
So all the final details for this year’s Winter’s Wake festival are finally here! The venues, scheduled bands, and ticketing information all have been announced, and I’ve collected all of it right here for you!

So all the final details for this year’s Winter’s Wake festival are finally here! The venues, scheduled bands, and ticketing information all have been announced, and I’ve collected all of it right here for you!
Hello, friends. Regular visitors to this website have surely noticed that recently the volume of writing I am putting out there has significantly decreased. I apologize for that. But it hasn’t been the result of laziness, I assure you. I’ve been getting myself involved with a few other things — as I keep alluding to in several new posts over the past few weeks — and finally I want to let you know about one of those.
So, I have been asked to join the Pittsburgh-based record label The Innervenus Music Collective to help out with their PR and publicity. It’s a pretty exciting opportunty for me — first of all, as a writer I’ve been working with a variety of PR people and representatives from other labels, so I understand what’s involved, and it’s cool to be getting some experience from the other direction now. But even more than that, now I get to work directly with a group of people who do so much to support our local music scene — between planning shows and giving away the Iron Atrocity compilations, not to mention releasing albums from some really talented bands (Vulture, Invader, Fist Fight in the Parking Lot — just to name a few examples that I had written about last year)!
And so this new position has been using up a lot of my free time recently, mostly because we’re gearing up to put out two CDs in February: the debut full-length by grindcore/death dealers Grisly Amputation, and a self-titled EP by death-thrash-groove-sludge-core band Lycosa. I’ve been sending out promo materials to a whole slew of websites and magazines, so we should start seeing some reviews trickle in shortly, but I figure I wouldn’t really be doing my job (EITHER job – as a writer OR a publicist!) if I didn’t also inform you about the releases here on Valley of Steel!

*** NOTE: ALL THE FINAL DETAILS FOR THE WINTER’S WAKE FESTIVAL HAVE BEEN COLLECTED AT THIS LOCATION: https://valleyofsteel.net/2013/01/28/winters-wake-2013-presented-by-allure-of-the-earth/ ***
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So are you excited yet!?? The Winter’s Wake festival will be taking place in exactly ONE MONTH, right here in Pittsburgh!
Venue and ticket information will be released for the two-day show later this week. (I know, it seems like we’ve been waiting a long time for these details, but I’ve learned that the folks who run the production company sponsoring the event, Allure of the Earth, have been dealing with a sudden tragedy in their family — so I think we can certainly forgive a bit of a delay…)
Anyway, the full list of bands playing on Friday and Saturday (the 22nd-23rd of February) were announced last month, so really all we’re still waiting for is the exact schedule order for each day, as well as where and when we can get tickets…
…plus the details for the Thursday night show!
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Ladies and gentlemen, I give you — in my opinion — the #1 CD from all of 2012. Not only one of the best bands I’ve ever heard in Pittsburgh, but one of the best bands I’ve ever heard. And I stumbled into being a huge fan of theirs, almost by accident. Or some might call it fate.
See, these guys had included one of their songs (“C-Section”) on the Innervenus Music Collective‘s free Pittsburgh metal sampler, Iron Atrocity V.2 — a collection which I heard and wrote about when it was released last summer.
At the time, I was impressed by the Solarburn track, given that I’ve always been fond of instrumental metal music anyway, and (as I said in that article about the compilation), this song sounded “way heavier, more ballsy, and well, just plain more interesting than a bunch of the aimless noodly shit that’s out there.”
I also recall somebody involved with Innervenus talking about this particular song when the compilation was made public — I can’t find the exact quote, now, so I will paraphrase — playing the song for another person, that other person reportedly said something about how the song was absolutely perfect, and he kept hoping that nobody would start singing and fuck things up.
I was also intrigued to learn that the band had been working on a full-length album (which was to be unveiled at a show in mid-September), and thought that I might want to check that out — the new CD at least, even if I ended up not being able to make it to that show.
Anyway, within the next few weeks I heard about what was called the R.A.N.T. (Rock All Night Tour) in the Lawrenceville neighborhood of Pittsburgh. I wrote an announcement that this all-day free music festival was happening, and what really caught my eye was the fact that the renowned local pirate rock band, The Bloody Seamen, were playing a show that evening. I’d been wanting to get a chance to check them out ever since I’d seen a few of their videos, so that’s just what the wife and I had planned on doing.
Well once we got to the Thunderbird Cafe, where the “punk” show was taking place, it was already extremely crowded for such a small area — and people just kept coming and coming, to the point where we felt pretty claustrophobic, and couldn’t find anywhere to stand where we weren’t constantly getting stepped on. Frankly, it was kind of miserable, so we were talking about just heading back home — when I pulled up the Valley of Steel post about R.A.N.T. on my phone. I saw that the “metal” show was taking place at a bar called Cattivo, just a few blocks away, and it had a slightly later start time — so we decided to see what that was like, before just giving up on the evening.
It happened to be much more spacious there, and there weren’t nearly as many people (at least at first). So we grabbed a couple drinks, found an empty table, and waited for opening act Solarburn to take the stage.

HELLO OUT THERE! HAPPY 2013!! How’s life been treating you, dear readers?
I wish I could say that flipping the calendar over to a new year has also turned the page on all the problems and stresses and worries and other crap that infringes on my time I’d rather be spending with fun stuff like listening to music and writing about music and all that.
So far, that has not been the case. And at this moment I almost literally feel like I am bursting at the seams with stuff I want to share with you, because you’ve all been such wonderful, loyal readers for so long, I feel like you really deserve to be rewarded with some good music you can listen to.
For my first post as we enter into the thirteenth year of this millennium, I want to tell you about an up-and-coming group of young men who come from the city of Tempe, which is just outside Phoenix and is also the home of the ASU Sun Devils.
That band is called Gay Kiss.

This was me on Christmas Eve. In a couple hours, this’ll most likely be me again.
Good afternoon, Dear Readers, and a Happy Fucking New Year to you all! I hope you enjoyed the collection of top-ten lists I published yesterday!
Before we finally put 2012 to bed, though, here’s a quick supplemental post to go along with my personal contribution to that conglomerate of lists. I’m calling it…
Well, friends, here we find ourselves in the waning moments of 2012. It’s been an interesting, eventful year that’s had lots of high and low points — a ton of excellent new music has been released and quite a few brand-new bands have emerged that I’d fully expect to be making some serious waves in the near future.
One of the best things about 2012, for me personally, was that I found myself (and my wife) going to lots more shows than in recent years, and as a result I’ve been fortunate to meet a lot of new people — as well as starting to take a way more active role in the local music scene.
Anyway, a few weeks ago I had a suggestion from one of those people I’ve gotten to know in the past year (I won’t say who — he said he preferred not to be given credit for the idea, although I will say that it’s somebody who contributed to this). The idea was to collect top-ten lists from various folks in the Pittsburgh metal community.
So I put out an open invitation for any musicians or other people who are involved in the scene in some way — I was looking for anything, whether it was the traditional “Top Ten Albums” or something totally off-the-wall like someone’s ten favorite sandwiches they ate during the year. Really, the only rules were that it had to be a list, and involve something from 2012.

Folks, if you’ve had your ear to the ground over the past few months you might have noticed that there has been some rumbling coming out of the dark underworld of hardcore. There has been so much hype swirling around the crusty, grimy beast known as Meth Quarry lately, that the band has reached a nearly mythical status — without having played a single show yet!
But all of that is about to change, because these guys are finally ready to come crawling out of the dank cellar of Pittsburgh’s underground and expose the good people of the Steel City to their grim “dirge” hardcore style. Last weekend I met up with the quintet (guitarists Chris Smith and Kevin Hogue, bassist Aaron Kaczynski, vocalist Adam Joseph Bailey, and drummer Brandon “Fluffy” Baker) to talk about the story of the band’s formation and what sort of things they’ve got on the horizon — I joined them at one of their rehearsals, which took place in the basement of Kevin’s house, so when I say “crawling out of the cellar” I actually mean it literally…
*** NOTE: ALL THE FINAL DETAILS FOR THE WINTER’S WAKE FESTIVAL HAVE BEEN COLLECTED AT THIS LOCATION: https://valleyofsteel.net/2013/01/28/winters-wake-2013-presented-by-allure-of-the-earth/ ***
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Ladies and Gentlemen, three more bands (***) were just officially announced for the upcoming Winter’s Wake festival!
At this moment the nearly-complete line-up is scheduled to run as follows:
FRIDAY, 22 February 2013:
*** Vektor (sci-fi thrash from Philly)
Black Anvil (black metal from NYC)
GNAW (experimental industrial/drone/noise, from NYC)
Vit (experimental black/doom/folk from Ohio)
Liquified Guts (brutalgoredeathgrind from Pittsburgh)
*** Meth Quarry (Grim “Dirge” Hardcore from Pittsburgh)
SATURDAY 23 February 2013:
Dream Death (doom metal from Pittsburgh / exclusive area appearance for 2013!)
Blood Ceremony (occult doom rock from Toronto)
Evoken (death-doom from NJ)
Occultation (traditional metal from NYC)
Vattnet Viskar (black metal from New Hampshire)
*** Derketa (doomy death metal from Pittsburgh)
Molasses Barge (doomy traditional metal from Pittsburgh)
Vulture (doomy sludge metal from Pittsburgh)
So that’s where things stand as of right now.
LAST UPDATED 10 January 2013: There will be a pre-show (no details available yet) on Thursday the 21st! More information about that, plus the full details (including venue and ticket information) for the festival will be announced on Wednesday, the 2nd of January, 2013. very, very soon. We hope. Any further information will be shared with you here at Valley of Steel, as soon as we learn anything ourselves! Stay tuned!
Facebook event page for Winter’s Wake: http://www.facebook.com/events/147586328726944/

Good afternoon, all you fine people! How are things where you are? Here it’s been rainy and nasty, and of course it’s Monday which is never good, but I’m actually feeling pretty good. For one thing, the day’s over, which means I get to go home. But mostly, I’m starting to feel healthy again!
You may have noticed things have been quiet around here for a while. Part of the reason is all the normal crap that keeps me busy and unable to write as often as I’d like to. But a bigger part — at least for the past two weeks or so — is the fact that I have felt like absolute garbage. My normal yearly sinus infection, which tends to completely drain my energy and make my whole body tired and sore for a few weeks (plus my chest, throat, nose and sinuses feeling congested and clogged — which is miserable enough as it is, but also makes it tough for me to listen to music because my ears don’t work right and my head hurts from feeling stuffed up and in general I’m in a very foggy and cloudy state). But I’ve been to the doctor and got some antibiotics, and they’ve finally started taking effect over the past day or two, so I definitely feel like I’m on the road to recovery.
I’m still pretty exhausted and blah, but no more than on any other workday. So, hooray for just feeling marginally lousy, rather than completely and utterly terrible! BUT ENOUGH ABOUT ME.
With a few exceptions, I’ve really been slacking as far as writing anything here, and I’ve been especially remiss in my duties to share new music with you readers. Here it is, nearly the end of the year, and I’ve got a virtual stack of music I’ve yet to write about, which figuratively is towering over me as I sit here. I’d better get moving!
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Here, for example, is something that I’ve been hanging onto for the past few weeks, and kept meaning to write about and share with you — because it’s a really incredible discovery, and I sure hope you all aren’t upset that I didn’t tell you about it sooner!
Endless Planets is the debut release from a relatively new band from the Pittsburgh area called Supervoid. Formed in 2011 by a couple Dethlehem ex-pats, and current and/or former members of several other bands across the region, the band decided to take time to perfect their style of space-rock/stoner/psychedelic/prog-metal before revealing themselves to the public. (By the way, check out this interview with The Sludgelord for more information about the band’s formation and their journey up to this point in their career.)
They had their debut performance at the end of August, and a few more shows since then, attracting a good bit of attention in the local music scene along the way. During that time, the band got together at Pittsburgh’s Treelady Studios to lay down some demo tracks — which they then decided to release in the form of this two-song EP.
Clocking in at around sixteen minutes, Endless Planets serves as a great introduction to Supervoid, as it showcases the band’s talent and is representative of the range they span as performers and songwriters. Plus, it’s available to download for free, so you have no reason not to grab yourself a copy — and once you do, you’ll understand why everyone who has seen this band has been so impressed, and you’ll find yourself anxiously watching to see where this quintet is heading next…