Category Archives: Reviews

King Buzzo – This Machine Kills Artists (2014)

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King Buzzo – This Machine Kills Artists (Ipecac Recordings, 02 June 2014)

 

The bulk of my formative years were spent in the 1990s, from age eleven (when I was being introduced to Faith No More and Overkill) through twenty (when I was discovering Pentagram and Emperor). I experienced lot of music both new and old during that decade, all of which had a strong influence over my tastes and preferences, and frankly, made a huge impression on my life in general. And looking back, I think it could be argued that (taking into account both direct and indirect effects) singer/guitarist Roger “Buzz” Osborne and his band The Melvins had made at least as much of an impact as any other person or band, if not more.

After all, not only did I discover their own music somewhere in my teens (and found myself blown away by it), but that band can be said to have been almost singlehandedly responsible for entire genres of music — some of which rank among my absolute favorite. Where would sludge or grunge metal be, if it weren’t for their groundbreaking work? What would Crowbar or Eyehategod have sounded like; TAD or Harvey Milk; or dozens of other bands who’ve served such an important role in my life?

So clearly, I don’t think I could overemphasize how big of a deal they — and by extension, their one constant member over their thirty year history — really are. And so when Ipecac Recordings issues an album full of Osbourne solo acoustic material, needless to say I am very intrigued…

 

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It’s All Greek To Me: Reviews of Aenaon and Hail Spirit Noir (2014)

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Aenaon – Extance (20 January 2014, Code666 Records)

 

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Hail Spirit Noir – Oi Magoi (20 January 2014, Code666 Records)

 

First, a word about this article’s title: there is an equivalent expression to that idiomatic phrase in Greek — Αυτά μου φαίνονται κινέζικα — as there is in numerous other languages, which would be helpful for non-native English speakers, since in a literal translation the meaning may be lost to those readers. However, the idiom with a similar meaning in several other languages would exclude the double entendre intended by the title in English: that today I am writing about two albums by two ostensibly similar bands, who are both Greek.

Okay, with that out of the way, time to move on to some music. These two albums came out on the same day in January by Code666; each one is the second album from its respective band — Aenaon (based in the regions of Epirus and Thessaly) and Hail Spirit Noir (from Thessaloniki, Central Macedonia) — who are both firmly rooted in a black metal aesthetic, while bringing various other experimental and avant-garde elements into the mix.

 

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Devil to Pay – Fate is Your Muse (2013)

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Devil to Pay – Fate is Your Muse (09 April 2013, Ripple Music)

 

I’M GETTING TOO OLD FOR THIS SHIT.

Anyone that read my reviews yesterday will be able to deduce what I’m talking about. My head is killing me, my entire body is aching, and overall I pretty much feel like a zombie. Accordingly, I feel like listening to something very pleasant this morning. Here’s what I came up with: an album (another one that ranked on my best-of-2013-list!) with a central theme (at least, as far as my tired mind can ascertain) about how you’re going to die someday and there’s nothing you can do about it. Furthermore, a recurring concept is that of being a born loser, unlucky at everything, and not being able to do anything about that either because it’s all pretty much dictated by fate. Just warms the heart right up, doesn’t it? Here’s Fate is Your Muse, the fourth full-length by midwestern heavy psych/blues/stoner/sludge metal band Devil to Pay, which came out just over a year ago, about a decade or so into that band’s career.

 

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Two Reviews: Eyehategod and Enabler (2014)

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Eyehategod – Eyehategod (Housecore Records, 27 May 2014)

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Enabler – La Fin Absolue du Monde (The Compound, 27 May 2014)

 

I will not be getting any sleep tonight. I’ve already accepted this as an unfortunate but unavoidable truth, and am now working on moving on. Maybe it’s just me, but I’ve discovered that since about age 30, it has become way more difficult to function on litte (or no) sleep, and now that I’m hitting the halfway point of that decade, getting enough rest has become a very precious commodity. It isn’t ever easy, especially when my two-hour (each way) commute necessitates that I leave home at 5:00 in the morning, meaning I have to wake up around 4-4:30. That wouldn’t be so bad, if I were able to fall asleep around 10:00 each night, but that’s a rare occurrence — and tonight in particular it will be completely impossible.

I’m going to the Eyehategod/Enabler/Ringworm show at The Rex Theater in Pittsburgh (part of the tour I wrote about last week). The show is scheduled to start at 7:00, but in addition to the three touring bands, there had been two local openers scheduled (Under Everything and Hericide), and then somewhere along the way the Dune sandworm-named band Shai Hulud got thrown into the mix (I guess they are currently on their way home from a tour and just happened to be passing through town today and so now apparently they’re playing at this show as well). Naturally, with six bands, even if things kick off exactly at seven, there’s no way it’ll end anywhere before midnight — and that’s the absolute best case scenerio. Add in an hour drive to get home (that two-hour commute I mentioned involves bus-riding and walking), and I probably won’t be able to be in bed any earlier than 2:00. Falling asleep that late and waking up at 4:00 would probably make me even more tired and miserable than if I didn’t sleep at all. So here we are.

But, shit, what am I going to do — NOT go see Eyehategod in their first appearance in this area since …… well, the Bandsintown archive goes back more than seven years and doesn’t have a single Pittsburgh date listed. Neither does Setlist.fm have any mention of them playing here. In fact, the only thing I could find after an extensive five minutes of web-searching was a couple YouTube videos from a show in the summer of 1998. Basically the point I’m trying to make is, this is a pretty monumental event, and if I don’t take advantage of this chance to see one of the most important bands in the history of sludge metal, I might never have another opportunity.

 

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Now Available on Vinyl: Autarch – The Death of Actiacus

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Autarch – The Death of Actiacus (originally released 19 April 2013 on cassette and via Bandcamp; re-released May 2014 on vinyl by Headfirst! Records and All We Know Records)

 

Crust, as a musical genre, can be difficult to precisely pinpoint — it seems to hover somewhere around the intersection of gritty hardcore punk and various forms of extreme metal such as death/thrash/crossover or, sometimes, black metal. (This last association works especially well when the combined genres also incorporate atmospheric or “post-metal” elements.) While musically the term can span a fairly wide spectrum (while staying primarily within the general confines of the collection of styles mentioned), crust as a concept tends to be more clearly defined by its attitude and lyrical themes — often focusing on things like social issues, or protesting against perceived injustices. Therefore, it would seem to make sense for a band called Autarch to identify themselves with that tag: “autarchy” is a philosophy similar to anarchy, but with a strong emphasis on self-governance and pure individualism.

Following a self-titled demo in 2012 (which you can download from Moshpit Tragedy here, either for free or by donating any amount you choose, which will then be sent to Canada’s Cedar Row Farm Animal Sanctuary), this group from the Blue Ridge region of western North Carolina released an album called The Death of Actiacus last spring. (“Actiacus” is one of several names used for Apollo, due to the fact that one of the major ancient Greek temples dedicated to this god of sun and light was located at a site called Actium — so it seems, metaphorically, the album title is basically referring to the extinguishing of light.)

And now (actually, sometime within the past week), the album has been made available in a limited vinyl edition (just 300 copies pressed on grey marble). And the band is also in the midst of a tour up and down the eastern U.S. and Canada — with only a handful of dates remaining before they head back home, but including a stop in Pittsburgh tonight (Wednesday, 28 May). More on both the tour and the album can be found below.

 

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Noothgrush / Coffins – Split (2013)

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Noothgrush / Coffins – Split (11 November 2013, Southern Lord Records)

 

Well, the long weekend is over (for a large number of readers: yesterday was Memorial Day in the U.S. and Spring Bank Holiday in the U.K.) and it’s time to return to boring, mundane reality. I’m sure it’s much more of a system shock for those of you who attended Maryland Deathfest this weekend. I’m still jealous of how many awesome bands you got to see over the past several days, though, so I don’t feel bad for you. For the rest of us, I’ve got some more music to share, which comes from some more bands that we missed out on seeing this weekend. This split LP, issued by Southern Lord several months back, serves as a nice little primer for two excellent sludge/doom bands — Noothgrush (who performed at MDF Saturday, 24 May) and Coffins (who were there Friday night)…

 

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Seven Sisters of Sleep – Opium Morals (2013)

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Seven Sisters of Sleep – Opium Morals (20 March 2013, A389 Records)

 

Well folks, the last weekend in May is upon us, which means that most of my peers in the music-writing industry (and many of my other metal-loving friends as well) have made their annual pilgrimage to Baltimore for the year’s largest metal festival (outside of Europe, of course), Maryland Deathfest. Once again, a number of huge names jumped out at me from the announced schedule (Hooded Menace! Crowbar! Fucking Candlemass!!), but also once again, various factors have conspired against me being able to attend.

But — whatever, I’m not just going to sit around all weekend and whine about it. I’ve got plenty of good music to keep me company, and I fully intend to listen to all of it. All of the musics. For starters, although I will not be seeing Californian sludge band Seven Sisters of Sleep performing at the MDF kick-off show tonight (Thursday, 22 May 2014), I can always stuff their second full-length Opium Morals (which happened to rank among my favorite albums of 2013) into my ears. And while I’m at it, I can share it with you readers (who, I assume, are reading this because you also not at the festival in Maryland right now). So here goes.

 

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New Zealand’s ULCERATE Invading North America This Month!

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ULCERATE: Vermis North America MMXIV Tour Now Underway

 

Sometime in the latter half of last year, the bands for this month’s Maryland Deathfest were announced, and as I recall, Ulcerate was one of the names that many people were really excited about. At the time, the name was somewhat familiar to me but the band itself was not.

Well, a bit more recently, my family acquired a new tv which has Pandora Radio built-in — which is nice for putting something on in the background while working around the house, because previously we’ve had Sirius-XM satellite radio through a satellite tv provider, and now these Music Choice channels through our local cable tv company, and believe me, each of those options are equally worthless. So anyway, within the past few months I’ve seen Ulcerate appear a few times (mostly stuff from their 2011 Willowtip release The Destroyers of All) on one of our Pandora stations (I’m not sure which, but possibly Agalloch, which is a household favorite), so finally I can see what all the hype was about.

Anyway, getting back to my original point, the New Zealandian band is heading for the eastern U.S. for an appearance at MDF; furthermore, and seeing as how they just put out a new record a few months ago (Vermis, their first release via Relapse), apparently they decided to make the most of the trans-oceanic trip by hitting a whole bunch of stops across North America along the way.

This tour, presented by Metal Injection, will be the band’s first appearance in this part of the world since they had a mini tour in conjunction with an appearance at MDF back in 2012. Fellow Relapse artists Inter Arma will also be appearing on a handful of tour dates. See below for the full list, and then keep reading for a peek at Vermis…

 

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Just Released: Gholas – Litanies

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Gholas – Litanies (Dullest Records, 11 February 2014)

 

Hello out there! I’m going to make this quick — because these folks are playing a show in Pittsburgh in just a couple of hours, and I wanted to make sure I told you all about them before that happens. Also they’ve got a brand-new album that just came out earlier this week, and so for those of you who don’t live near this area (or near any of their remaining tour dates — listed below), you’ll want to go check that out anyway.

I’ve written about new albums from people who happen to be touring and coming through this city before, but this one is pretty unique for me — because it just happens that my band LAST has been added as the opening act for this particular show! We’ll be joined by locals Low Man and SuperVoid (each of whom I’ve written about several times — see here and here) at the Rock Room in Polish Hill (1054 Herron Avenue). But of course the main attraction will be Gholas who are coming from Philadelphia. Based on their just-released album Litanies, I’m really looking forward to this one. You should be, too…

 

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Devouter Records Does It Again: Solar Halos’ Self-Titled Debut (Review)

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Solar Halos – Solar Halos (20 January 2014, Devouter Records)

 

When halo rings the moon or sun, rain’s approaching on the run.

So goes the old saying. The atmospheric phenomenon known as a halo (which could be solar or lunar) involves the refraction of light through ice crystals in the air; as a beam of light strikes the crystalline structure at just the right angle, it is refracted as if passing through a prism, and the rays end up being bent into an arc shape that appears (to the viewer on the ground) to encircle the source of that light (i.e. the sun or moon). Traditionally this has been seen as an omen of approaching bad weather — which makes sense because, as people discovered when they started learning more about the science behind meteorology, the conditions that produce this optical wonder involve a certain amount of moisture being in the air as well as the approach of a warmer front which would generally precipitate (pun intended) impending rainfall. A quick Google image search shows that these halos are beautiful to look at, even though they may be foreshadowing that things could soon turn dark and unpleasant.

There’s another truism that says an email that comes from Devouter Records is a sign of excellent music on its way. Although not nearly as old or well-known, I’ve found this statement to be 100% accurate, dating back to the 2012 LP Trephine by MAKE and through every release since then. Added just a week ago to this impressive list is the debut album by Solar Halos, who just happen to come from the same North Carolina town (Chapel Hill) as their labelmates.

 

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