Category Archives: Reviews

Giant of the Mountain – Moon Worship (2014), The Empty Quarter (2016)

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Giant of the Mountain – Moon Worship (self-released, 25 February 2014)

 

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Giant of the Mountain – The Empty Quarter (Burning Dogma Records, 27 May 2016)

 

Emerging from the Plano/Dallas region of northern Texas way back in 2008, the beast known as Giant of the Mountain was formed by guitarist/vocalist Cody Daniels along with Randi Matejowsky, who soon switched from guitar to drums. The pair worked with a series of different bassists as they unleashed a couple EPs and a full-length album over the next several years. By the band’s fifth anniversary in 2013, they had joined up with Alexander Salazar on bass and doubling as a second vocalist — and this is the line-up that remains intact to this day. This threesome recorded and released the album Moon Worship, a masterpiece of progressive-death insanity, a little over two years ago, and now they’re back with the brand-new EP The Empty Quarter which comes out at the end of this week. If you aren’t already on the GOTM bandwagon, keep on reading to find out what you’ve been missing!

 

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Autarch / Soothsayer – Split (2016)

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Autarch / Soothsayer – Split (self-released 27 May 2016; vinyl via Replenish Records 12 June 2016)

 

Two years ago this week, Asheville neo-crust band Autarch saw their debut full-length on vinyl. When I wrote about that album, The Death of Actiacus, a few days later, I noted that the band’s tour was headed here to Pittsburgh on that particular evening — and that one of the local bands joining them at that show would be the fairly-newly-formed (at that time) Soothsayer, who draw on many of the same atmospheric/blackened/crust elements as their North Carolinian counterparts.

Well, I can tell you that particular show turned out to be a pretty great experience all around, and I’d also like to share some new information that was just brought to my attention. This Friday — almost exactly two years after their performance together that night in Pittsburgh — Autarch and Soothsayer are jointly releasing a split record. That album is available to order right now, so I’d like to take this opportunity to tell you all a little more about it …

 

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Bell Witch – Four Phantoms (2015)

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Bell Witch – Four Phantoms (Profound Lore Records, 28 April 2015)

 

For those who may have missed the news, I’m very sad to report that yesterday we learned of a monumental loss to the music world, in the passing of Adrian Guerra, co-founder of Seattle doom duo Bell Witch, co-writer of all of that band’s material to date, and former drummer/vocalist (up through summer 2015).

After that time, his position behind the kit had been replaced by Jesse Shreibman, including on the band’s most recent tour where they pulled double duty — playing a full set of their own in addition to serving as the backing band for Wrekmeister Harmonies. But from the band’s inception through its formative years, it was Guerra and bassist/vocalist Dylan Desmond from their groundbreaking 2011 demo (incidentally, one of the very first reviews ever published on this website, back in December of that year) up through and including last year’s Profound Lore full-length Four Phantoms.

In honor and in memory of the co-creator of some of the greatest and most moving music to have reached my ears over the past five years, today I’ve decided to present you with a discussion about that latest album, the last one to feature the original Bell Witch line-up. Rest in peace Adrian, and our thoughts and sympathy are with your friends and family, colleagues and former band members.

 

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Ruby the Hatchet – Ouroboros, Mars Red Sky – Apex III (Praise for the Burning Soul) (2016)

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Ruby the Hatchet – Ouroboros (RUR Records, 29 April 2016)

 

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Mars Red Sky – Apex III (Praise for the Burning Soul) (Listenable Records, 20 May 2016)

 

Good afternoon. Today I’d like to talk to you about two different bands who each fall under the general umbrella of “psychedelic/stoner rock.” Both have new releases out (recently, or within the next two days), and both will be hitting the road (separately) playing various shows and festivals across the USA over the next few months. First I’ll introduce you to those recent releases, and then head down a little further to the comments section where I’ll share the scheduled tour dates!

 

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So Hideous – Laurestine (2015), Laurestine Orchestral (2016)

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So Hideous – Laurestine (Prosthetic Records, 16 October 2016)

 

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So Hideous – Laurestine Orchestral (Prosthetic Records, 06 May 2016)

 

Back in October, Brooklyn-based blackened post-hardcore band So Hideous released their second album Laurestine. The group has described their writing process as beginning the structural components of each song on the piano, then fleshing out the composition for all of the orchestral/choral parts. Once each piece of music is fully composed, then they add the guitars, bass, drums, and vocals as necessary.

This seems a bit backwards from how most bands work: orchestral elements are usually sprinkled on top of otherwise fully-formed songs, as complementary parts or occasional embellishments. But here, the underlying compositions (performed by the 30-piece First Light Orchestra) are intended to be complete works capable of standing on their own. To drive that last point home, Prosthetic Records recently announced the release of an alternate edition of Laurestine consisting solely of the orchestra and chorus components, and — guess what! — it totally does hold up, independent of the rest of the band. Keep reading to learn more about both versions of this incredible album …

 

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Karma to Burn – Arch Stanton (2014), The Atomic Bitchwax – Gravitron (2015)

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Karma to Burn – Arch Stanton (FABA Records, 18 August 2014)

 

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The Atomic Bitchwax – Gravitron (Tee Pee Records, 30 December 2015)

 

Hey folks, HAPPY FRIDAY! As you’ve surely noticed, we’ve spent a lot of time this week talking about tours kicking off this weekend, and bands who are coming to Pittsburgh, but believe it or not I’ve got another announcement for you!

Starting TONIGHT (Friday, May 13th) instrumental legends Karma to Burn from West Virginia and long-running stoner trio The Atomic Bitchwax from New Jersey will be heading out on a month-long tour all across America, opening for The Obsessed (which was one of the earliest of Wino‘s plethora of bands).

The full list of dates for this tour (including a stop at Pittsburgh’s Altar Bar tomorrow night) will be listed down at the bottom of this page — in the comments. But first, lets take a closer look at a (relatively speaking) recent album from each of those two supporting bands …

 

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Hivelords – Tapered Limbs of a Human Star (2015), Tombs – All Empires Fall (2016)

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Hivelords – Tapered Limbs of a Human Star (Anthropic Records, 04 August 2015)

 

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Tombs – All Empires Fall (Relapse Records, 01 April 2016)

 

Hey folks, how’s it going? In case you missed, it, back on Monday I wrote a thing about Tombs and Hivelords playing some shows together (plus in that post, you can enter to win tickets for the show in Pittsburgh this Saturday, May 14th!)

If that information wasn’t quite enough to get you excited, maybe you just haven’t heard these two bands before? Or maybe you don’t live near the northeastern U.S. where these shows are taking place. In either case, I’ve decided to spend a little more time talking about both bands — and about their most recent releases, for your listening pleasure …

 

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Ghold – Of Ruin (2015), Pyr (2016)

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Ghold – Of Ruin (Ritual Productions, 16 March 2015)

 

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Ghold – Pyr (Ritual Productions, 06 May 2016)

 

Hello out there — how is your Tuesday going? It’s almost time to go home and I’m totally ready for a nap. I feel pretty confident in saying I will probably be passed out on the bus ride home, if I even make it that far. And there’s another hockey game tonight, so if there’s going to be any hope of me staying awake to see that, maybe a late afternoon nap wouldn’t be the worst idea.

Before I go, though, it’s about time to share some more listening material with you fine people. Today that will consist of a pair of albums — one a little over a year old, the other released just four days ago — both by London stoner-sludge-grunge-noise band Ghold …

 

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Anopheli – The Ache of Want (2015), Akem Manah – Demons of the Sabbat (2016)

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Anopheli – The Ache of Want (Halo of Flies, 15 December 2015)

 

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Akem Manah – Demons of the Sabbat (Possession Productions, 11 January 2016)

 

Well folks, it seemed like it would never get here, but finally it’s Friday and nearly the end of the week! I don’t know about you, but I am fully ready to just go and hibernate for two entire days. (Of course, I won’t, because it seems like every spare minute I get outside of work is always filled by repairing something in our house or car, sometimes both at the same time — but just let me have this moment to daydream, ok?) Before I do that, I’ll leave you with one more article about some music you just might want to check out.

I’ve got two different albums to share with you, actually — one is kind of an atmospheric blackened crust style, and the other is more of an old-school death-doom. Both of these were released within the past several months, and both are free to download, so keep on reading and hopefully you’ll find at least one of these to your liking!

 

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Darkthrone – The Underground Resistance (2013), Germ – Escape (2016)

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Darkthrone – The Underground Resistance (Peaceville Records, 25 February 2013)

 

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Germ – Escape (Prophecy Productions, 29 April 2016)

 

Good afternoon, or good evening, or good whatever-it-is-right-now. I can hardly even tell anymore, because I don’t think there was any point today at which I even reached a state of being half-awake. These late-night hockey playoff games are really killing me. Last night’s went into overtime, which ended up only lasting about two and a half minutes, but still, it was already difficult enough for me to stay awake through the end of the first three periods.

Anyway, I’ll quit whining and get on with the music I have to share with you today. One of these was on my top 13 of 2013 list — yes, I’m still working on getting something written about each of those, and we’re down to just a handful remaining! — while the other was released just last week, but both of these albums are highly recommended listening (even though on the surface they seem completely different) …

 

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