Category Archives: Reviews

Fister – Gemini

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Fister – Gemini (self-released, 19 March 2013)

 
Lately, a close personal friend of this website, Mr. Jason Cantu (read more about him here, as part of my wife’s ongoing interview series), has been all atwitter about this sludge/doom band from Saint Louis called Fister. Now, I’ve always had a lot of respect for his judgement about things, because anytime he’s recommended something it’s always been a winner: he seems to really pay attention to what people listen to, and so if he says “You’ll like this,” chances are you will.

But you don’t just have to take my word for it. Jason’s opinions have just gained a whole new level of credibility, as he has recently joined the ranks of The Sludgelord as a contributing writer. So you know that’s no B.S., since that site is world-renowned as a leading authority on heavy music.

So anyway, Fister. The first time I heard of these guys was last year, when one of their songs was included on the Doommantia benefit comp. That song was very slow and heavy, raw and noisy. All things that I would later discover to be part of this band’s signature style.

Fast forward to the present day; Fister are currently in the midst of an excursion across the Midwest and the northeast, which includes a stop in Pittsburgh tonight! All the members of Cantu‘s band Slaves BC have been talking about how excited they are to be part of this show, so I figured it was about time for me to do some investigating.

As it turns out, Fister has quite a lot of material available on their Bandcamp page, so I decided to tackle their most recent album, Gemini (released earlier this year), which is their second full-length. Here’s what I discovered…

 
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Deathcrawl – Accelerated Rate of Decay

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Deathcrawl – Accelerated Rate of Decay (self-released, 16 October 2012)

 
Okay, true story: earlier this month, I had a cookout for a handful of friends (mostly musicians or music-related folks, just because that’s how I roll). At some point in the evening, as we were standing around the fire and socializing, I remember talking to someone about a song that was playing (I’d hooked up my MP3 player and set it to shuffle); during that conversation, the song ended and the next one began — and on hearing the grimey riffs that were pouring out of the speakers, I then remarked, “Oh, and this is Deathcrawl.”

Well. Standing nearby just happened to be Josh Thieler, vocalist for Slaves BC. You may recall that his band creates some awesome music, and so it’s no surprise that he’d generally have pretty good taste in stuff to listen to. Anyway, I could see that his eyes were all lit up. “I was just about to ask you what this is,” he told me, “because it’s really good. This is Deathcrawl?” I nodded, and he added (I’m paraphrasing here; this was a couple weeks ago), “So, my band is playing with this band at the end of the month??” I nodded again, and his face lit up even more.

Because yes, I’m pleased to say, the Ohioan sludge factory that is Deathcrawl is finally playing a show in Pittsburgh, and that show is tomorrow night!! In addition to Slaves BC, that line-up will also feature Meth Quarry and (coming back to the city for the first time since last summer) The Osedax from Virginia. More details on that show coming up soon, but first, I’d like to bring you up to speed on a band and an album that you really need to be listening to (if you haven’t already)!

 
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Slaves BC / Cousin Sleaze – Split 7″

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Slaves BC / Cousin Sleaze – Split 7″ (self-released, 11 April 2013)

 
 
Several months ago, I wrote about a new EP from the Pittsburgh-based dark, caustic hardcore/metal band Slaves BC, which was titled we mean nothing. If you’re feeling especially adventurous, you could look it up if you searched for it, but I’m not linking to it here. Because honestly, it was among the worst articles I’ve written, and I wouldn’t advise taking the time to read it. Instead, just listen to the songs and download the EP, which you can do it you follow the Bandcamp link at the end of this page.

About that review — I’ve noticed sometimes when I really like something or really connect with a piece of music on some level, I feel inadequate to convey that in words, and so I end up rambling about some other nonsense that isn’t related to the actual music. In this case, we mean nothing. centers around the concept of someone struggling and perhaps questioning the validity or value of religion — and I sort of ran with that idea, focusing more on people who place too much value on religious principles, at the expense of common sense and moral decency.

Sort of lost in all of that was my opinion of the actual music — dark and caustic, as I just said; abrasive, ultra-heavy. Some music is described as “doom metal” which usually seems to foretell a bleak, dire outcome; some music is “post-apocalyptic,” representing that tragic new reality. What Slaves BC bring is more like DURING the apocalypse: there isn’t doom coming, it’s happening RIGHT FUCKING NOW.

Anyway, one thing I did point out in that review was that the sound had improved dramatically over their first release, the demo album This World Shall Pass Away. With that in mind, the appearance of any new Slaves material should be really exciting. And GUESS WHAT — today we have exactly that! Two new songs, to be exact, coupled with a pair from the band’s comrades from New York, Cousin Sleaze.

The four-song split is available as of today on CD (if you come to the bands’ joint release show TONIGHT at The Smiling Moose in Pittsburgh — see below for details), and the 7″ vinyl version (in three different colors) can be ordered now, and will be out in the very near future!

 
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Borracho – Mob Gathering 7″

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Borracho - Mob Gathering 7- - cover

 
It’s been nearly two years since Borracho, the heavy stoner-fuzz-rock band from Washington DC, graced the world with their debut album Splitting Sky. Since that LP was released (and subsequently landed on my Top 11 of 2011 list), there has also been a 7″ single (and video) for “Concentric Circles”, a video for “All in Play”, and a 10″ single for “Plunge/Return” (which was included in the digital and CD versions, but didn’t fit on the vinyl pressing of Splitting Sky).

Now, all that has been really cool, but we haven’t heard any NEW songs in a while! Well as it turns out, that’ll be changing soon, because in a few months the band will have a follow-up album out…

 

[In mid-February], we entered the studio to lay down brand new music for a proper follow-up release. We’ve reunited with Splitting Sky producer Frank Marchand at his brand new Hudson Street Sound studio in Annapolis MD. The as-yet untitled record will be co-released on limited edition 12″ vinyl by No Balls Records (Germany) and Ghost Highway Recordings (Spain) in June.

 
So that’s pretty exciting, huh? But that’s not even all of the good news I have for you! Although it’ll still be a few more months ’til we get some new material, right now you can get treated to some OLD stuff — plus select east-coast cities are due to be visited by the band this weekend!

 
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Dendritic Arbor – Sylvan Matriarch

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Dendritic Arbor – Sylvan Matriarch (self-released, 26 March 2013)

 
Good morning, folks! What’s new with you?? I have to tell you a story about what happened to me recently, but it’s a little bit embarassing…

So I’m sure you all remember Quercus, guitarist/vocalist for that band of black metal eco-terrorists Dendritic Arbor — he and I had a conversation about his band last month when they were performing at the Winter’s Wake pre-fest show (which you can read here). As you’ll recall, there was some discussion at that time about their forthcoming release Sylvan Matriarch…

Anyway, fast-forward to a couple days ago, and I got a message from Mr. Quercus, where he asked me whether I do album reviews on this website. Well. That was sort of a reality check for me — I know that I’ve been very preoccupied lately and have been writing very, very little. And what I have been posting recently has largely consisted of interviews, either conducted by myself or by someone else. But at that moment I realized, geez, you really couldn’t tell just by looking — unless you were to dig pretty deep — that reviewing music is sort of supposed to be the primary purpose of this website!

So I got my hands on a copy of Sylvan Matriarch, which is officially available today — it actually went up on Bandcamp yesterday, but tonight Dendritic Arbor will be playing a show to celebrate the release. I’ve got all the information you need about the album, the show, AND a special super-limited bundle were you can get a whole bunch of goodies for a really low price, IF you’re one of the first few people to jump on this deal!

 
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Vermithrax – Vol. 1 Sampler (FREE Download!)

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Vermithrax – Vol. 1 Sampler (14 February 2013)

 
Hey! Remember back when I used to write about music? That was fun, I think I’m going to try it again.

So the Pittsburgh-based old-school thrash & NWOBHM-influenced band Vermithrax has some new material available for downloading and inserting into your ears. They announced this fact a couple weeks ago, but I was right in the middle of a million different things at that moment, so I grabbed myself a copy and planned to go back to it later.

Well, “later” ended up being just a few days ago, and now I’m kicking myself for not jumping on this sooner. If you’re already familiar with Vermithrax — perhaps from their appearance on the Innervenus free compilation Iron Atrocity Vol.2 (more info here) — then surely you understand.

If you haven’t heard that compilation yet, go download the damn thing already!! But in the meantime, here’s the Vermithrax song, “The Final Feast”:

 
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GUEST REVIEW: Grisly Amputation – Cannibalistic Tendencies

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Dear readers, as you should already know (because I just told you a couple weeks ago!), two Innervenus artists have CDs coming out tomorrow (Tuesday, 12 February 2013)! One of those is the death metal + grind unit called Grisly Amputation, with their debut full-length Cannibalistic Tendencies.

 
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Considering my professional relationship with the band, as the record label’s PR representative, it didn’t seem appropriate for me to write a review of their album, because it wouldn’t seem objective or unbiased. So I found a neutral outside reviewer who was willing to write about the album and then let me publish it for him. He was a frequent contributor to the “Sign Me To Roadrunner Records” website when I used to spend a lot of time there, and his reviews were always very thoughtful and detailed. Plus, as a musician in a death metal band himself, I’d be inclined to say he’s even more qualified to discuss this album than I am…

 
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GUEST REVIEW: Lycosa – Self-Titled EP

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Dear readers, as you should already know (because I just told you a couple weeks ago!), two Innervenus artists have CDs coming out tomorrow (Tuesday, 12 February 2013)! One of those is the brutal death/thrash/groove/sludge conglomeration known as Lycosa, who will be putting out their debut, self-titled EP.

 
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Considering my professional relationship with the band, as the record label’s PR representative, it didn’t seem appropriate for me to write a review of their album, because it wouldn’t seem objective or unbiased. So I found a neutral outside reviewer who was willing to write about the album and then let me publish it for him. He was a frequent contributor to the “Sign Me To Roadrunner Records” website when I used to spend a lot of time there, and his reviews were always very thoughtful and detailed. So I asked if he’d be willing to discuss this EP, and he graciously agreed…

 
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Crawl – Crawl Demo

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Crawl – Crawl Demo (self-released, 12 October 2012)

So who’s in the mood for some heavy doom with a nice dose of southern sludge??

Don’t bother answering that; it was a rhetorical question. Here we go…

There have been a few bands called Crawl over the years, but this one formed in Atlanta, in spring 2012. Most of what I hear coming out of Georgia nowadays is rather fuzzy and stonery; it’s clear these guys draw from SOME of the same influences as their fellow statesmen, but they also incorporate some darker elements of west coast doom and the weightiness of gulf coast sludge, for an amalgam that’s definitely worth checking out.

 
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Solarburn – 13

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Solarburn – 13 (self-released, 14 September 2012)

 
Ladies and gentlemen, I give you — in my opinion — the #1 CD from all of 2012. Not only one of the best bands I’ve ever heard in Pittsburgh, but one of the best bands I’ve ever heard. And I stumbled into being a huge fan of theirs, almost by accident. Or some might call it fate.

See, these guys had included one of their songs (“C-Section”) on the Innervenus Music Collective‘s free Pittsburgh metal sampler, Iron Atrocity V.2 — a collection which I heard and wrote about when it was released last summer.

At the time, I was impressed by the Solarburn track, given that I’ve always been fond of instrumental metal music anyway, and (as I said in that article about the compilation), this song sounded “way heavier, more ballsy, and well, just plain more interesting than a bunch of the aimless noodly shit that’s out there.”

I also recall somebody involved with Innervenus talking about this particular song when the compilation was made public — I can’t find the exact quote, now, so I will paraphrase — playing the song for another person, that other person reportedly said something about how the song was absolutely perfect, and he kept hoping that nobody would start singing and fuck things up.

I was also intrigued to learn that the band had been working on a full-length album (which was to be unveiled at a show in mid-September), and thought that I might want to check that out — the new CD at least, even if I ended up not being able to make it to that show.

Anyway, within the next few weeks I heard about what was called the R.A.N.T. (Rock All Night Tour) in the Lawrenceville neighborhood of Pittsburgh. I wrote an announcement that this all-day free music festival was happening, and what really caught my eye was the fact that the renowned local pirate rock band, The Bloody Seamen, were playing a show that evening. I’d been wanting to get a chance to check them out ever since I’d seen a few of their videos, so that’s just what the wife and I had planned on doing.

Well once we got to the Thunderbird Cafe, where the “punk” show was taking place, it was already extremely crowded for such a small area — and people just kept coming and coming, to the point where we felt pretty claustrophobic, and couldn’t find anywhere to stand where we weren’t constantly getting stepped on. Frankly, it was kind of miserable, so we were talking about just heading back home — when I pulled up the Valley of Steel post about R.A.N.T. on my phone. I saw that the “metal” show was taking place at a bar called Cattivo, just a few blocks away, and it had a slightly later start time — so we decided to see what that was like, before just giving up on the evening.

It happened to be much more spacious there, and there weren’t nearly as many people (at least at first). So we grabbed a couple drinks, found an empty table, and waited for opening act Solarburn to take the stage.

 
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