Shadow Woods Metal Fest IV (September 2018, White Hall MD)

 

Shadow Woods Metal Fest IV

Thursday 13 September through Saturday 15 September 2018

at Camp Hidden Valley, 4722 Mellow Rd, White Hall MD 21161

Weekend pass $130; single-day tickets $30-60 each; tent or cabin camping available for an additional charge.

 
Shadow Woods Metal Fest, the Mid-Atlantic’s only open-air camping heavy metal gathering, is back for a FOURTH year, featuring “over 40 of the underground’s leading bands, representing many genres and subgenres of heavy metal, folk, rock, experimental, and noise” on three alternating stages with no overlap.

After the fate of the festival was up in the air for a while following the sale of the summer camp that has been its home for the past few years, and (apparently) some issues ironing out details with a new venue, the folks at Shadow Woods are pleased to announce they will be returning once again to Camp Hidden Valley. Full line-up for the three-day fest can be found below.

 
More details: website | Facebook event page | Tickets

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Gallery – Eternal Night (2018)

GalleryEternal Night (Savage Night Recordings, 11 May 2018)

 

We recently heard from a brand-new label based out of Texas, a little mom-and-pop type operation who call themselves Savage Night Recordings. None of those terms are intended as denigratory: the label is literally run by a husband-and-wife team, and when I found their Facebook page I believe they had somewhere in the neighborhood of thirty-five “likes”…

Surely that won’t be the case for long, though — not if their selection of projects to work with so far is any indication. Their first official release, due out tomorrow, is Eternal Night by Elizabethan (not to be confused with the period of British history, I mean that these guys are from Elizabeth, New Jersey) black metal band Gallery, and checking it out would absolutely be twenty-four minutes well spent!

 

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Holy Rivals – Self-titled (2016)

Holy RivalsHoly Rivals (self-released, 25 May 2016)

 

Hey folks, remember all the way back to yesterday, when we talked about a pair of Howling Giant releases from 2016 and 2017? If not, make sure to go check it out! Anyway, way down at the end of that post you might notice that the Tennesseans are heading out on a tour of the eastern United States tomorrow night (Thursday, the 10th of May) and swinging through Pittsburgh soon after (Saturday, the 12th).

Well as it turns out, one of the local bands performing at that show also happens to be someone whose music we’ve been meaning to share with you for a while — in fact, their self-titled debut EP came out two years ago this month. So before any more time passes, today let’s listen to the self-described “three sludge/grunge dudes from Pittsburgh” known as Holy Rivals!

 

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Howling Giant – Black Hole Space Wizard: Part 1 (2016), Part 2 (2017)

Howling GiantBlack Hole Space Wizard: Part 1 (self-released, 12 August 2016)

 

Howling GiantBlack Hole Space Wizard: Part 2 (self-released, 25 August 2017)

 

Starting this Thursday (the tenth of May) and then lasting for the next two-plus weeks, Nashvillian trio Howling Giant will be traipsing all over the eastern USA in what they’re calling their “Escape from the Lab” tour. We’ve got details down below, and on your way there we’ll be covering the first two portions of the band’s planned trilogy Black Hole Space Wizard. That way, once you get to the list of dates you’ll either be very excited if you find your city included or very disappointed if you find it omitted. Either way, though, you’ll be treated to some great music — which you’ll have the opportunity to download for as cheap as you’d like. Win-win!

 

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DeathCrawl – Acceptable Level of Misery (2017); Enhailer – Dumb Enough to Care (2017-18)

DeathCrawlAcceptable Level of Misery (self-released, 27 October 2017)

 

EnhailerDumb Enough to Care (Blackseed Records, 11 December 2017 / vinyl to be released via Burnout Records, 14 June 2018)

 

Last time we checked in with Cleveland-area discordant agonists DeathCrawl was nearly five years ago when we introduced you to Accelerated Rate of Decay, the album they released the previous year. And then, following that incredibly vicious piece of work, this trio has put out another album late last year — which we will be talking about today.

Why today? Well, it has been brought to our attention that tonight the band will be performing in the faroff land of Canton, Ohio for the first time ever. So this belated look at Acceptable Level of Misery is our way of helping to spread the word about that.

And on the subject of releases from near the end of 2017, Enhailer from Akron (which is partway between Cleveland and Canton) will be playing at that same show tonight, and we’re also going to cover their Dumb Enough to Care EP which first came out back in December, but which will be coming out as a 10″ record in about a month and a half. Cheers!

 

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Wovoka – Saros (2015); LLNN/Wovoka – Traces/Marks (2017); LLNN – Deads (2018)

WovokaSaros (digital Locust Rising Music / CD Battleground Records, 14 April 2015)

LLNN/WovokaTraces/Marks Split LP (Pelagic Records, 16 June 2017)

LLNNDeads (Pelagic Records, 27 April 2018)

So a few years back — about three, actually — this Californian heavy sludge band called Wovoka reached out to let us know they were releasing their debut record. We really dug it at the time, and have been revisiting it often ever since then, but somehow never quite got around to writing anything about it. Then last year we got word that these guys were participating in a split LP with Danish band LLNN. And then sometime after that, we learned that THOSE guys would be issuing a new album themselves (their second). That will be hitting the streets tomorrow, but today we’re going to cover all three of those releases.

Also, earlier this week saw the start of a month-long European tour with LLNN joining Bison. After you’re finished reading, keep scrolling down to the bottom where we’ll fill you in on those dates!

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Eternal Black – Self-Titled (2015), Bleed the Days (2017-18)

Eternal BlackEternal Black (Obsidian Sky Records, 30 June 2015)

Eternal BlackBleed the Days (Obsidian Sky Records, CD/cassette/digital 08 August 2017, vinyl 04 February 2018)

Is it just me or has this week been dragging on way too long — like, excruciatingly, brain-deadeningly long? Just me? Ok. In any case, I feel like I need a break from anything that requires too much thinking. So I’m going to take a moment and share some music with you.

This is coming courtesy of old-school stoner/doom trio Eternal Black from Brooklyn. We’ll start with their self-titled debut EP from a few summers ago, and follow that with their first full-length which came out last year but just recently got pressed to vinyl for the first time (all via the band’s own Obsidian Sky label). Hope you enjoy it.

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River Cult – Halcyon Daze (2018)

River CultHalcyon Daze (Magnetic Eye Records / Blackseed Records / Nasoni Records, 09 February 2018)

 

In the grand tradition of classic power trios like Mountain or Cream, infused with the loud and fuzzy psychedelics of Blue Cheer, Brooklyn’s River Cult ought to be bursting onto radar screens all over the place with their first LP Halcyon Daze. Only five tracks long but with a running time around forty-two minutes, the record came out earlier this year via a handful of labels in New York, Pittsburgh, and Germany — but if it has somehow managed to elude your attention thus far, our job today is to fix that!

 

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Insect Ark – Marrow Hymns (2018)

Insect ArkMarrow Hymns (Profound Lore Records, 23 February 2018)

 

Bi-coastal DOOM duo Insect Ark is made up of film music composer and animator Dana Schechter (Angels of Light, Wrekmeister Harmonies, Zeal & Ardor, Gnaw) on bass and lap steel, and electronics expert Ashley Spungin (Taurus, Purple Rhinestone Eagle, Negative Queen) on drums as well as various synths and analog noise pedals she created herself. With this unique arrangement (featuring zero electric guitars, in the traditional sense), the instrumental assembly has brought forth their latest sonic creation (through a combination of long-distance collaboration and in-studio cooperation).

Although nearly two months have passed since the record’s Profound Lore release, last night (Sunday, 15 April) was the celebratory release show in Brooklyn. Next up, the pair will be hitting the Roadburn stage later this week followed by a month-long tour through Europe. You can find a listing of all those dates at the bottom of the page, but first, check out Marrow Hymns!

 

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Imperial Triumphant – Part II (2015-2018)

Imperial TriumphantAbyssal Gods (Code666, 10 March 2015)

 

Imperial TriumphantInceste (CD and digital Redefining Darkness Records, 15 April 2016 / vinyl Temple of Torturous, 23 March 2018)

 
[NOTE: this is the second of a two-part series on NYC black metal crusaders Imperial Triumphant. If you’ve missed the first part, check it out here.]

As I’ve mentioned, Imperial Triumphant have become known for producing unique and unpredictable music, which is dense and complex and really requires some commitment of time and attention from the listener to really be able to unpack and grasp everything that’s happening. The same could be said of the two releases we’ll be discussing in this article, their second full-length (released in early 2015, just two months before I finally got the opportunity to experience this band in person) and another EP that will be turning two years old this weekend (which just last month was given the vinyl treatment with several bonus tracks). Let’s dig right in!

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