Tau Cross – Tau Cross (2015)

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Tau CrossTau Cross (Relapse Records, 19 May 2015)

 

Hello, and happy Easter Monday! Today’s kind of an ugly, rainy day here in Pittsburgh, so I guess it’s not such a bad thing that I’m stuck at work. Maybe the weather is nicer where you live, and maybe you don’t have to work because maybe in your country today is an official holiday — folks many parts of the world will be celebrating the beginning of Eastertide. In either case, I’d like to talk about an album that was released almost a year ago — actually, it was during the last week before Pentecost, the conclusion of the Eastertide season.

That album is the self-titled debut of crust-post-punk supergroup Tau Cross, whose name comes from the T-shaped symbol of the Franciscan Monks, based on the Greek letter Τ (Tau). In traditional symbolism, this letter is used to represent the cross, since ταυ is an abbreviation for the word Σταυρός (Stavros, which means “Cross”), and because the letter itself is cross-shaped. As such, the Tau symbol has also come to stand for Resurrection, and by extension, is closely associated with Jesus — nearly as much as the letter Χ (Chi).

Anyway, that’s surely enough of a history lesson for today, let’s get to the music! As an added bonus (for those who live in the northeastern U.S. — which includes Pittsburgh! — or southeastern Canada), scroll down to the comments section to find details about the band’s trip across the region which starts tomorrow night and runs for about a week and a half — their first live performances ever!

 

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Amon Amarth – Jomsviking (2016)

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Amon AmarthJomsviking (Metal Blade, 25 March 2016)

 

Well, it seems like this really turned into a week filled with black metal (or some form or variant of blackened-whatever), didn’t it? That wasn’t on purpose or anything, there just happened to be a few interesting things within that realm that I had wanted to share with you. But today we’ll be turning in a completely different direction: Viking metal!

(That was a little joke to piss off the Internet Metal Nerds, because the subject of whether Viking metal is really a thing, and if it is, how it should be classified, has been discussed endlessly, without ever really reaching a conclusion except for the fact that, as typified by bands like Enslaved and Bathory, it’s [somewhat] widely accepted as a subset of the black metal genre.)

But that’s not what we’re here to talk about at all — today’s topic is more along the lines of melodic/epic/anthemic metal. But I mean, look at that album cover (above)! Listen to the music (there will be previews near the end of the article)! Look at that photo of this band’s incredible stage setup from when I saw them a few years ago (below)! Despite their name (which means “Mount Doom,” a reference to the volcano from the Lord of the Rings books and movies), everything about Amon Amarth just screams “Viking metal”! What else would you call them?

In any case, this bunch of Swedes have a brand new album (their tenth) coming out tomorrow, so we’re going to take a look at that. Also, they’re coming back to the U.S. and Canada in about two weeks, marauding their way across the continent throughout April and May, so be sure to take a peek down at the comment section below where I’ll include the full list of those tour dates…

 

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Thy Art Is Murder Coming to Pittsburgh — Win FREE Tickets!!

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Opus One Productions Presents:

The Coffin Dragger Tour – Featuring:

Thy Art Is Murder, Rings of Saturn, Fit for an Autopsy, Dark Sermon

Saturday 07 May 2016

at Mr. Smalls Theatre, 400 Lincoln Ave. Pittsburgh (Millvale) PA 15209

ALL AGES, 6:30 show / 6:00 doors, $16 in advance / $19 day of show

 

Tickets are on sale NOW at Ticketweb… OR you can WIN a pair of tickets FREE, courtesy of Opus One Productions and Valley of Steel! Keep on reading to find out how…

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Acid Mothers Temple Coming to Pittsburgh — Win FREE Tickets!!

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Opus One Productions Presents:

Acid Mothers Temple with special guest Mounds

Thursday 31 March 2016

at Club Cafe, 56-58 12th St. Pittsburgh (South Side) PA 15203

21+ only, 8pm show / 7pm doors, $12

 

Tickets are on sale NOW at Ticketweb, Dave’s Music Mine, or the Club Cafe box office… OR you can WIN a pair of tickets FREE, courtesy of Opus One Productions and Valley of Steel! Keep on reading to find out how…

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Anicon – Aphasia (2015)

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AniconAphasia (self-released 06 May 2015; cassette via Acteon Records, 15 September 2015)

 

It’s Friday and the work week has ended and I’m all ready to kick off the weekend by heading out to the Slaves BC record release show! For those of you who aren’t close enough to Pittsburgh to make it here this evening, though, I’ve got something for you to keep yourself occupied — a band I first discovered when I saw them at another Slaves show…

About two and a half years ago, I went to see them with another excellent local band, Storm King, at this rinky-dink little dive in Pittsburgh called Kopec’s. The performance area was more like the living room of a run-down old apartment upstairs from the bar — a cool little space, which has been sadly missed ever since they stopped hosting shows later that same year. Anyway, that night was a special treat because a third band also played, whom I was not previously familiar with, but who definitely grabbed my attention and impressed everyone in the room with their energy and high-quality musicianship: the New York black metal group Anicon. Here is a video from their set that night, to give you a taste of what’s in store.

As one does when seeing a really good band from out-of-town play, I remember wanting to patronize their merch table, but as I recall they only had cassette tapes for sale, and since this is the twenty-first century, I had to leave empty-handed. Well, fast-forward to mid-2015, and I discovered that Anicon had put out a new EP. They said they had recorded it themselves in their practice space, intending for it to serve as a demo for a full-length due out sometime in 2016. But practice space demo or not, “Aphasia” still landed a spot on my list of last year’s best releases. Keep on reading (or just skip the next bit and head down to the part where you get to hear it for yourself) and I’m sure you’ll understand why.

 

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Slaves BC – All is Dust and I am Nothing (2016)

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Slaves BCAll is Dust and I am Nothing (Veritas Vinyl, 16 February 2016)

 


 
Whoops, I guess I forgot to say “Spoiler Alert”…

Seriously, though, that was my initial reaction on hearing this full album for the first time. I know it’s still very early in the year, and there will be plenty of high-quality releases yet to come (and I’ve even heard a few good ones already), so it’s ridiculous to make such a proclamation at this point. But I can assure you this record will definitely end up in my Top 16 list, probably very close to the top of that list. Because it’s that good.

 

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Selim Lemouchi and His Enemies – Earth Air Spirit Water Fire (2013)

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Selim Lemouchi and His EnemiesEarth Air Spirit Water Fire (Ván Records, 06 December 2013)

 

Good afternoon. It’s been about eleven days since you last heard from me — sorry, but I’ve had shit going on. Like one of those times where everything decides to break all at once, and everything needs urgent attention. Whatever. I hope you’ll be able to forgive me when you hear the ABSOLUTE FUCKING MASTERPIECE that I’m sharing with you today. This album — a solo work by the former guitarist of Dutch occult band The Devil’s Blood — was released to not-a-whole-lot-of-acclaim at the tail end of 2013, and then was tragically overshadowed by its creator’s death just about three months later. A huge surge in attention for his former band ensued, but it felt (to me, anyway) like this record accidentally got swept under the rug. Which is really a shame, because it’s sheer genius.

One quick word of caution, before we get started, though — speaking of genius. This article is going to contain references to Brian Wilson and The Beach Boys. If hearing those names conjures images of sappy poppy teeny bopper surf music — and nothing further — please take a moment to educate yourself about what is universally considered to be that composer’s (and his band’s) landmark achievement in the history of recorded music. You can thank me later. When you’re ready, please join us directly beneath the following photograph…

 

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Cave of Swimmers – Cave of Swimmers (2014) and Reflection (2015)

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Cave of SwimmersCave of Swimmers (The Path Less Traveled Records, 15 April 2014)

 

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Cave of SwimmersReflection (self-released, 4 May 2015)

 

Dear Friends, I am thoroughly confused about something. It’s been about two months since Cave of Swimmers, the Venezuelan-American guitar/moog/vocals/drums duo who live in Miami, released their second album Reflection. This is a collection of four songs that are sheer excellence — every bit as fantastic as the four songs on their self-titled debut which had been released about a year prior — unquestionably one of the most incredible things I heard in 2014, and quite a pleasant out-of-nowhere surprise. So what I can’t understand is, at this point, why is this band not just exploding, and being lauded with overwhelming international renown??

To a small extent, I accept and acknowledge my share of the blame: on both occasions I’ve let trivial things like “being too busy at work to get much writing done” keep me from publicly sharing my thoughts on the release of these two brilliant albums (with one minor exception). Well that all ends today. Get ready to fill your ears with this…

 

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The Lion’s Daughter & Indian Blanket – A Black Sea (2013)

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The Lion’s Daughter & Indian BlanketA Black Sea (Good Die Young Music, 12 November 2013)

 

Hello out there, hope you all are having a good afternoon! If you caught the article I wrote yesterday, you would have been treated to an unsettling combination of folksy Americana (Bask) and grimy, noisy metal (American Heritage). Writing about those two bands together reminded me of another incredible album — one which actually combines an American folk band with a heavy, sludgy metal band (Indian Blanket and The Lion’s Daughter, respectively), both of whom are from Saint Louis. This album was released nearly two years ago, and I’ve been in love with it ever since, but somehow never got around to writing about it.

I was actually excited about this album from the first time I heard that it was being made — before I ever heard any of the music on it — because I was already familiar with one of the bands involved. The Lion’s Daughter had been on tour with another band from St. Louis, the amazing Fister, when I wrote about that band’s album Gemini on the day that they both came here to Pittsburgh — which, by some remarkable coincidence, was exactly two years ago today! It may have been because I’d listened to Fister a lot prior to the show but hadn’t really known anything about their tourmates at the time, so I didn’t really have any particular expectations before seeing them, but The Lion’s Daughter completely blew me away that evening. I feel like both bands managed to bring equal amounts of intensity and sheer volume (and for those of you who’ve seen Fister, you’ll know that is no easy task!)

Anyway, several months later a collaborative effort with their friendly neighborhood folk band came to fruition, and it was every bit as cool as I had hoped for — in fact, it has seemed to grow on me even more with repeated listens, to the point where I ended up including it among my favorite albums of 2013. Check out A Black Sea for yourself, and I think you’ll see why.

 

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Three Reviews: A Hat Trick of Canadian Thrash

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Three Reviews: A Hat Trick of Canadian Thrash

 

Hello, Readers! Here we find ourselves on another Monday, and I’m sure you all are about as excited to be returning to work as I am. You may have noticed — or maybe you didn’t, I don’t know — that I hadn’t managed to write anything throughout most of last week. Such is the unfortunate result of being busy working extra hard, making sure everything is as caught up as possible, before missing an extra day of work due to the holiday weekend. The holiday in this case is America’s Independence Day, which took place this past Saturday but most businesses were also closed on Friday for its observation. However, while I may not have had time for writing during the week, I spent plenty of time listening to music. Always listening to music.

And I noted that during those days there was another holiday celebration taking place — Canada Day, the celebration of the anniversary of the official formation of Canada as a country (technically, as a Dominion under the British Monarchy), was last Wednesday. Therefore, it seemed fitting to spend the day perusing all of the Canadian music I currently have on my MP3 player. I noticed that this included a handful of recent (within the past month or four) independent releases from Canadian thrash bands. And then I decided to attempt a feat that (as far as I remember) has never before been accomplished on this website: a triple review! It’ll help that two of these three releases are actually three-song EPs, but still, this is an unprecedented level of ambition. So with that in mind, let’s get straight to it….

 

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