100th Post: So Far… So Good… So What Do You Think??

Hello Readers!

Earlier this week marked the six-month anniversary of this blog’s existence. During that time it has grown from a little repository for me to share some music-related snarky remarks and sarcastic comments, to an actual site for semi-legitimate music journalism, with news being shared and reviews being written based on requests from bands, labels, and publicists all over the world!

Well now, just a few days later, I am hitting another important milestone because this is the 100th post to be published here. And, at some point earlier this week (I don’t know exactly when, but it looks like it was probably on Tuesday), I had my 5000th visitor. That might not sound like a big number, but just for the sake of comparison: in the second half of October (from the time of my first post, through the end of the month) I had fewer than 25 viewers, but in the first half of April (through today) I have had just under 1000. That sounds pretty good to me, when I consider the fact that I have done virtually zero advertising (outside of sharing my posts with the bands/labels/etc. that I’ve written about, on their Facebook pages).

I know when I originally wrote the About the Valley of Steel (The Blog) page, I indicated that my reasons for starting to write were personal — in other words, that it was chiefly for my own benefit. That remains mostly true, because honestly, music is such a big part of my life, and I think it’s awesome that I have the opportunity to hear so much new and exciting stuff all the time. At the same time, I view writing as a way that I’m able to give something back to the musicians (and other people in various facets of the industry) to show my appreciation for what they do. If somebody reads something that I wrote, and they go on to “like” that band on Facebook, or attend a show I wrote about, or buy an album that I reviewed, well… then I feel like all the work I do here is 100% worth it.
 
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In Case You Missed It: Stéphan Forté – The Shadows Compendium

Stéphan Forté – The Shadows Compendium (Listenable Records, 28 February 2012)

Ugh, I can’t believe it’s only Wednesday. Last week, with the holiday and me adding on a vacation day, I only actually worked three days… which I think has now totally spoiled me, because I keep feeling like the workweek should be just about over. This sucks. I spent most of the past couple days listening to some ultra-heavy monolithic death metal, which is usually great for settling the nerves and calming me down. Right now it isn’t really doing it for me, though, and I’m afraid the next person that bothers me is going to end up with a pretty nasty punch to the throat unless I find a better way to chill out. Considering the fact that the majority of the time, I deal with the pain-in-the-ass people over the phone or by e-mail, the whole punching thing might be a bit awkward, but believe me, I’d find a way.

So that brings us to the subject of this review, since I was looking for something totally different to listen to. How about some guitar-driven instrumental metal? Probably not something you’d expect me to gravitate towards, especially since I’ve discussed some of my thoughts on the genre previously, and how it can really rub me the wrong way unless it’s done just right. I was a bit skeptical too, at first, especially when I saw this album cover (see above) and noticed how much this guy looks like a French Steve Vai with a bunch of eyeliner. But then I decided, what the hell, I can be open-minded and at least check out a song or two, then move on to something else.

Well, I’m glad I did give this album a chance, because honestly I was pretty impressed by the quality, and — if I can say this without having it sound like a backhanded compliment — I was surprised by the overall lack of pretension and pomposity that one normally expects from solo guitarists (e.g. Yngwie, etc.).
 

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Upcoming Shows: What To Do In Pittsburgh This Weekend (19-22 April 2012)

Hello again, readers.  To paraphrase a certain local musician’s recent post on Facebook, there are like 8,000 killer shows taking place right here in Pittsburgh this month!   It seemed like about half of those were taking place last weekend (see here for a summary of those), but there are tons more going on this week too!  Some big names, and some not-so-big but who have been talked about frequently on this very blog… details below.
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The “Signmeto” Unsigned Band of the Week: Chopstick Suicide

Hey look at that, it’s Monday.  Around here, that can only mean one thing: it’s time for the “Signmeto” Unsigned Band of the Week!  Just like I do every single Monday, without any exceptions ever*, I’ve gone to the “Sign Me to Roadrunner Records” website and checked out some of the bands there who are looking for people to review their music.  I’ve picked out one of those,  listened to the songs they’ve got posted, and now I’m writing about them here so that once again, YOU can discover some awesome new music. 

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*Okay, okay, okay, I lied. I missed last week. I was too busy travelling and visiting with relatives and junk like that over the Easter weekend, and didn’t have anything prepared for Monday. But that was just one time! It won’t ever happen again. Ever. But don’t quote me on that.
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Anyway, that bunch of pissed-off looking dudes in cartoon character shirts, up above, are a band of mathcore hooligans from Istanbul, Turkey, called Chopstick Suicide.  These guys recently released an album called Lost Fathers and Sons on the Turkish label Peyote Müzik, but nevertheless they do have a few of their songs available on the Signmeto Roadrunner Records website, and therefore they qualify as an Unsigned Band of the Week here on Valley of Steel, mostly because they are currently seeking a relationship with other labels to help distribute their stuff internationally.
 
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Just Released: Obolus – Lament

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Obolus – Lament (The Flenser Records, 10 April 2012)

In the “Inferno” section of his Divine Comedy, the poet Dante describes his descent through the various circles of Hell, including the particular sins which had landed the condemned souls in each of these, and what tragic fate had been assigned to them.  A large part of the allegorical nature of this tale revolves around the narrator’s interaction with some of these damned creatures; while often serving as political commentary on what he perceived as misdeeds in his own time, Dante’s poem also speaks on the evils of human nature in a far more universal sense.

Of the nine circles through which the author must pass, the seventh is the final resting place for those deemed guilty of sins of violence.  This circle is further subdivided into three narrower rings.  The section “Canto XIII” discusses what he sees in the second of these three rings, which is classified as sins of violence against oneself:
 

“… we had put ourselves within a wood,
That was not marked by any path whatever.
Not foliage green, but of a dusky colour,
Not branches smooth, but gnarled and intertangled,
Not apple-trees were there, but thorns with poison.”

“There do the hideous Harpies make their nests…
They make laments upon the wondrous trees.”

“I heard on all sides lamentations uttered,
And person none beheld I who might make them,
Whence, utterly bewildered, I stood still.”

 
Soon, at the urging of his netherworldly guide Virgil, our hero discovers that the voices he hears are issuing from the disfigured trees themselves, in which form are trapped the souls of those who had ended their lives by their own hands.

By breaking off a piece of one of their limbs, he finds he is able to address the tortured soul within, and have it respond to his inquiries:
 

“As out of a green brand, that is on fire
At one of the ends, and from the other drips
And hisses with the wind that is escaping;
So from that splinter issued forth together
Both words and blood…”

 
If the lamentations he heard from this poor, wretched being could be captured on tape, I’m sure the result would be extremely similar to the just-released Lament by the San Franciscan atmospheric black metal band Obolus.
 

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Out Last Week: Elizabeth – Where Vultures Land

Elizabeth – Where Vultures Land (Throatruiner Records / I for Us Records, 04 April 2012)

I’m pretty sure I’ve mentioned it before, but it’s worth repeating: I have a lot of respect for bands and record labels who do what they do for the right reasons. Here, “the right reasons” are not to get rich and famous and live a life of luxury by taking advantage of people, but simply to create (for the bands) or disseminate (for labels) art based on a true passion for doing so. Now, I’m not saying that nobody should ever make money from their art — a lot of work goes into it and everyone involved totally deserves to recoup their expenses and bring in enough extra income to hopefully be able to continue what they are doing! But at a certain point, it seems like making a few dollars becomes more important than sharing a mutual love of music, and that is just a sad situation for anyone to be in.

Having said that, it’s obvious Matthias Jungbluth of French (Breton) label Throatruiner Records is in this for the right reasons. Anyone who would start an extreme metal label nowadays has to know beforehand that they aren’t going to be bringing in a ton of money, considering the state of the music industry these days, and so there must be some degree of passion for the art itself. The label specializes in small releases on vinyl or cassette, as well as some other merchandise, supplemented by free downloads of those releases in order to expose the artists to as many people as possible.

 
Packaged with the free download of an album from Throatruiner is the following text (contained in a file named “FVCK LARS ULRICH.rtf”):

Thanks for your download, we hope you will enjoy this record as much as we did! When I have started Throatruiner Records last year, one of my guidelines was to put all my releases on free download. Because the stuff i love should live without any boundaries. So if you want to support Throatruiner Records & our bands, please visit http://throatruinerrecords.tumblr.com/ and pick some stuff, we need it; and if you think we don’t deserve any $, be kind, share this album with five of your friends!

Sorry for your ears.

I’ve discovered a lot of great new music through this label, one example of which I’d like to share with you today.

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Upcoming Shows: What To Do In Pittsburgh This Weekend (12-15 April 2012)

Hello, readers! How are you? I think I’ve officially recovered from the holiday weekend and am ready to get back into the swing of posting updates. Did you have a nice Easter? I’ve been spending a lot of time listening to Ghost, since I finally got around to picking up Opus Eponymous on CD almost two weeks ago. I like it a lot, but I’ve kind of got a funny feeling about it. I haven’t tried slowing it down or playing it backwards or anything, but I get the impression that there might be some kind of hidden evil messages or something. Oh well. Hey, speaking of which, they’ll be coming to town in just a few more days! In fact, they’re just one of a whole slew of awesome bands playing in Pittsburgh over the coming weekend. Just keep on reading for all the details on this show and tons more.

 
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Upcoming Shows: Warriors of Metal Open Air (WOM Fest V)

…and while we’re on the subject of metal festivals on American soil that don’t suck…

Here’s the latest info on Ohio’s Warriors of Metal Festival, which is being held on the 29th-30th of June this year (which is, coincidentally, the same weekend as the birthday of a certain metal blog writer/editor!) in Pataskala, Ohio (just east of Columbus). Tickets are on sale now at this location; $50 for both days or $30 for either Friday or Saturday ($40 for both or $25 each if you buy your tickets in a four-pack, and youth tickets are also discounted).

This open-air festival is now in its fifth year, and this year’s headliners include two legends of American heavy metal: Wichita’s Manilla Road and Helstar from Houston, Texas! Plus, there will be a pre-show in Columbus on Thursday night, the details of which have not yet been announced can be found here.

UPDATE, 15 MAY 2012: I’ve just learned that the 2012 Promo Video for Warriors Of Metal Fest V Open Air has been released. The video was produced by the vocalist & guitarist of the Brazilian Thrash Metal band Machinage.


 

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Upcoming Shows: Maryland Deathfest (MDF X)

As everyone knows, almost all of the awesome metal tours and festivals take place over in Europe.  They’ve got Wacken Open Air in Germany, Download Festival at Donnington Park in England, Metalcamp in Slovenia, and what seems like millions of others — all with the most incredible lineups imaginable.  Meanwhile, the rest of us are pretty much just forced to contend with tours that have a far-too-high ratio of shitty-to-good, like Ozzfest or the Rockstar Energy Mayhem Festival.

Well, with a few exceptions, and probably the biggest exception each year is the Maryland Deathfest.  This weekend-long metal party is held annually in the city of Baltimore, which as everyone knows was named for the seminal 1970s metal band Sir Lord Baltimore.

This year, the Deathfest is taking place between the 24th-27th of May, and tickets are available for three out of those four days.  As we’ve recently discussed, Morgion had to pull out of their scheduled performance, but there is still a fuckton and a half of awesomeness in the lineup.

**Update (3 May 2012) — the official time-slot schedule has been released; details below**

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Upcoming Shows: Across Tundras Heading Across the U.S.A.

Hey, just a quick heads-up so you can start getting excited about this: Nashville, Tennessee’s Across Tundras are heading out on tour in just a couple of days, and will be making their way back and forth across the country, almost non-stop for two months. A full list of dates can be found at the end of this post, including a few yet to be confirmed or still needing booked.

But first, here’s a small sampling of what’s in store for you if the band is coming near where you live (spoiler alert: they are coming to Pittsburgh!) If the name wasn’t already in use for a similar genre, I’d be tempted to call this desert rock, because in my opinion that expression suits this music perfectly: it’s very mellow and introspective, sometimes sparse, and it’s extremely heavy without being especially loud. I don’t know if that makes sense, when you read it, but have a listen and see what I mean…

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