way in the not-too-distant future!
 
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MAKE Announce a New EP, to be Released Soon!

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So the North Carolinian blackish post-something-or-other band MAKE just saw their album Trephine (read my review here, in which I invent the term “post-atmospheric-blackened-doom-metal”) released on vinyl by Devouter Records not quite three months ago, and the original self-release (online and on CD) was just over four months earlier.

However, they apparently didn’t want to sit around and waste any time before getting back to work, because this morning the band announced that not only had they completed work on a new three-song EP, but that it’s all ready to be released in just thirteen days!

 

On November 1st, 2012 we’ll be releasing our latest EP, Axis, on Black Iron Records (that’s us) as a digital download via Bandcamp. We’ll include a PDF of liner notes then, but for now here’s the cover art [above] and tracklisting:

1. Axis
2. Chimera
3. The Sleep of Reason Produces Monsters

 
You can be sure I’ll be bringing you more information about this as soon as I know anything new, but in the meantime you can keep an eye on the band using the assortment of links below…

 
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MAKE: blog, Facebook, Bandcamp

Just Released: MAKE – Trephine

 

MAKETrephine (Devouter Records, 30 July 2012)

 
Well hello there, readers! I know it’s been a long-ass time since I’ve posted anything, and for that I apologize. Things have just gotten super-busy at work and at home, and so there’s barely been any time for writing … I definitely hope to get some more posts published in the very near future, because I do have a ton of stuff to share with you! To start with, here’s my review of an amazing album that just came out on vinyl…

Originally self-released digitally and on CD in March of this year, Trephine by Chapel Hill’s MAKE is now available via Devouter Records as of this Monday (30 July).

As you’re surely aware, a trephine is a special type of saw used to cut a hole in the skull, allowing a brain surgeon access to operate.

Similarly, the album Trephine will enter your head, forcing its way deep into the recesses of your mind, but there’ll be no anesthæsia here; you’ll be fully aware the whole time, to witness the journey down to the darkest depths of your psyche.

 
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Out Last Month: The Reticent – Le Temps Detruit Tout

 

The ReticentLe Temps Detruit Tout (Heaven and Hell Records, 29 May 2012)

 
Well, shit.

I hate when I feel so overwhelmed by all the stuff I’ve got going on, that I start forgetting about things I was planning on doing. Does that happen to you? It’s like, everything needs my attention, everything needs to be a priority, and some stuff just unfortunately ends up falling through the cracks.

For example: it was about six weeks ago that I wrote about The Reticent — that post was just a comment on a news item about a politically-charged message that the band’s mastermind (and sole member) Chris Hathcock had shared on his Facebook page. But, at the same time, I had mentioned the (then) upcoming album (the band’s third full-length) Le Temps Detruit Tout (“Time Destroys All”), and I did mention then that I was planning on writing a review for the album.

Well, two weeks later, the album came out (on Heaven and Hell Records, who also released the previous two — in fact, the band’s 2006 debut Hymns for the Dejected was the first album that label ever released). And since then another four weeks have passed, and now I find myself digging through some unfinished drafts, when I stumbled upon this one. Not only did I forget to finish writing the review, but I almost shared this too late for you to enter the contest to win a copy of the CD!

When I say almost too late, I really mean it — the contest ends tomorrow (Friday, 29 June), so keep on reading, but then hurry up and hit the link near the end of this post, for your chance to win!!

 
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The Reticent’s Chris Hathcock – Not Very Reticent About NC Gay Marriage Ban!

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Apologies for the lame joke in the title of this post, but I just couldn’t pass it up! Thanks to Clawhammer PR for bringing this story to my attention.

 

The Reticent‘s Chris Hathcock recently denounced the May 8th passage of Amendment One, North Carolina’s constitutional amendment prohibiting the legal recognition of domestic unions, including same-sex marriages. The amendment, which has made North Carolina a national focal point for the issue, defines marriage as solely a union between a man and a woman, and expands an existing North Carolina law banning gay marriage.

 

Said denunciation primarily came last week in the form of re-posting an image (which I’d already seen multiple times on Facebook) depicting various types of marriage, as described throughout the bible and in the laws of biblical times. However, in this particular context, Hathcock directed his message specifically at the Reverend Billy Graham:

 

The Reticent is collectively disappointed in North Carolina’s passage of an exclusivist, misguided, and ill-informed piece of legislature today. The mind reels. It is all too clear what really fueled those voters that checked “For” which is terribly disheartening. Billy Graham took out an ad in 14 NC newspapers proclaiming his support and we quote him: “The Bible is clear…”. Alright, then we would like to posit the following as other examples of marriage found in that text.

 

Mr. Graham has already displayed — on far too many occasions to count — his sick and twisted version of Christianity which has nothing to do with loving thy neighbor or any sort of a golden rule. Therefore, his direct support of a law which serves no positive or helpful purpose whatsoever, and exists only for the sake of excluding rights and liberties from a specific group of citizens, comes as no real surprise.

The reasoning in this case, though, seems to be the source of Mr. Hathcock’s frustration: there’s plenty of outdated (and just plain wrong) information written in the bible, so it makes little sense for anyone to base their entire lives on something that was written thousands of years ago. But even disregarding that, it certainly makes less sense for any law in this country to be based solely on a religious text (without any other grounds for that law’s existence), when (according to Black’s Law Dictionary) the First Amendment to the United States Constitution includes a provision “that prohibits the federal and state governments from establishing an official religion, or from favoring or disfavoring one view of religion over another.”

Anyway, apparently if you make a public statement that is contrary to a decision made by majority vote in certain places — California, for example — it just gets dismissed as another case of Hollywood liberals and most people barely even notice. However if you do the same thing in a place like North Carolina, I guess it’s a much bigger deal. Following that post, it seems a great deal of argument erupted (both for and against the legislation), prompting a second post a day later:

 

The anger and vitriol on all sides of the current debate in our home state and country is troubling to us. And further we do not want to entertain any further debate on our page because all we want to do is make music. The thing that is most staggering and regretful in all of this is that it seems we as a people cannot have an earnest discussion about this. Are we only capable of venom and hostility? I’m not about to tell you what to think, there are enough people doing that in all our lives already. But regardless of your stance, if we can’t all sit down and have a reasoned, honest, and legitimate discussion of this issue – we will only tear further apart. Once more, we do not wish to use this page to play host to any debate or soapboxing. Yet since we made a statement (which we thought was mild and humorous) we have found it clearly necessary to bring closure to this can of worms. Here ends our political ranting.

 

Very well, we can let the discussion end here and talk about music instead.

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