However, the title of this article (which I’ve stolen from the book pictured here) is intended to illustrate a comparative concept: that to the extent that there is a “Good Earth,” it logically follows that there would exist a “Not-So-Good Earth.” Bear with me, it’ll all make sense soon enough. Probably.
Sometime in the latter half of last year, the bands for this month’s Maryland Deathfest were announced, and as I recall, Ulcerate was one of the names that many people were really excited about. At the time, the name was somewhat familiar to me but the band itself was not.
Well, a bit more recently, my family acquired a new tv which has Pandora Radio built-in — which is nice for putting something on in the background while working around the house, because previously we’ve had Sirius-XM satellite radio through a satellite tv provider, and now these Music Choice channels through our local cable tv company, and believe me, each of those options are equally worthless. So anyway, within the past few months I’ve seen Ulcerate appear a few times (mostly stuff from their 2011 Willowtip release The Destroyers of All) on one of our Pandora stations (I’m not sure which, but possibly Agalloch, which is a household favorite), so finally I can see what all the hype was about.
Anyway, getting back to my original point, the New Zealandian band is heading for the eastern U.S. for an appearance at MDF; furthermore, and seeing as how they just put out a new record a few months ago (Vermis, their first release via Relapse), apparently they decided to make the most of the trans-oceanic trip by hitting a whole bunch of stops across North America along the way.
This tour, presented by Metal Injection, will be the band’s first appearance in this part of the world since they had a mini tour in conjunction with an appearance at MDF back in 2012. Fellow Relapse artists Inter Arma will also be appearing on a handful of tour dates. See below for the full list, and then keep reading for a peek at Vermis…
Okay folks, you know the drill by now. I’ve been talking about Borracho for years. Obviously I’m a big fan of these Washingtonian heavy-fuzzy-stoner-riff-rock dudes. And I’ve seen them every time they’ve come to Pittsburgh (twice in 2013, and then a third time about a month ago). But despite all that, at their most recent show (22 March 2014 at The Shop, along with Neon Warship from Dayton, and Pittsburgh’s own Carousel), they somehow managed to exceed all my expectations. All three guys seemed to be on fire that night, and the crowd seemed equally enthusiastic. If this trio is bringing that kind of energy with them across the Atlantic, I fully expect they’ll be making some huge waves all over Europe in the coming week and a half. Scroll down for a full list of their across-the-pond tour dates.
Hello out there! I’m going to make this quick — because these folks are playing a show in Pittsburgh in just a couple of hours, and I wanted to make sure I told you all about them before that happens. Also they’ve got a brand-new album that just came out earlier this week, and so for those of you who don’t live near this area (or near any of their remaining tour dates — listed below), you’ll want to go check that out anyway.
I’ve written about new albums from people who happen to be touring and coming through this city before, but this one is pretty unique for me — because it just happens that my band LAST has been added as the opening act for this particular show! We’ll be joined by locals Low Man and SuperVoid (each of whom I’ve written about several times — see here and here) at the Rock Room in Polish Hill (1054 Herron Avenue). But of course the main attraction will be Gholas who are coming from Philadelphia. Based on their just-released album Litanies, I’m really looking forward to this one. You should be, too…
When halo rings the moon or sun, rain’s approaching on the run.
So goes the old saying. The atmospheric phenomenon known as a halo (which could be solar or lunar) involves the refraction of light through ice crystals in the air; as a beam of light strikes the crystalline structure at just the right angle, it is refracted as if passing through a prism, and the rays end up being bent into an arc shape that appears (to the viewer on the ground) to encircle the source of that light (i.e. the sun or moon). Traditionally this has been seen as an omen of approaching bad weather — which makes sense because, as people discovered when they started learning more about the science behind meteorology, the conditions that produce this optical wonder involve a certain amount of moisture being in the air as well as the approach of a warmer front which would generally precipitate (pun intended) impending rainfall. A quick Google image search shows that these halos are beautiful to look at, even though they may be foreshadowing that things could soon turn dark and unpleasant.
There’s another truism that says an email that comes from Devouter Records is a sign of excellent music on its way. Although not nearly as old or well-known, I’ve found this statement to be 100% accurate, dating back to the 2012 LP Trephine by MAKE and through every release since then. Added just a week ago to this impressive list is the debut album by Solar Halos, who just happen to come from the same North Carolina town (Chapel Hill) as their labelmates.
Good afternoon, folks, and HAPPY FRIDAY! You all are probably anxious to get the weekend started, perhaps with some awesome music to listen to, and perhaps without a lot of crap to read before you get to listening. I understand. I’ll try to make this short and sweet. Which makes sense, because with just four tracks spanning approximately 25 minutes, this EP that was just released a week ago by Baltimore-based Grimoire Records is short — and also pretty fucking sweet.
The Beyond the Mirror’s Edge EP is the first thing I’ve ever heard from both Myopic, a three-piece band from Takoma Park, Maryland (just outside Washington), and from the Grimoire label. But if this little package of blackened post metal (with just a touch on the experimental side) is any indication, then I’m pretty excited to see what the future holds for both of them.
Hey, good afternoon! We’ll be returning to our regular schedule of album reviews and snarky remarks shortly. But first I wanted to pass along a couple of tidbits that have hit my in-box courtesy of Earsplit PR. Apparently there will be some new material emerging in the near future from two bands who both happened to be among the most impressive live acts I’ve seen in the past year: Inter Arma and Today is the Day. Also Inter Arma has a shit-ton of tour dates coming up over the next couple of months, including a stop in my nearest metropolis — and perhaps a city near you as well. You’ll find the full list below.
Good afternoon, readers! Happy Monday to you all. Hope you had a good weekend. I was out of town visiting relatives the whole time — which, surprisingly, wasn’t really as bad as that sounds. So that’s cool, I guess. Although being away from Pittsburgh did have one unfortunate consequence: I wasn’t able to make it to the Fist Fight in the Parking Lot CD release show that took place Saturday night. They always put on a very energetic, entertaining show (and plus, our Ohioan neighbors Black Plastic Caskets also played that night, and I’ve only seen them once and have really been looking forward to having another chance).
But anyway, at least I can check out the new FFITPL CD, and I can tell you about it so you can go check it out too. And then we can all party like it’s 2021.
This week has seen a wave of record-breaking cold all across North America, with sub-zero HIGH temperatures in some places, as well as dangerously low wind-chill factors that prompted widespread closures of schools and businesses in many areas. Those of us who weren’t fortunate enough to be able to stay home under several blankets could be seen bundled in as many layers as possible while still being able to walk, in a vain attempt to protect against the freezing winds. The point I’m trying to make is, it’s been pretty damn cold around here.
And so, I couldn’t imagine a more appropriate time than this, for a new album to be released by the German one-man black metal contingent Waldgeflüster (just that name — which approximately translates to “whispering woods” — evokes images of icy cold darkness). The full-length due out tomorrow (10 January) from Bindrune Recordings will be the third overall from the project, which consists chiefly of a guy called Winterherz (“Winter Heart”). Comprising seven tracks in all, and lasting just over an hour, new album Meine Fesseln (“My Shackles”) also includes contributions from a variety of other musicians, including Austin Lunn of Panopticon (mandolin, vocals, and guitar solos) and Johan Becker of Austaras (violin), among others. Incidentally, Johan has also appeared on Panopticon recordings, and both he and Austin happened to have guest spots on Vit‘s The Dry Season — which had just been released when I spoke with that band’s drummer prior to last year’s Winter’s Wake festival in Pittsburgh; furthermore, Johan had accompanied Vit at that performance, and shortly afterwards he mentioned to me that he was working on a few other upcoming projects at that time — which happened to be my first time hearing of Waldgeflüster. Not that any of that has any particular relevance to this review (or to anything at all); I just thought I’d share some trivia with you.
*******
Tankcrimes Records has been known to put out some fairly unique and sought-after releases over the past few years. (For instance, who could forget 2012’s hugely successful Toxic Waste split featuring Toxic Holocaust and Municipal Waste?) Well yesterday, just barely a week into 2014, we find the label has issued not one but TWO more excellent split records to add to that impressive repertory.
Valley of Steel 