Tag Archives: USA

Indian – From All Purity (2014)

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Indian – From All Purity (Relapse Records, 21 January 2014)

 

Hello out there, and happy Monday to you all. Back to work today, back to all the same old crap, back to the still-ridiculous workload. I’ve been meaning to get around to writing about a bunch of stuff lately, and it just hasn’t worked out that way. There was actually one day last week I could have had a little extra time to get something done (I think it was Thursday?), but coincidentally that was the same day there was an all-day seminar that involved many of the people who work near me (but not in the same department as me) — which included the lady whose desk is directly behind mine, the one who has really loud phone conversations all day long in a sickeningly cheerful voice, and who always seems to include way-too-personal information about her health or her family (regardless of whether it’s a business-related conversation or not). It was such a pleasant reprieve from the normal torturous conditions I endure every other day, I actually didn’t listen to any music at all that day. Just sat at my desk and basked in the near-silence. But now everything’s back to normal, and it’s in the best interests of my sanity to stick my headphones on and do whatever I can to block out the world around me.

Something loud and utterly miserable should fit nicely with the mood I’m in today, and the latest release from Chicago’s doom/noise band Indian will definitely do the trick. Released back in January through Relapse, From All Purity has found its way into my ears on numerous occasions throughout this year so far, and there’s no doubt it’ll also find its way onto my list of this year’s best releases.

 

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Pallbearer – Foundations of Burden (2014)

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In the VIP section (balcony) at Mr. Small's Theatre (Pittsburgh), February 2013

In the VIP balcony at Mr. Small’s Theatre (Pittsburgh), February 2013

EDITOR’S NOTE: for nearly two years, the Arkansas melodic doom quartet Pallbearer has been among my wife’s absolute favorite bands. I know she’d been eagerly snapping up every available bit of information leading up to the release of their second album; now that it’s been released, we listened to it together, and she had some strong reactions and opinions — so I asked whether she wanted to write something about it. So here is her review of Foundations of Burden.

 

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Pallbearer – Foundations of Burden (Profound Lore Records, 19 August 2014)

reviewed by Mrs. Valley of Steel

 

I first heard Pallbearer in December of 2012 on accident. I was scrolling through Facebook and saw a video that someone had posted, which I thought was something else. I clicked on it, I listened and I had no idea what I was in for ultimately. I have to admit, I felt an immediate kinship to this music. For much of my life, I have felt an attachment to a darker side of my personality; I often embrace being melancholy and don’t always see it as the burden that some people do with those types of emotions. Pallbearer definitely tapped into that for me. I felt instantaneously connected to each riff and sludgy chord. I can tell you without a shadow of a doubt, this band is mainly responsible for so much of the music I have discovered in this journey with my husband over the past three years. It’s clearly felt personal to me and I am sure, with all the recent hype, that I am not the only one who enjoys dwelling in the despair.

 

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Intronaut – Habitual Levitations (2013)

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Intronaut – Habitual Levitations (Instilling Words with Tones) (Century Media Records, 19 March 2013)

 

Hello there! “TFIF” and all that stuff. I wanted to get one more thing written and shared with you before the weekend, and in deciding what to talk to you about, I was feeling kind of reflective: looking both forward and back. Forward, because (as I mentioned yesterday) this year seems to be slipping by at an alarming rate. Before we know it, it’ll be time for year-end summaries and lists already! There are a few new records that’ve either just come out (or will be soon) that I’m sure will rank pretty high, as well as some from earlier this year I’ve listened to a whole bunch but maybe just haven’t had the chance to review yet. I’m going to want to get moving on posting something about all of those, lest I find myself in a situation like I did at the end of 2013 (where I put together a list of my favorite 26 releases of the year, 25 of which I hadn’t yet written about!) … which, of course, is what also has me thinking backwards. Almost nine months later, I’m still not quite halfway through reviewing last year’s list yet!

So I decided, there’s no time like the present; let’s discuss another of last year’s best albums. This is one of the more high-profile items on that list, or at least one that was put out via the biggest label. So a lot of you are probably already familiar with this band. But there may be some out there who haven’t heard Intronaut before, or may have missed out on this album — which would be a shame, because it’s really good stuff!

 

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Lifetime Shitlist – Lifetime Shitlist (2014)

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Lifetime Shitlist – Lifetime Shitlist (Grimoire Records, 10 June 2014)

 

Well holy crap. When did this happen — I can’t believe it’s more than halfway through August already! (Well, to be honest, just the fact that we’re more than halfway through 2014 seems kind of insane…) The past month or two has completely been a blur to me, mostly in regards to craziness at work. My company bought another company, adding tons of extra paperwork for us pencil-pushers, exactly at the same time that someone in my department who’d had lots of responsibilities had to suddenly go out on medical leave. Add in all the usual week-long summer vacations that people tend to take, plus new temps who’ve needed training as they’ve come and gone randomly over the past several weeks, and I’ve barely been finding time to breathe or eat (let alone sit still long enough to even LISTEN to much music, nevermind trying to actually WRITE anything!)

But I have had the chance to listen to some stuff recently — some really good stuff — and gradually things will be settling down a bit. And anyway, I don’t want you to think I’ve forgotten about you, readers! So I’ll be trying to take advantage of what little freetime I can find (for example right now I’m writing this intro on the bus at 4:30 am, instead of sleeping, since I found myself inexplicably unable to sleep most of last night anyway), to share with you some new releases that you really ought to hear. Besides, this particular EP I’d like to tell you about today is only sixteen minutes long, give or take, so I’ll try to keep this relatively short.

 

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Slaves BC / Grace & Thieves – Cursed Breath / Innocent Blood (2014)

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Slaves BC / Grace & Thieves – Cursed Breath / Innocent Blood (Veritas Vinyl, 04 August 2014)

 

The split record is an interesting concept in the music industry. The vinyl EP or LP or cassette with (usually) one band on each side, or the more modern CD or digital release with tracks contributed by two (or occasionally more) bands — these frequently fall into a couple different categories. Sometimes bands will be such kindred spirits, sharing all the same influences and each representing a similar approach to their particular genre, that it seems completely natural for them to work together; in these cases the bands probably already have a huge overlap in their fan bases, but the split will surely be a treat for those people who already like both bands. On the other hand, many joint releases are the result of bands who are close friends — perhaps they live in the same city and play shows together all the time — but who actually have little else in common; the result here is that die-hard “completist” fans of either band will end up buying the record, but probably few of them will listen to the flip side more than once (if at all).

In most other cases, two bands are brought together by songs third party: perhaps they share management or PR representation, or belong to the same record label’s roster. These could be marketed to fans of each band or just people who may have been familiar with some of the other output from that label (or whatever); it becomes an efficient way for listeners to “test drive” bands, without having to take a chance investing in a full length from someone unfamiliar. Ideally, the person putting together the release will have done some homework (or just have good instincts) and pair up artists who are different enough to attract a wide range of listeners, yet share enough of a common bond for both sides to appeal (at least to some degree) to that whole audience.

And if you ask me (and technically, by clicking on this review and reading these words I wrote, you did ask me — at least implicitly), the Veritas Vinyl label has accomplished this successfully with their Cursed Breath / Innocent Blood 12″ which officially comes out today. This split brings together bands that employ two rather disparate styles of metal (one leaning in a blackened direction, the other sticking with a more old-school doom and traditional heavy metal sound), but they each combine their respective patois with a foundation heavily influenced by hardcore/noise and/or hardcore punk.

 

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Tours Galore: All Roads Lead to Gilead Fest

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Wisconsin. America’s dairyland. The Badger State. Home of the Packers. And next weekend, the site of one of the summer’s biggest showcases of filthy, ugly, underground metal.

Gilead Media has made quite a name for itself, mostly by issuing highly sought after vinyl versions of some of the best names in bleak, black noise. And for three days (18-20 July), a huge collection of those will be converging on the city of Oshkosh. I know several people who are making the trip out there, and every year I wish I could too because they always have an incredible “no filler” line-up. This year is no exception, and I’ve got all the details for you below.

But many of the bands playing at the fest have also arranged a series of shows in various other cities on the dates before and after next weekend. Several of these will be hitting Pittsburgh over the next week or so, and chances are some of them may be coming near where you live too. I’ve got details of those tours too (at least, I’ve tried to make this as comprehensive as possible). So check it out.

 

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Mortals – Cursed to See the Future (2014)

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Mortals – Cursed to See the Future (Relapse Records, 08 July 2014)

 

I don’t know who wrote the official band bio for Brooklynite trio Mortals (the one that accompanies their press kit and also appears on their record label’s website), but I don’t think I really understand what it’s trying to say. It starts off by contrasting this band with the way most other bands come together:
 

Many heavy bands follow a straight line — they start a band with some people they know, they pick a well-worn genre, they write riffs and drum beats that sound pretty similar to all the other riffs and drum beats that have been written. That isn’t Mortals.

 
…but then it goes on to explain how the three members met when they were involved with various other bands (for example, two of them were in a Slayer cover band together, two of them were in a math-rock band together) and eventually the three of them found they had enough common interests that they decided to form a new band; chemistry developed and gradually they found themselves evolving into their own style. Which, in essence, sounds like a variant of the history behind almost every band I know. So that’s got me feeling slightly confused.

But anyway, none of that really matters. What the band sounds like is far more important than any written description, when it comes to me picking what I want to write about and share with you, and the music should be able to speak for itself. And here it certainly does. It also helps that I’ve been watching for news from this band over the past couple of years — on the advice of Meat Mead Metal (whom you should absolutely familiarize yourself with immediately if you aren’t already a regular reader, because not only is this without a doubt the best music journalism you’ll find here in Pittsburgh, but this guy churns out high-quality writing with a consistency that could rival just about anyone else out there!), who has had plenty of good things to say about Mortals on several occasions (like here, for example). About a year after that particular article was written, the band had signed a deal with Relapse Records, and today marks their first release with that label, the full-length Cursed to See the Future.

 

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Two Reviews: DRCARLSONALBION and Tumbleweed Dealer (2014)

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DRCARLSONALBION – Gold (16 June 2014)

 

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Tumbleweed Dealer – Western Horror (23 June 2014)

 

Good afternoon, everyone. Today I’ve got two different albums to introduce to you, which coincidentally have a common thread between them. Released just a week apart, one of these was conceived as the soundtrack to an imaginary western movie, while the other features incidental music that was recorded for the score of an actual western film.

Both of these are purely instrumental affairs, and they’re both more on the mellow side. If that sounds appealing to you, then there’s a pretty good chance one or the other may be right up your alley. So just pour yourself a tequila sunrise, grab a pack of rolling papers, kick off your boots and relax.

 

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Two Reviews: Hivelords and Sadgiqacea (2013)

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Hivelords – Cavern Apothecary (Anthropic Records, 02 July 2013)

 

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Sadgiqacea – False Prism (CD – Candlelight Records / Vinyl – Anthropic Records, 07 May 2013)

 

Hey folks, Happy Monday to you all. Remember about a week and a half ago when I shared the details about a joint tour between Philadelphia’s Hivelords and Sadgiqacea? Well, that tour’s still trucking along — there’s another whole month left — and tonight is when they are playing in Pittsburgh. They’ll be at a cool little BYOB ex-warehouse/garage-looking spot called The Shop, along with locals Slaves BC and Night Vapor; plus the last minute of Pinprick Punishment who, I’ve been informed, are a hardcore band from Japan. It’ll be an early (all-ages) show — the music will be starting at precisely 7:30 — so even those of us who live an hour away should be safely home in bed by about midnight. If you’re in the area and you’d like to drop by, you can find more details here. I’m pretty excited about this show — as I said in that earlier post, these Philly bands are both pretty incredible to watch. If they’re coming to a town near you I’d unreservedly say you should totally go see them. If they aren’t, I’m sorry. But at least they both have albums out that you can check out!

Both bands had released a full-length in 2013, and I bought a copy of each when I saw them last summer; they’re both excellent and I’ve listened to each of them a whole bunch of times since then. But through an unfortunate oversight — Hivelords‘ was just coming out the same week these two bands came to Pittsburgh, and I remember seeing a press release about it from Catharsis PR, while Sadgiqacea‘s had been out for several months at that point and I don’t think I ever knew the actual release date — when I was compiling my list of 2013’s best releases, I only included Cavern Apothecary. (Instead of whining about it, I think I’ll just go and edit my list to sneak False Prism in there. Because once again, it’s MY list, damnit!)

 

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Wrought Iron – Rejoice and Transcend (2014)

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Wrought Iron – Rejoice and Transcend (Grimoire Records, 24 June 2014)

 

Ever since the band was formed (which was at the end of 2011), and especially since they started playing live shows (the following spring), there’s been a significant amount of buzz surrounding Wrought Iron within Pittsburgh’s underground music scene. People who’ve caught their live shows (often appearing with some pretty big names, like Abigail Williams, Absu, Alcest, Dying Fetus, False, and Nachtmystium, just to name a few) have reported being spellbound by the ferocity as well as the raw talent on display.

Well, that — and one other thing too. It seems like whenever this band is being discussed, the performance of vocalist Kenny Snyder often gets brought up; several times I’ve witnessed certain people (without mentioning anyone specifically, but I will say it’s almost always been members of other local bands) trying to imitate the combined snarl-shriek-squawk that these folks affectionately refer to as “like a dying pterodactyl.”

Anyway. I personally may have been a little bit late to the party, but after hearing them recommended so highly for so long, I finally got the chance to see Wrought Iron last summer (and a couple more times since then). I was very impressed by what I saw and heard — they definitely lived up to the hype, no question about that. Fast-forward another year, and we find the band recording an album with Maryland’s Grimoire Records, which is being released digitally (as well as on CD or cassette) today.

 

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