Category Archives: Reviews

Plebeian Grandstand – False Highs, True Lows; Verdun – The Eternal Drift’s Canticles (2016)

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Plebeian Grandstand – False Highs, True Lows (Throatruiner Records / Basement Apes / BLWBCK / Tapes of a Neon God, 29 April 2016)

 

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Verdun – The Eternal Drift’s Canticles (Throatruiner Records / Head Records / Lost Pilgrims, 29 April 2016)

 

When there’s a new Throatruiner Records release, you can pretty much be guaranteed it’ll be filled with plenty of gloomy, yet intensely vicious music of exceptionally high quality. That’s been the case each time I’ve heard anything from this French label (including a few that I’ve written about), and the two we’ll be discussing today — one by toulousains Plebeian Grandstand and the other by montpelliérains Verdun, which both came out back in April of this year — are no exception.

And for some additional good news, at least for readers who live in the U.S., Plebeian Grandstand will be kicking off an American tour this weekend! After you’re done reading about these albums, divert your eyes down to the comments section to check out all the relevant details. Bonne écoute!

 

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supercorrupter – Amps. Anecdotes. Annihilation.; Horseburner – Dead Seeds, Barren Soil (2016)

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supercorrupter – Amps. Anecdotes. Annihilation. (self-released, 30 June 2016)

 

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Horseburner – Dead Seeds, Barren Soil (self-released, 08 July 2016)

 

Hey all you music lovers, or people who are indifferent about music but afficionados of rambly written words! There’s more of both of those in store for you today. I’d like to share recently-released albums by a pair of local (regional) bands: supercorrupter (formerly known as The Gingerdead Men and containing members of various other area groups such as DeathCrawl and Showboy) from Cuyahoga Falls, Ohio (between Akron and Cleveland), and Horseburner from Parkersburg, West Virginia (about halfway down the state, going north-to-south, and right at the edge of the Ohio River). Both of these just happen to be appearing at Ohio’s Blackout Cookout next month, but why not give them a listen today?

 

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The Ravenna Arsenal – I. (2013); Gholas – Litanies (2014)

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The Ravenna Arsenal – I. (self-released, 23 February 2013)

 

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Gholas – Litanies (Dullest Records, 11 February 2014)

 

Hello out there, folks. Hope this week has gone well for you all. Over the past few days — during which things got pretty crazy busy, to the point where I didn’t have any time to get anything written — I’ve heard some pretty incredible brand-new releases, and I definitely look forward to sharing those with you. But not quite yet; instead, today we’re going to turn back the calendar a little bit, and spend some time with a couple of my favorite releases from years past that I just never quite got around to writing about yet. These were featured in my Top 13 of 2013 and Top 14 of 2014 lists, respectively, chiefly due to the fact that both of these bands know how to write a hell of a song. These are both albums that I’ve listened to front-to-back like dozens of times, and I feel pretty certain you’ll agree that every single song on each is of excellent quality …

 

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Conan / Slomatics – Split (2016 Reissue)

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Conan / Slomatics – Split (original release 2011 / to be reissued by Black Bow Records, September 2016)

 

Yesterday when we talked about Slomatics‘ first two albums, I mentioned that the band has signed with Black Bow Records, who has rereleased those two albums in advance of the band’s new record due later this year. But this partnership was not the first time they’ve dealt with that label OR its owner Jon Davis. Slomatics and Davis‘ band Conan — from Merseyside County, England, just across the Irish Sea from Belfast — had put together a split record back in 2011. After that limited-edition vinyl quickly sold out, Black Bow put out another pressing of the split in 2014, which also wasn’t around for very long.

And now, they’ve announced that there will be a new batch coming soon — only 200 copies will be made available this time, and each record will be pressed onto a full-color representation of that incredible cover art! An exact release date hasn’t been set yet, but pre-orders are on sale now, and they’re expected to begin shipping around early September.

 

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Slomatics – Flooding the Weir, Kalceanna (2015 Reissues)

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Slomatics – Flooding the Weir (original release 2005 / reissued by Black Bow Records, 20 November 2015)

 

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Slomatics – Kalceanna (original release 2007 / reissued by Black Bow Records, 20 November 2015)

 

Here we find ourselves in the midst of another magnificent Monday. It’s kind of shocking to realize how much of each day (and therefore how much of the workweek) is spent basically sleepwalking, semi-conscious, sort of in that fuzzy slow-motion daze that they always use in movies and tv shows when someone has been drugged or tranquilized or something. And I mean, a large portion of each day even after a cup of coffee or two. Maybe this is why I find myself drawn to low-tempo, fuzzy, swampy/sludgy, crawling-through-quicksand styles of music so much of the time?

I don’t know. But that’s exactly what the music we’re here to talk about today sounds like. Slomatics, from Northern Ireland, have been actively creating heavy fuzz-sludge music for about a dozen years now. Their first two albums were released in 2005 and 2007 on CD, but have been out of print for years. So naturally, after they had signed to Black Bow Records (the label run by their neighbor across the Irish Sea, Conan‘s Jon Davis), while the band got working on their upcoming fifth album (which is set to release in early September), the label decided to once again make those early two releases available in digital format.

 

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Anicon – Exegeses (2016)

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Anicon – Exegeses (vinyl Gilead Media / CD Avantgarde Music, 08 July 2016)

 

Good morning, reader — hope you’re having a good, relaxing weekend! Normally this would be my time away from writing, too, but I just realized that Anicon are coming to Pittsburgh tonight. And I realized that last year when these blackened Brooklynites came to town, I had their 2015 EP Aphasia on my to-do list, but something came up that prevented me from attending that show or even getting a chance to write about the band’s most recent release. (I eventually did get around to it earlier this year, but I still felt bad for my negligence.)

So this time around, the band has a brand-new album which just came out earlier this month, and — even though, due to some rotten luck, family obligations will prevent me from being able to see this fantastic band perform again — I definitely did not want to miss the opportunity to share this with you people before tonight.

For those of you in the Pittsburgh area, The Smiling Moose on the Southside is the place to be; here are all the details. For those living elsewhere, the band’s scheduled dates can be found here, and in either case, keep reading to check out their newest record …

 

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Heathen Beast – Rise of the Saffron Empire; MAKE – Pilgrimage of Loathing (2016)

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Heathen Beast – Rise of the Saffron Empire (Transcending Obscurity Distribution, 25 April 2016)

 

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MAKE – Pilgrimage of Loathing (Accident Prone Records, 15 July 2016)

 

It’s pretty much a universal truth that there are terrible people and terrible situations everywhere in the world, often when it comes to people who have power and influence over other people and the ability to make decisions about the laws and how the public is governed. This has been a societal problem for as long as society has existed, and people have always tried to find ways to protest or fight back. Back in olden times, folks like Woody Guthrie or Peter, Paul and Mary would sit around, holding hands, and singing about how the times were a-changin’. But since then, the times have a-changed; from MC5 to Public Enemy to Rage Against the Machine protest songs have increasingly shifted from blowin’ in the wind to fighting the powers that be.

To illustrate that concept, today we’re going to take a look at new or recent releases by two bands from different sides of the world, which nevertheless seem to share a similar ideology.

 

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Derkéta – In Death We Meet (2015 Reissue)

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Derkéta – In Death We Meet (originally self-released 2012; remixed/remastered CD and vinyl edition Ibex Moon Records, April/December 2015)

 

Named for a goddess of death in the mythology of the fictional kingdom of Stygia (analogous to Egypt in the Hyborian era setting of Robert E. Howard’s Conan stories), the band Derkéta are widely regarded as Pittsburgh’s own goddesses of death/doom metal. You remember Derkéta, don’t you? Formed almost three decades ago, active on and off throughout those years with many of the same core members rotating in and out of the line-up; released a number of demos and EPs but then finally put out their debut album in 2012?

For a quick refresher, you could get a more complete history by checking out this interview that I did with founding guitarist/vocalist Sharon Bascovsky about three and a half years ago, when the band was about to perform at the Winter’s Wake festival in Pittsburgh.

Since that time, In Death We Meet was remastered for a vinyl release via Ibex Moon, and during that process they went ahead and polished up the recordings for a new CD version as well — which (in my opinion) was a vast improvement to the overall mix (generally sounding louder and heavier, wider and more spacious, with a more even blend of all the instruments rather than having the cymbal crashes dominating everything else) and warranted an “Honorable Mention” on my Top 15 of 2015 list.

And now — tonight, in fact — the band will be appearing in Pittsburgh once again, this time alongside the legendary Deströyer 666 at the Smiling Moose. You can find the relevant details about that right here if you happen to be in the area, but first, whether you’re planning on going to the show tonight or not, this seemed like a perfect opportunity for us to discuss In Death We Meet …

 

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Battle Path – Ambedo (2015-16); Hollow Leg – Crown (2016)

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Battle Path – Ambedo (digital+vinyl Inherent Records / Crimson Eye Records, 09 November 2015; cassette Wood and Stone Productions, 24 June 2016)

 

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Hollow Leg – Crown (Argonauta Records, 04 March 2016 EU / 24 June 2016 NA)

 

Well good morning, readers, and a happy Tuesday to you all. I’m finally back after taking an extra week off from writing — partly to recover from the Independence Day holiday weekend (and that Primitive Man show last Monday night!) and partly because of me being so overloaded at my day job. But as always, there’s tons of stuff to tell you about — both old and new — so here we go again. Today we’ll be taking a look at albums by two different bands from the southeastern United States, Battle Path from Murfreesboro and Hollow Leg from Jacksonville. Each of these albums originally came out a little while ago (Ambedo back in November and Crown in March), but they both just got reissued near the end of last month (the former has now come out on cassette, while following a European release the latter is now also available domestically).

 

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Northless – World Keeps Sinking (2013); Primitive Man / Northless – Split (2016)

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Northless – World Keeps Sinking (Halo of Flies / Gilead Media, 23 August 2013)

 

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Primitive Man/Northless – Split (Halo of Flies, 04 March 2016)

 

As the end of the week draws near — if you didn’t have enough of Primitive Man after Tuesday’s post, maybe this will do it. Like Fister, whom we discussed on Monday, these Denverites tend to keep themselves pretty busy. Actually, it’s not that surprising to learn, those two bands did a split record together once upon a time! But that’s not what we’re here for right now — rather, I wanted to let you know about a much more recent release: a split that Primitive Man did earlier this year with Milwaukeean band Northless. And that reminded me that a full-length of theirs has been on my to-do list for quite a while (as it happens, 2013’s World Keeps Sinking was that band’s last release until this newer split record). Buckle up, this might be a bumpy ride …

 

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