Boss Keloid – Melted on the Inch (2018)


 

Boss KeloidMelted on the Inch (Holy Roar Records, 27 April 2018)

 
Ok folks, let’s talk new music. Here’s one that just came out last Friday that you’ll surely want to acquaint yourself with. Two years ago, when north west England’s Boss Keloid released their second album Herb Your Enthusiasm, we described them by borrowing from a press release: “an eclectic mash of riffery, dirge, groove and sway that will leave you feeling heavy, warm and slightly damp in places.”

All of that remains true on this newer release Melted on the Inch, only more so. Very much more so…

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Death Alley – Live at Roadburn (2017)

Death AlleyLive at Roadburn (Tee Pee Records, 24 February 2017)

 

Hey, have you heard the news — the Netherlands’ biggest annual hard rock party Roadburn is coming up this weekend! (Oh wait, of course you already knew that — because you read this review yesterday of a band who’ll be playing there!)

But first, why not check out this local (well, only about 100km or so away) band who appeared at the festival in 2016? Following their 2015 Tee Pee Records debut Black Magick Boogieland, Amsterdam’s Death Alley was invited to perform at Roadburn, where their set was reportedly so “moving” and “magical” that Tee Pee decided to document it and make it available to the public in various physical and digital formats.

 

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Insect Ark – Marrow Hymns (2018)

Insect ArkMarrow Hymns (Profound Lore Records, 23 February 2018)

 

Bi-coastal DOOM duo Insect Ark is made up of film music composer and animator Dana Schechter (Angels of Light, Wrekmeister Harmonies, Zeal & Ardor, Gnaw) on bass and lap steel, and electronics expert Ashley Spungin (Taurus, Purple Rhinestone Eagle, Negative Queen) on drums as well as various synths and analog noise pedals she created herself. With this unique arrangement (featuring zero electric guitars, in the traditional sense), the instrumental assembly has brought forth their latest sonic creation (through a combination of long-distance collaboration and in-studio cooperation).

Although nearly two months have passed since the record’s Profound Lore release, last night (Sunday, 15 April) was the celebratory release show in Brooklyn. Next up, the pair will be hitting the Roadburn stage later this week followed by a month-long tour through Europe. You can find a listing of all those dates at the bottom of the page, but first, check out Marrow Hymns!

 

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Imperial Triumphant – Part II (2015-2018)

Imperial TriumphantAbyssal Gods (Code666, 10 March 2015)

 

Imperial TriumphantInceste (CD and digital Redefining Darkness Records, 15 April 2016 / vinyl Temple of Torturous, 23 March 2018)

 
[NOTE: this is the second of a two-part series on NYC black metal crusaders Imperial Triumphant. If you’ve missed the first part, check it out here.]

As I’ve mentioned, Imperial Triumphant have become known for producing unique and unpredictable music, which is dense and complex and really requires some commitment of time and attention from the listener to really be able to unpack and grasp everything that’s happening. The same could be said of the two releases we’ll be discussing in this article, their second full-length (released in early 2015, just two months before I finally got the opportunity to experience this band in person) and another EP that will be turning two years old this weekend (which just last month was given the vinyl treatment with several bonus tracks). Let’s dig right in!

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Imperial Triumphant – Part I (2012-2014)

Imperial TriumphantAbominamentvm (self-released, 05 September 2012)

 

Imperial TriumphantShrine to the Trident Throne (Code666, 23 June 2014)

 
Introduction:

Our story begins “in early 2011,” according to the narrative I first started composing sometime between late 2012 and early 2013 (and which has been stored as a draft on this website until today). As such, apparently I’ve been a big fan of NYCBM hellions Imperial Triumphant for quite a while: since prior to my taking up music-writing as an unpaid side profession, and (clearly) since I used to have spare time to read what others were writing about music. In the interim, I’ve accumulated a bit of a stockpile of this trio’s releases, intending to write something meaningful enough to suit the innovative and interesting music contained therein — a task that has seemed more daunting with each passing year.

Anyway, I’ve finally concluded that enough is enough, here are my ramblings and musings on this band’s output over the past five and a half years. It will be broken into two halves, and don’t forget (once you’ve finished wading through all this nonsense) you can catch Imperial Triumphant in Pittsburgh TONIGHT alongside Vile Creature at the album release show for Slaves BC‘s latest, Lo, and I am Burning.

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None – Life Has Gone On Long Enough (2018)

NoneLife Has Gone On Long Enough (Hypnotic Dirge Records, 11 April 2018)

 

Yesterday, Hypnotic Dirge released the second album by None. The label describes them as a “two-piece Depressive Black Metal entity from the Pacific Northwest.” Digging a bit further reveals that they are in fact from the northwestern USA (to avoid confusion since the label itself is from Canada). And that is literally all we’ve been able to uncover, as “none” also accurately describes how much of an online presence this band maintains.

But that’s fine: it doesn’t require any background information to be able to listen to something and appreciate it. So without any further extraneous introductory remarks, let’s jump straight to the music.

 

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Ruby the Hatchet – Planetary Space Child (2017)

Ruby the HatchetPlanetary Space Child (Tee Pee Records, 25 August 2017)

 
I’m putting the finishing touches on writing this article during breaks between watching Philadelphia’s hockey team getting demolished during the first game of this year’s Stanley Cup playoffs. Entirely by coincidence, that city (a place whose biggest claim to fame is striking a beloved holiday character with snowballs) happens to be the home base of psychedelic ensemble Ruby the Hatchet. But I’ll implore you not to hold that against them.

As you may recall, we wrote about this band’s 2012 debut album Ouroboros when it was reissued back in 2016, and then last summer we mentioned that they would have a new album out soon. Today we’re discussing that album, as RtH prepare to head out on a whirlwind tour of the country over the next few weeks (kicking off this Friday, 13 April 2018). Check out the full list of dates at the bottom of this page.

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Harakiri for the Sky – Arson (2018)


 

Harakiri for the SkyArson (AOP Records, 16 February 2018)

 
Hey! Remember a few months back when we passed along the news that the Austrian post-black metal twosome known as Harakiri for the Sky would be returning soon with a new album? If not, it was here (November) and here (December), each time with a video of a new song from Arson.

Well since that time, they put out another video in January (see below to check that out), and — oh yeah — the album itself dropped via AOP about a month and a half ago. For those who have been paying attention to the updates, this record is every bit as good as you would have expected from the preview tracks. Which you probably already know because you already got yourself a copy. But for the rest of you…

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Video News: Argus, Dying Fetus, Graveyard

 

Video News Update for 02 April 2018

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Primitive Man – Caustic (2017)

Primitive ManCaustic (Relapse Records, 06 October 2017)

 

The world is an ugly, ugly place. Virtually everything and everyone in it is awful. At least, that’s often how it feels. And at such times, it can be helpful to have something pleasant and soothing to comfort you. But it can also be helpful to experience something every bit as ugly and awful, like a giant mirror that reflects the misery and vileness, and just drown yourself in it. Denver’s Primitive Man are pretty far from serving the former purpose, but boy do they ever make up for it as the latter.

Presumably you’re already familiar with the utterly spirit-crushing noise this trio produces, but just in case you’ve missed out, here we covered a 2014 split record and their 2015 EP Home is Where the Hatred Is, and then over here we dealt with another split record from 2016. The Home EP found its way onto my list of 2015’s top releases, where it would later be joined by its successor Caustic in the list for 2017.

That Relapse-relased record that dropped this past October is what we’re addressing today. Read about it, then watch a couple videos (but not at work, or at school, or near any small children, or in public, or around your parents, or in church…) and then finally, down at the bottom of this post you’ll find an extensive list of upcoming shows all over North America, the United Kingdom (with a one-off expedition over to Israel in the middle) and then all over North America again!

 

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