Category Archives: Reviews

Now Available: Low Man – Self-Titled EP

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Low Man – Low Man EP (self-released, 14 August 2012)

 
Hey there, friends and comrades, how are you all doing?! Feel free to imagine all the typical witty “oh man it’s Monday, I really hate Mondays” rhetoric here. Honestly, though, I’m not really feeling that terrible so far.

It could just be that I’m still not quite awake enough to really feel it yet, or maybe it could be a lingering positive feeling from watching (my local football team) the Steelers utterly demolish the visiting New York Jets yesterday. (By the way, if anyone reading this is a Jets fan, I’m sorry — for many reasons…)

But anyway, whatever the explanation, I think I’ll take advantage of this ultra-rare pleasant mood (relatively speaking, of course), and do something productive. The first thing I want to do is talk to you about Low Man.

Now I’ve mentioned these guys a time or two in the past, when they’ve had various shows scheduled, but I’ve never really taken the time to discuss the band at length before. And since they’ve recently released their self-titled debut EP (which has been online for the past few weeks, but will also be available on CD starting today), it seems like a good time to start!

 
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Pagan Altar’s ‘The Time Lord’ EP Now Available On CD!

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Pagan Altar – The Time Lord (11 September 2012, Shadow Kingdom Records)

 
Dear Readers — by now I assume most of you have heard the sad tale of Ed Barnard, from the website Doommantia?

If not, the Readers’ Digest Condensed version goes something like this: after some major health-related issues, then came the astronomical medical bills, which led to serious financial struggles, culminating in the loss of his home. Reportedly, he is now sleeping in a tent somewhere — you can read more at Doommantia (here might be a good place to start).

First of all, I think the whole situation is utter bullshit — something like this shouldn’t happen to anybody. It shouldn’t be allowed to happen to anybody. This is the sort of thing people need to keep in mind when they complain about health care reform, or when they look down upon unemployed and/or homeless people as the result of laziness (or whatever). The point is, shit happens, and it can happen to anybody. At one time or another, we all could probably use a little bit of assistance. Right now, it seems, would be one of those times for Mr. Barnard.

Additionally, I’ve just learned this morning that the Maryland-based doom band War Injun has made it known that they are in the process of putting together a benefit concert to help raise some funds. It will be held on a date yet to be announced, in Frederick MD. No other details are available yet, but here is the preliminary announcement.

Frederick is only a few hours from where I live, so depending on when this takes place, I’ll definitely do my best to be there. If you are somewhere around the area, you should too. If not, well, you can check out Doommantia here, and please note that there is a Paypal donation button embedded on that page. Every little bit helps.

Anyway, it’s interesting that I found out about this today, because it ties in with the post I was already planning on publishing. In addition to the excellent collection of reviews and articles featured on the website, Ed also had a hand in the internet radio station Foundry of Doom. (If I remember correctly, a few years ago the station was forced to cease operating — due to whoever originally ran it having financial trouble of his own, I believe — when Doommantia stepped in and resurrected it.)

Sadly, FOD Radio is no longer broadcasting at this time, but I used to spend countless hours listening to it at work, often discovering some amazing music, both new and old. Before I found that station, of course I was well-versed in some of the bigger names of doom metal — Pentagram, Saint Vitus, Candlemass, and so on — but I found myself getting quite an education.

One of the most significant discoveries I made around that time was the UK’s Pagan Altar — in fact, I can still remember how quickly I was hooked the first time I heard their song “Satan’s Henchman.” I think it’s a crime that this band doesn’t get quite the recognition that some of their peers do, and consider them to be seriously underrated.

So anyway, I guess you could say Doommantia is responsible (either directly or indirectly) for my high level of excitement when I learned that Shadow Kingdom Records had plans to release some Pagan Altar music that had never before been available on CD! This long-out-of-print EP of old demo recordings — some dating back to the band’s beginnings in the late 70s — is called The Time Lord, and it’s officially available from SKR as of today!
 

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Now Available: River City Rebels – Headed to Hell 7″

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River City Rebels – Headed to Hell (28 August 2012, Screaming Crow Records)

 
Hello again, readers, and a happy Wednesday morning to you! My vacation has ended and I’m back to pollute your in-box and/or RSS reader with random ramblings and desultory dialogue.

…and music, of course. After all, that’s why you’re here, isn’t it — to discover some new tunes, not to hear me whine about how lousy my day was at work or whatever?

So then, let’s get straight to it, shall we?

 
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Out Last Week: The Faceless – Autotheism

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Autotheism album cover

 

The Faceless – Autotheism
(Sumerian Records, 13 August 2012 Europe / 14 August North America)

Well, folks, you’ve been looking forward to this for several years, and it’s finally here: The Faceless have finally put out their third album!

Well, when I say “you” I mean “a LOT of you” — here’s a band that has almost 200,000 Facebook likes (compared with the typical band I write about, which might have several hundred, or a couple thousand at most). So yeah, that’s a lot of people, and probably a good chunk of my faithful readers, hence the reason I felt compelled to pass along the details about this new album when they popped up in my in-box.

Do you know who was not among those hundred-grand-plus anxiously awaiting? Yours truly. The news of new The Faceless material left me feeling pretty indifferent, simply for the reason that I’d never heard this band before. True story. Now, I’m not one of those über-elitist types who refuses to listen to anything that isn’t underground enough — I like to believe I’m more open-minded than most — but more often than not, the modern style of metal music that’s currently in vogue (without naming names, let’s just say I’m referring to the bulk of stuff that gets played on Liquid Metal, or the bands that seem to have the most rabid fans among commenters over at MetalSucks) just doesn’t do anything for me.

Or to put it another way, it seems like the more hype that surrounds a band or an album, the less likely I actually end up enjoying it. Not that I purposely dislike stuff because it’s popular, it just seems to work out that way a lot of the time. Of course, there are plenty of exceptions, and so I would never totally dismiss something without first giving it a shot, but I also typically wouldn’t go out of my way to check something out if I got that sort of a vibe from it.

But part of that earlier post prior to the album’s release included a video trailer, and the small amount of music that was included in that preview didn’t really sound like all the other generic crap floating on the airwaves nowadays. In fact, it struck me as a bit intriguing. So I decided I wanted to check it out — to see what the big deal was.

So Autotheism officially hit the store shelves ten days ago (figuratively speaking, as I’m pretty sure they don’t actually have shelves at iTunes or wherever), and since then I’ve heard it from start to finish no less than ten times. At this point, I feel that I can confidently say, this is an amazing album and I strongly recommend you take the time to discover what it has to offer — I’m sure that you, too, will be glad you did.

 
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Now Available: Laster – Wijsgeer & Narreman (FREE Download!)

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Laster – Wijsgeer & Narreman (cassette release 01 June 2012, CD release 01 August 2012; both via Dunkelheit Produktionen)

 
Good afternoon, readers! Are you having a good day so far? I hope so. I know it’s still Monday, but at least it’s almost over, right?

Anyway, I’ve got an excellent serving of black metal I’d like to share with you all. Laster (“libel” or “defamation” in English) is a two-piece band from the Netherlands. Each of the members is also involved in other musical projects, but they both use initials as pseudonyms (and both are credited with “vocals and all instruments”) so it isn’t much use trying to discuss that.

In fact, outside of their city (Utrecht) and country of origin, pretty much everything else about this band is mysterious. They don’t even have a Facebook or Myspace page (as far as I have been able to discover). In a way it’s a shame, because I do like to find as much information as possible so I can be more knowledgeable about what I’m writing about.

At the same time, isn’t part of the allure of black metal its arcane nature, that sense of mysteriousness? Perhaps sometimes the ease with which the internet has put nearly limitless information at our fingertips can actually detract a bit from the magic? Turn the extraordinary and unique into something familiar and commonplace?

In any case, that’s the extent of the details I am able to share. Even the EP title and each of the three song titles have aluded my translation (via Google) abilities. I’ve been able to pick out a few words, but not enough to decipher anything meaningful. For example, the record is called Wijsgeer & Narreman; apparently the first word means “philosopher” or “sage” but the second part has no results however hard I try searching. Perhaps one of my helpful Dutch friends will want to offer some assistance?

 
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Just Released: MAKE – Trephine

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MAKE – Trephine (Devouter Records, 30 July 2012)

 
Well hello there, readers! I know it’s been a long-ass time since I’ve posted anything, and for that I apologize. Things have just gotten super-busy at work and at home, and so there’s barely been any time for writing … I definitely hope to get some more posts published in the very near future, because I do have a ton of stuff to share with you! To start with, here’s my review of an amazing album that just came out on vinyl…

Originally self-released digitally and on CD in March of this year, Trephine by Chapel Hill’s MAKE is now available via Devouter Records as of this Monday (30 July).

As you’re surely aware, a trephine is a special type of saw used to cut a hole in the skull, allowing a brain surgeon access to operate.

Similarly, the album Trephine will enter your head, forcing its way deep into the recesses of your mind, but there’ll be no anesthæsia here; you’ll be fully aware the whole time, to witness the journey down to the darkest depths of your psyche.

 
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Get to Know: Cenobite (Review of ‘The Black’ EP)

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Cenobite – The Black (05 July 2011)

 
Okay, first of all I feel like I need to clear this up right away: regardless of how it might sound, a “Cenobite” is not a unit for measuring computer memory. Don’t go into your local electronics store and try to buy a 50 Cenobite hard drive or something.

No, as my research has taught me, the word stems from the Greek roots κοινός (“common”) and βίος (“life”), and refers to individuals involved in the practice of communal living, as typified by Buddhist or Christian monks.

Researching a little bit further, I found that the name was also used for the race of formerly-human beings who live in an extra-dimensional void (but can be summoned to earth through a portal created by solving a complex puzzle-box) in the Hellraiser series of movies and comic books.

As I understand it, these creatures were named Cenobites because their apparently-religious-like devotion to hedonism and sadomasochism had ultimately transformed them into a state where they had completely lost all semblance of humanity, just like monks’ religious-like devotion to — well, to religion — inspires them to give up all earthly possessions and pleasures and enter a communal living environment. I guess.

I’d heard of the Hellraiser series before, but never actually knew anything about it until I read all this stuff earlier today. The funny thing is, the brief overview of the characters, and the synopsis of the first film’s plot that I read, both sounded awfully familiar to me — when I remembered that there was a Mortician song that incorporated a lengthy sample (as many of their songs do) where they talked about these demon-like beings who’d been summoned by using a box, and then they wanted to take somebody back to another dimension of hellish torture, someone who had escaped from their clutches previously. So I poked around a bit more, and found that the song “Hell on Earth” (from Zombie Apocalypse) did, in fact, make use of a sample from the original Hellraiser movie.

Isn’t it funny how sometimes a quick search on Wikipedia can turn into a whole chain of discovery?

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Get Yourself Some FREE Pittsburgh Metal: Innervenus Music Collective – Iron Atrocity v.2

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Innervenus Music Collective – Iron Atrocity v.2 (Innervenus Music, 03 August 2012)

 
Unless you’ve been living under a rock for the past nine months, or have never ever seen a post on this blog before, chances are you’ve heard me talking about the Iron Atrocity project. This is purely a labor of love by the wonderful folks who run the Innervenus Music Collective, and designed as a showcase for the array of high-quality metal (and other related music) we’ve got here in the Pittsburgh area.

It’s been a long time coming, and there have been many trials and tribulations along the way, but the second edition of this compendium of local talent has been completed! Just like volume 1, this new collection will be handed out for free by Innervenus-related bands at shows and other events (beginning with the Iron Atrocity Vol.2 release show, which is scheduled for Friday 03 August 2012), but also just like its predecessor, the compilation can be downloaded for free — and it’s available right now!

The new CD has assembled tracks — some newly recorded, exclusively for the compilation, some taken from recent releases — from sixteen different local bands, all of whom have been mentioned on this website in some form or fashion, at one time or another. Nevertheless, I’ll give you the full rundown on all the songs, about an hour and a quarter in all, that will be yours FREE when you grab this download. All you need to do in return is listen and enjoy, spread the word, and whenever possible, show your support by heading out to some shows (or buying some merchandise)!

 
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Get Yourself Some FREE Chinese Metal: Rock in China – Core in China Compilation

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Core in China - cover art #1 (by Joe Wu)

 

Rock in China – Core in China (15 May 2012, Rock in China Records)

 
Hello readers! As you may have noticed, I’m pretty interested in learning about where different bands come from, and I try to seek out material from places that are unfamiliar to me. Well until now I’ve never written about any music from China, so when I learned about the Core in China Project, I decided it would be a great opportunity to share something that was totally new to me, and probably new to you as well. I’d never heard of Rock in China Records before this compilation was brought to my attention, but I think it’s really cool what they are doing — working to help Chinese musicians find greater exposure across the world.

Despite the censorship and controls on the internet within the Chinese borders, it seems that many people have managed to gain access to foreign recordings and videos somehow, and then post them to websites within that country (which basically serve as Chinese versions of Youtube, etc.); through these means, young bands have been inspired by some of the trends that are taking place across the world and are now able to produce their own take on many new musical genres and sub-genres.

Core in China (described as a “free online compilation of Chinese Metalcore, Deathcore, Nintendocore, Hardcore and Screamo bands that have been selected via an open song submission process from January to May 2012”) is an attempt to document some of what is happening within China (also including Hong Kong, Taiwan, and Inner Mongolia). It was officially released online about two months ago, as a free download.

Since this compilation covers a pretty wide range of material, I wouldn’t expect most people to fall in love with everything you’ll find here (for me, personally, it breaks my heart — and also makes my ears bleed a bit — to find that the awful trend of abusing auto-tuning has found its way to that part of the world), but this is a cool way to discover some music you might never have been exposed to otherwise. With around ninety minutes of music, there should be a little something for everyone here!

Below, I’ll give you a brief run-down on what you can expect from the tracklisting, as well as where you can get more information on the project and the bands, and finally where you can grab these free tunes!

 
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Out Last Week: Monsterworks – Man::Instincts (FREE Download!)

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Monsterworks – Man::Instincts (Mortal Music, 10 July 2012)

 
Whoah.

Despite all my attempts to stay alert and focused on doing my job, I think I might have accidentally dozed off a little bit just now.

And let me tell you — I had one fucked up dream.

Picture this: King Diamond and his band, Chris Cornell and the rest of Soundgarden, Rob Zombie, Glen Benton and the rest of Deicide, and all four dudes from Mastodon somehow all met up at a party, where they ended up playing cards and drinking and having a good time, and suddenly they decided they wanted to collaborate on a musical project. All of them.

Naturally, with so much talent in the room, nobody could decide who should be the vocalist, so they figured the only fair way would be to let everyone sing — sometimes they’d take turns, or sometimes they’d all join together in like this massive heavy metal choir. Something like the chorus in the Blue Öyster Cult song “Extra Terrestrial Intelligence,” just on a much grander scale.

Another issue arose when it came time to start writing songs, since they all came from such diverse musical backgrounds. But this supergroup soon discovered that they at least had some influences in common — all the great old-school metal, proto-metal, and hard rock bands. So they let this sound be the foundation for their new music, and as they began working together on the songs, they found that the little bits of death metal, stoner metal, thrash, NWOBHM, and whatever else kept creeping into the writing process seemed to mesh together surprisingly well. (I know it doesn’t make a whole lot of sense — I told you it was a pretty crazy dream!)

 
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