Category Archives: Shows

Bison – You Are Not the Ocean You Are the Patient (2017), Earthbound (2018 reissue)

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Bison – You Are Not the Ocean You Are the Patient (Pelagic Records, EU: 23 June 2017 / NA: 07 July 2017)

 

Bison – Earthbound (2007; reissued by No List Records, 20 April 2018)

 

A little over a week ago, while talking about Denmark’s LLNN, we happened to mention that they would be touring across Europe with Bison. Well, that’s still happening, and so it seemed like a fine time to discuss that particular Canadian quartet.

Known as Bison B.C. for several years after their original formation in 2006, both to emphasize their British Columbian heritage and to differentiate from another group named for the large North American ruminant, the band decided to drop the extraneous initials about five years ago, going by the more streamlined moniker ever since.

Last summer, the Ocean-run German label Pelagic released the latest Bison full-length — their fourth overall — while last month saw No List reissuing the group’s long-out-of-print debut EP (since used CDs are going for outrageous prices online), including being pressed on vinyl for the first time ever! Here we’ll give a listen to both of those, and then down at the bottom of the page you can check out the rest of the places these Vancouverites will be visiting in eastern/central Europe!

 

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Krakow – Alive (2017)

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Kraków – Alive (Dark Essence Records, 24 March 2017)

 

From the first time I heard them, Norwegian post-metallurgists Kraków quickly became one of my favorite bands out there, through their grasp of the beautiful and fragile meshed with the ugly and frightening, spread out over long meandering compositions that enthrall the listener with their aural stories.

As many times as I’ve listened to their releases (the three most recent of which were written about right here), the appearance of a live album was certainly exciting news. On top of that, we’ve recently learned that another new record will be appearing later this year! In this post you can find out more about that live album — and then at the end, what we know so far about their next one!

 

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Desertfest Berlin #7 (May 2018)

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by Charles Degeyter

 

Desertfest Berlin #7

4-6 May 2018 at Arena Berlin

 
The seventh annual Desertfest is happening THIS WEEKEND in Berlin! The complete line-up and schedule is out now, including the headliners for each day, Monster Magnet, Graveyard, and High on Fire! There are plenty of other names to get excited about as well, which we’ll list for you below. And as an added bonus, a preview of information about albums coming later this month from two of these bands…

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DeathCrawl – Acceptable Level of Misery (2017); Enhailer – Dumb Enough to Care (2017-18)

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DeathCrawl – Acceptable Level of Misery (self-released, 27 October 2017)

 

Enhailer – Dumb Enough to Care (Blackseed Records, 11 December 2017 / vinyl to be released via Burnout Records, 14 June 2018)

 

Last time we checked in with Cleveland-area discordant agonists DeathCrawl was nearly five years ago when we introduced you to Accelerated Rate of Decay, the album they released the previous year. And then, following that incredibly vicious piece of work, this trio has put out another album late last year — which we will be talking about today.

Why today? Well, it has been brought to our attention that tonight the band will be performing in the faroff land of Canton, Ohio for the first time ever. So this belated look at Acceptable Level of Misery is our way of helping to spread the word about that.

And on the subject of releases from near the end of 2017, Enhailer from Akron (which is partway between Cleveland and Canton) will be playing at that same show tonight, and we’re also going to cover their Dumb Enough to Care EP which first came out back in December, but which will be coming out as a 10″ record in about a month and a half. Cheers!

 

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Wovoka – Saros (2015); LLNN/Wovoka – Traces/Marks (2017); LLNN – Deads (2018)

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Wovoka – Saros (digital Locust Rising Music / CD Battleground Records, 14 April 2015)

LLNN/Wovoka – Traces/Marks Split LP (Pelagic Records, 16 June 2017)

LLNN – Deads (Pelagic Records, 27 April 2018)

So a few years back — about three, actually — this Californian heavy sludge band called Wovoka reached out to let us know they were releasing their debut record. We really dug it at the time, and have been revisiting it often ever since then, but somehow never quite got around to writing anything about it. Then last year we got word that these guys were participating in a split LP with Danish band LLNN. And then sometime after that, we learned that THOSE guys would be issuing a new album themselves (their second). That will be hitting the streets tomorrow, but today we’re going to cover all three of those releases.

Also, earlier this week saw the start of a month-long European tour with LLNN joining Bison. After you’re finished reading, keep scrolling down to the bottom where we’ll fill you in on those dates!

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Death Alley – Live at Roadburn (2017)

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Death Alley – Live at Roadburn (Tee Pee Records, 24 February 2017)

 

Hey, have you heard the news — the Netherlands’ biggest annual hard rock party Roadburn is coming up this weekend! (Oh wait, of course you already knew that — because you read this review yesterday of a band who’ll be playing there!)

But first, why not check out this local (well, only about 100km or so away) band who appeared at the festival in 2016? Following their 2015 Tee Pee Records debut Black Magick Boogieland, Amsterdam’s Death Alley was invited to perform at Roadburn, where their set was reportedly so “moving” and “magical” that Tee Pee decided to document it and make it available to the public in various physical and digital formats.

 

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Insect Ark – Marrow Hymns (2018)

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Insect Ark – Marrow Hymns (Profound Lore Records, 23 February 2018)

 

Bi-coastal DOOM duo Insect Ark is made up of film music composer and animator Dana Schechter (Angels of Light, Wrekmeister Harmonies, Zeal & Ardor, Gnaw) on bass and lap steel, and electronics expert Ashley Spungin (Taurus, Purple Rhinestone Eagle, Negative Queen) on drums as well as various synths and analog noise pedals she created herself. With this unique arrangement (featuring zero electric guitars, in the traditional sense), the instrumental assembly has brought forth their latest sonic creation (through a combination of long-distance collaboration and in-studio cooperation).

Although nearly two months have passed since the record’s Profound Lore release, last night (Sunday, 15 April) was the celebratory release show in Brooklyn. Next up, the pair will be hitting the Roadburn stage later this week followed by a month-long tour through Europe. You can find a listing of all those dates at the bottom of the page, but first, check out Marrow Hymns!

 

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Imperial Triumphant – Part II (2015-2018)

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Imperial Triumphant – Abyssal Gods (Code666, 10 March 2015)

 

Imperial Triumphant – Inceste (CD and digital Redefining Darkness Records, 15 April 2016 / vinyl Temple of Torturous, 23 March 2018)

 
[NOTE: this is the second of a two-part series on NYC black metal crusaders Imperial Triumphant. If you’ve missed the first part, check it out here.]

As I’ve mentioned, Imperial Triumphant have become known for producing unique and unpredictable music, which is dense and complex and really requires some commitment of time and attention from the listener to really be able to unpack and grasp everything that’s happening. The same could be said of the two releases we’ll be discussing in this article, their second full-length (released in early 2015, just two months before I finally got the opportunity to experience this band in person) and another EP that will be turning two years old this weekend (which just last month was given the vinyl treatment with several bonus tracks). Let’s dig right in!

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Imperial Triumphant – Part I (2012-2014)

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Imperial Triumphant – Abominamentvm (self-released, 05 September 2012)

 

Imperial Triumphant – Shrine to the Trident Throne (Code666, 23 June 2014)

 
Introduction:

Our story begins “in early 2011,” according to the narrative I first started composing sometime between late 2012 and early 2013 (and which has been stored as a draft on this website until today). As such, apparently I’ve been a big fan of NYCBM hellions Imperial Triumphant for quite a while: since prior to my taking up music-writing as an unpaid side profession, and (clearly) since I used to have spare time to read what others were writing about music. In the interim, I’ve accumulated a bit of a stockpile of this trio’s releases, intending to write something meaningful enough to suit the innovative and interesting music contained therein — a task that has seemed more daunting with each passing year.

Anyway, I’ve finally concluded that enough is enough, here are my ramblings and musings on this band’s output over the past five and a half years. It will be broken into two halves, and don’t forget (once you’ve finished wading through all this nonsense) you can catch Imperial Triumphant in Pittsburgh TONIGHT alongside Vile Creature at the album release show for Slaves BC‘s latest, Lo, and I am Burning.

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Ruby the Hatchet – Planetary Space Child (2017)

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Ruby the Hatchet – Planetary Space Child (Tee Pee Records, 25 August 2017)

 
I’m putting the finishing touches on writing this article during breaks between watching Philadelphia’s hockey team getting demolished during the first game of this year’s Stanley Cup playoffs. Entirely by coincidence, that city (a place whose biggest claim to fame is striking a beloved holiday character with snowballs) happens to be the home base of psychedelic ensemble Ruby the Hatchet. But I’ll implore you not to hold that against them.

As you may recall, we wrote about this band’s 2012 debut album Ouroboros when it was reissued back in 2016, and then last summer we mentioned that they would have a new album out soon. Today we’re discussing that album, as RtH prepare to head out on a whirlwind tour of the country over the next few weeks (kicking off this Friday, 13 April 2018). Check out the full list of dates at the bottom of this page.

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