Category Archives: Reviews

Out Last Month: Ne Obliviscaris – Portal of I

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Ne Obliviscaris – Portal of I (11 June 2012, Code666 Records)

 
How’s it going, Dear Readers? I’ve got another amazing album I would like to share with you. I’ve been so fortunate with how much good stuff I’ve been coming across lately, I only wish that I had more time to write about it all so that you could have the chance to read about it and listen to it sooner! I guess what I’m saying is, it makes me feel guilty that my brain and fingers don’t work quite as fast as my ears sometimes…

Anyway, here we have Portal of I, the (relatively) new album by the Melburnian sextet Ne Obliviscaris. I usually have a pretty good memory when it comes to my history with specific bands, but to be honest I have no idea where or when I discovered these guys. Chances are, I probably read something about them over at No Clean Singing, or possibly at The Number of the Blog, since I’ve made an awful lot of discoveries through both of those places.

Oh and by the way, for all you former TNOTB readers who have been grieving since that website was lost in cyberspace, I hope you’ve started reading Oculus Infernus, the new home of head editor and writer Grover XIII. In case you haven’t seen it yet, the new blog can be found here. (And while we’re at it, No Clean Singing is over here.)

As I was saying, sometime, somehow I came across this group of Aussies, and I found them intriguing enough to “like” them on Facebook. Fast-forward to this May, when the band invited all their fans to “International Ne Obliviscaris Sharing Day” — when they planned to reveal an advance single from their then-forthcoming new album. I wrote about that impromptu holiday, and then shared the song (“Xenoflux”). Based on previous experience I had expected it would be good, but as it turns out, it was amazing!

To make a long story short, soon after that, the album was released in Australia and New Zealand on Welkin Records, a small, independent label run by one of the band members; right around the same time it was announced that Ne Obliviscaris had signed on with Italy’s Code666 Records for the rest of the world. This made perfect sense to me, since I’ve always found that Code666 tends to work with very good — and very unique — bands. So then the album was available all over the world, and about a month later, it’s finally time for me to share this masterpiece with you.

 

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Coming Soon: Titans Eve – Life Apocalypse (Free T-Shirt with Pre-Order!)

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Titans Eve – Life Apocalypse (13 July 2012, Self-Released)

 
Good morning, readers!

You may have noticed that I don’t normally publish album reviews before the official release dates. Part of the reason might be because I want to share things with you when they’re actually available for you to get your hands on them, because I know how short people’s attention spans can be sometimes — myself included! Sometimes when I read about something several months before it comes out, I might think to myself, “Oh that sounds great, I’ll have to check that out” and then I completely forget about it a few days later.

More than that, though, it’s mostly because I usually just don’t get around to it. I hear about loads of great music and I want to write about all of it, because I want to make sure the bands get the exposure they deserve, and I want to make sure YOU have every opportunity to hear about the new music you want. Besides that, I try to spend as much time as possible with something before I start writing — albums usually get numerous listens on several different days, so that I feel familiar enough with the material to be able to describe it adequately AND so that I can be sure I wasn’t hearing something wrong just because I was grumpy or preoccupied on a particular day.

Unfortunately, I don’t have an unlimited amount of time for writing, which means I’m perpetually running behind. I’ve still got a bunch of albums from 2011 I haven’t even listened to yet, not to mention how much stuff I haven’t had the chance to write about!

When I heard this album full of killer thrash music by Vancouver’s Titans Eve, I knew I would want to write about it and share it with you, but then when I found out that they have pre-order packages (either the digital or CD versions) where they are throwing in a FREE t-shirt, I decided I needed to bring this to your attention sooner rather than later! This Friday (the 13th of July) is the official release date, so hurry up and finish reading, then at the end of this post you’ll get the chance to hear the album for yourself, and I’ll give you all the links you need to take advantage of this special pre-order deal.

For my Canadian friends, I’ve also provided the dates for the band’s July/August tour of western Canada with Anvil, as well as a list of stops when they will be heading east across the rest of the country with Kill Devil Hill.

 

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Free Music Alert: Download the New Telepathy. Single!

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Telepathy. – Lucretius (03 July 2012, self-released)

 
Hello there, Readers. How are you enjoying your Monday so far?

I guess that’s kind of like asking for your opinion on receiving surgery without any anaesthesia, isn’t it…

Personally, I am really having trouble getting re-acclimated to the whole “working” thing — it’s like that feeling when you’ve been away on vacation for a whole week and somehow forgot how to do everything.

Oh well, I do have one piece of good news to share with you, that just might help give you a little bit of motivation (or at least help you wake up) today. I’ve learned that the UK-based instrumental prog band Telepathy. have just put out a brand new single!

 
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Now Available: Undersmile – Narwhal

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Undersmile – Narwhal (Future Noise Recordings, 28 May 2012)

 
If you spend any amount of time poking around this blog (and I highly encourage you to do so!), you’ll quickly notice that I have a fairly broad range of musical taste. Most of the stuff that I listen to would be classified under some metal genre or other, although not all of it. Everything else would usually fall into one or more categories of punk, hardcore, hard rock, or pretty much anything that’s heavy, but once again, you still couldn’t fit all that I listen to in such neat little boxes. Even just looking at the metal music, you’d find me all over the spectrum there as well, touching upon (at least to some degree) practically every subgenre ever invented.

However, one recurring theme you might discover, is that I’ve always had a certain affinity towards the sludgey, the grimey, the filthy, and in particular, the mind-numbingly slow. If it sounds like it was recorded with an hourglass instead of a metronome, chances are I’ll be all over it like zombies attacking a MENSA convention.

So naturally, when I first discovered Oxfordshire’s Undersmile (courtesy of American Aftermath including one of their songs on last summer’s Summer of Sludge compilation), I instantly fell in love, because they just totally hit all the right buttons for me.

Late last year when I heard the news that they were in the process of recording their debut full-length album, I was delighted, and later, when more details and some preview tracks started to emerge, I got even more excited.

Did you ever have something you were anticipating so much that you almost felt nervous about whether it would ultimately live up to the hype? Even if it turns out to be really really good, could it possibly be as good as you were expecting? Or even worse, what if the thing you were so convinced was going to be amazing — and that you’ve been telling everyone around you how amazing you think it’ll be — turns out to be terrible? Of course, you wouldn’t be looking forward to something that much without having some prior knowledge or some sort of basis on which to establish those expectations, so there’s a very small chance that it would, in fact, be awful — but there’s still that remote possibility. Isn’t that just nerve-wracking?

Well now that I’ve gotten my copy of Undersmile’s Narwhal and listened to it a few times, I’ve discovered that I didn’t even know the meaning of the words “terrible” or “awful”…

 

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Out Today: Icarus Witch – Rise

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Icarus Witch – Rise (03 July 2012, Cleopatra Records)

So way back in the dark ages (i.e. the 1990s), when I was in high school, Cleopatra Records was my favorite record label. I’d snatch up all of the compilations and tribute albums I could find at my local store, of their bands’ gothic and industrial cover songs, as well as CDs by Electric Hellfire Club, Mephisto Walz, Melting Euphoria, and lots more.

Eventually, my musical interests expanded in different directions, to include a lot more extreme metal genres, and inadvertently I had completely lost track of Cleopatra.

Fast-forward several years later, and it came to my attention that there was a band from Pittsburgh who had signed to that label, called Icarus Witch. Now, I didn’t know anything about that band (at first), but remembering the styles that Cleopatra was most closely associated with, I was very surprised when I learned that the label had also expanded its musical horizons far beyond where they used to be. Icarus Witch, for example, do a more traditional heavy metal thing with, some power metal influence. And, as it turns out, they’re pretty good at it.

 

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Out Today: The Cheats – Pussyfootin!

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The Cheats – Pussyfootin! (03 July 2012, Screaming Crow Records)

 
So I’d just like to go on the record as stating, holidays in the middle of the week are kinda stupid. Basically it’s like having a weekend, but it’s only one day: all day long there’s that feeling of dread that’s usually associated with Sundays, where it feels nice because you aren’t working, but you know you can’t really do anything especially crazy because you have to be up early the next morning to go back to work.

Lots of holidays are specifically designed to coordinate with your weekend — Memorial Day and Labor Day are on Mondays; Easter is on Sunday but most people get off work the Friday before it; and Thanksgiving is always a Thursday, but if you’re lucky that ends up turning into a four-day weekend.

Some of the other major holidays that could fall on any day of the week (because they have a specific date) can be flexible too: there’s New Years Eve, New Years Day, Christmas Eve, and Christmas Day, and usually it works out to where those holidays end up adjacent to a weekend, or you at least get both days off so it’s like having a second weekend anyway.

However, tomorrow (Wednesday) is the 4th of July, when we Americans celebrate our Independence Day because that was the date (two-hundred-thirty-some years ago) that some folks had signed the Declaration of Independence from Britain. While that was generally regarded as a good thing (people weren’t real happy about the way they were paying a whole bunch of taxes to the king while feeling like they weren’t really getting much in return), as a holiday it’s only significant enough to justify one day off work. That means, when it ends up being on a Wednesday, I get to be all excited to leave work on Tuesday (today), knowing that I’ll get a break the next day… but that excitement will be short-lived because Wednesday (tomorrow) I’ll realize that there’s still two days left in the week and I have to come back.

But all that seems pretty depressing, and I guess I should try to think positive: no matter what day of the week it is, it’s always better to have one day off than zero days! So, fuck it. I’m going to resolve to take advantage of the time I have, however short it may be, and enjoy myself tonight and tomorrow.

But, in order to have a good time, that would also require some good music, right? Naturally. Well, I’ve got just what the doctor ordered, and I’ll gladly tell you all about it…

 
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Free Music Alert: Azoic – Gateways

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Azoic – Gateways (Self-released, 20 June 2012)

 
Hello readers! Since it’s been 90-whatever degrees here in Pittsburgh lately, and I’ve been sweating my ass off, sometimes it’s nice to think about people who live in other parts of the world, where it isn’t so infernally hot and humid this time of year. Now I’ll admit, I don’t really know that much about the climate in Iceland, but c’mon! They’ve got “ice” in their name! Even just thinking about that makes me feel better.

I don’t know what the weather is like wherever you are right now, Dear Reader, but in any case, wouldn’t your week start out a lot better if you had some new, FREE music to listen to?

Yeah, I thought so. I can help you out with that.

 
———————-

A short while ago, I was contacted by a nice Icelandic gentleman, who kindly pointed me in the direction of the band Azoic. Right around the same time, our friend Ben who maintains the Church of the Riff blog also contacted me, mentioning that I should check out this great band. If that wasn’t already enough, right after that I discovered that Phro, who writes short fiction on his own blog PhroMetal, had written about this same band in a guest post over on No Clean Singing!

Well with that many endorsements, I became really curious and had to check these guys out for myself. I’m glad I did, and I think you will be too. Late last month they announced that they were releasing the album to be freely downloadable, so keep on reading and I’ll tell you where to get it.

 
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Out Today: Power Theory – An Axe to Grind

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Power Theory – An Axe to Grind (29 June 2012, Pure Steel Records)

 
So who out there is heading out to the Warriors of Metal Open Air Festival today (or tomorrow, or both days)?

Well, I suppose if you were going today, you’d be there already. But I dunno, maybe you’re heading out later in the afternoon, or maybe you’re catching up on the latest Valley of Steel updates in between bands or something…

Myself, although I’ve been reporting about it for months, unfortunately I’m stuck here at work, which is pretty shitty because it sounds like it’s going to be an awesome time! (Although the heat and humidity are forecasted to be pretty brutal this weekend — hell, when I left home at 5:30 this morning the air was already difficult to breathe — so anyone who’s attending, have fun, but be sure to drink lots of water!)

Although it sucks I’ll be stuck inside a boring office all day with no throngs of screaming metalheads (and no alcohol), at least I can try to make myself feel better by listening to some heavy tunes. No matter how high I turn the volume on this computer, I know a pair of headphones will never compare to a huge stack of speakers on an outdoor stage, but sometimes you gotta do what you gotta do.

Anyway, when I was trying to decide exactly what I should be blasting into my ears today, the perfect choice suddenly became obvious: the brand new Power Theory album! Not only is German label Pure Steel Records releasing An Axe to Grind today, but the band will be celebrating that release when they take the stage at WOM this evening!

Maybe I won’t be there to see it live, but I can at least experience it vicariously through the studio version — and for all those readers out there who are also unable to make it to the Frontier Ranch in Pataskala Ohio, I’ll tell you where you can hear some Power Theory too, and where you can get your own copy of this album.

 
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Out Last Month: The Reticent – Le Temps Detruit Tout

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The Reticent – Le Temps Detruit Tout (Heaven and Hell Records, 29 May 2012)

 
Well, shit.

I hate when I feel so overwhelmed by all the stuff I’ve got going on, that I start forgetting about things I was planning on doing. Does that happen to you? It’s like, everything needs my attention, everything needs to be a priority, and some stuff just unfortunately ends up falling through the cracks.

For example: it was about six weeks ago that I wrote about The Reticent — that post was just a comment on a news item about a politically-charged message that the band’s mastermind (and sole member) Chris Hathcock had shared on his Facebook page. But, at the same time, I had mentioned the (then) upcoming album (the band’s third full-length) Le Temps Detruit Tout (“Time Destroys All”), and I did mention then that I was planning on writing a review for the album.

Well, two weeks later, the album came out (on Heaven and Hell Records, who also released the previous two — in fact, the band’s 2006 debut Hymns for the Dejected was the first album that label ever released). And since then another four weeks have passed, and now I find myself digging through some unfinished drafts, when I stumbled upon this one. Not only did I forget to finish writing the review, but I almost shared this too late for you to enter the contest to win a copy of the CD!

When I say almost too late, I really mean it — the contest ends tomorrow (Friday, 29 June), so keep on reading, but then hurry up and hit the link near the end of this post, for your chance to win!!

 
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Out Now: Strong Intention – Razorblade Express

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Strong Intention – Razorblade Express (02 July 2012, Patac Records)

 
Maybe it’s because of when I was born (after Star Wars but before The Empire Strikes Back) — I just barely missed out on the original genesis of both the punk and heavy metal movements; I was too young to get much exposure to either genre until the late 80s, and when I did start listening to some of the stuff in my pre-teen years and beyond, I didn’t really have any sense of the history behind either scene or the animosity that existed between them…

I don’t know what the explanation is, exactly, but I do know I’ve always had one foot on each side of the line, not really caring about definitions or labels or exactly what separates “punk” from “metal” — and in fact, I tend to gravitate towards stuff that has a little of both flavors (and attitudes) mixed in. I’ve never understood the mindset of people who seem to think they have to pick a side, and refuse to acknowledge anything that the other team has done. To me, if it sounds good, it sounds good — it doesn’t matter what you call it.

That’s why I don’t really get the attitude of the folks who maintain the Encyclopædia Metallum, who (from what I’ve heard) are very particular about genre classifications, and extremely selective about which bands they approve for inclusion in their archives. Almost entirely absent from that compendium of musical knowledge: anyone who would be considered more closely associated with the realms of hardcore or punk (including grindcore or crust) than what they consider “real” metal. Where exactly the line is drawn, though, isn’t always completely clear. For example, it seems Napalm Death qualified as exceptions to the rule, as did Motörhead, yet the Misfits seem to have been overlooked — despite being no less influential in the metal world than either of the others.

Anyway, I could go on rambling about this for the rest of the day (and I’d be glad to hear YOUR thoughts on the subject — just visit the comments section below, or hit the VoS Facebook page, whatever works for you), but I really came here just to share some new music with you. That would be the new EP by Strong Intention, Razorback Express — now available on 7″ vinyl through Patac Records!

 
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