Category Archives: New Releases

It’s All Greek To Me: Reviews of Aenaon and Hail Spirit Noir (2014)

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Aenaon – Extance (20 January 2014, Code666 Records)

 

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Hail Spirit Noir – Oi Magoi (20 January 2014, Code666 Records)

 

First, a word about this article’s title: there is an equivalent expression to that idiomatic phrase in Greek — Αυτά μου φαίνονται κινέζικα — as there is in numerous other languages, which would be helpful for non-native English speakers, since in a literal translation the meaning may be lost to those readers. However, the idiom with a similar meaning in several other languages would exclude the double entendre intended by the title in English: that today I am writing about two albums by two ostensibly similar bands, who are both Greek.

Okay, with that out of the way, time to move on to some music. These two albums came out on the same day in January by Code666; each one is the second album from its respective band — Aenaon (based in the regions of Epirus and Thessaly) and Hail Spirit Noir (from Thessaloniki, Central Macedonia) — who are both firmly rooted in a black metal aesthetic, while bringing various other experimental and avant-garde elements into the mix.

 

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Two Reviews: Eyehategod and Enabler (2014)

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Eyehategod – Eyehategod (Housecore Records, 27 May 2014)

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Enabler – La Fin Absolue du Monde (The Compound, 27 May 2014)

 

I will not be getting any sleep tonight. I’ve already accepted this as an unfortunate but unavoidable truth, and am now working on moving on. Maybe it’s just me, but I’ve discovered that since about age 30, it has become way more difficult to function on litte (or no) sleep, and now that I’m hitting the halfway point of that decade, getting enough rest has become a very precious commodity. It isn’t ever easy, especially when my two-hour (each way) commute necessitates that I leave home at 5:00 in the morning, meaning I have to wake up around 4-4:30. That wouldn’t be so bad, if I were able to fall asleep around 10:00 each night, but that’s a rare occurrence — and tonight in particular it will be completely impossible.

I’m going to the Eyehategod/Enabler/Ringworm show at The Rex Theater in Pittsburgh (part of the tour I wrote about last week). The show is scheduled to start at 7:00, but in addition to the three touring bands, there had been two local openers scheduled (Under Everything and Hericide), and then somewhere along the way the Dune sandworm-named band Shai Hulud got thrown into the mix (I guess they are currently on their way home from a tour and just happened to be passing through town today and so now apparently they’re playing at this show as well). Naturally, with six bands, even if things kick off exactly at seven, there’s no way it’ll end anywhere before midnight — and that’s the absolute best case scenerio. Add in an hour drive to get home (that two-hour commute I mentioned involves bus-riding and walking), and I probably won’t be able to be in bed any earlier than 2:00. Falling asleep that late and waking up at 4:00 would probably make me even more tired and miserable than if I didn’t sleep at all. So here we are.

But, shit, what am I going to do — NOT go see Eyehategod in their first appearance in this area since …… well, the Bandsintown archive goes back more than seven years and doesn’t have a single Pittsburgh date listed. Neither does Setlist.fm have any mention of them playing here. In fact, the only thing I could find after an extensive five minutes of web-searching was a couple YouTube videos from a show in the summer of 1998. Basically the point I’m trying to make is, this is a pretty monumental event, and if I don’t take advantage of this chance to see one of the most important bands in the history of sludge metal, I might never have another opportunity.

 

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Tours Galore: Eyehategod + Enabler + Ringworm

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Click for full-size image

 

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Now Available on Vinyl: Autarch – The Death of Actiacus

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Autarch – The Death of Actiacus (originally released 19 April 2013 on cassette and via Bandcamp; re-released May 2014 on vinyl by Headfirst! Records and All We Know Records)

 

Crust, as a musical genre, can be difficult to precisely pinpoint — it seems to hover somewhere around the intersection of gritty hardcore punk and various forms of extreme metal such as death/thrash/crossover or, sometimes, black metal. (This last association works especially well when the combined genres also incorporate atmospheric or “post-metal” elements.) While musically the term can span a fairly wide spectrum (while staying primarily within the general confines of the collection of styles mentioned), crust as a concept tends to be more clearly defined by its attitude and lyrical themes — often focusing on things like social issues, or protesting against perceived injustices. Therefore, it would seem to make sense for a band called Autarch to identify themselves with that tag: “autarchy” is a philosophy similar to anarchy, but with a strong emphasis on self-governance and pure individualism.

Following a self-titled demo in 2012 (which you can download from Moshpit Tragedy here, either for free or by donating any amount you choose, which will then be sent to Canada’s Cedar Row Farm Animal Sanctuary), this group from the Blue Ridge region of western North Carolina released an album called The Death of Actiacus last spring. (“Actiacus” is one of several names used for Apollo, due to the fact that one of the major ancient Greek temples dedicated to this god of sun and light was located at a site called Actium — so it seems, metaphorically, the album title is basically referring to the extinguishing of light.)

And now (actually, sometime within the past week), the album has been made available in a limited vinyl edition (just 300 copies pressed on grey marble). And the band is also in the midst of a tour up and down the eastern U.S. and Canada — with only a handful of dates remaining before they head back home, but including a stop in Pittsburgh tonight (Wednesday, 28 May). More on both the tour and the album can be found below.

 

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The Good Earth

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If you’ve come here expecting a discussion of classic literature or descriptions of Chinese peasant life, I’m afraid you will be disappointed. But that’s somewhat appropriate because disappointment is one of the major themes of the story I’m about to tell you.
 
However, the title of this article (which I’ve stolen from the book pictured here) is intended to illustrate a comparative concept: that to the extent that there is a “Good Earth,” it logically follows that there would exist a “Not-So-Good Earth.” Bear with me, it’ll all make sense soon enough. Probably.

 

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New Zealand’s ULCERATE Invading North America This Month!

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ULCERATE: Vermis North America MMXIV Tour Now Underway

 

Sometime in the latter half of last year, the bands for this month’s Maryland Deathfest were announced, and as I recall, Ulcerate was one of the names that many people were really excited about. At the time, the name was somewhat familiar to me but the band itself was not.

Well, a bit more recently, my family acquired a new tv which has Pandora Radio built-in — which is nice for putting something on in the background while working around the house, because previously we’ve had Sirius-XM satellite radio through a satellite tv provider, and now these Music Choice channels through our local cable tv company, and believe me, each of those options are equally worthless. So anyway, within the past few months I’ve seen Ulcerate appear a few times (mostly stuff from their 2011 Willowtip release The Destroyers of All) on one of our Pandora stations (I’m not sure which, but possibly Agalloch, which is a household favorite), so finally I can see what all the hype was about.

Anyway, getting back to my original point, the New Zealandian band is heading for the eastern U.S. for an appearance at MDF; furthermore, and seeing as how they just put out a new record a few months ago (Vermis, their first release via Relapse), apparently they decided to make the most of the trans-oceanic trip by hitting a whole bunch of stops across North America along the way.

This tour, presented by Metal Injection, will be the band’s first appearance in this part of the world since they had a mini tour in conjunction with an appearance at MDF back in 2012. Fellow Relapse artists Inter Arma will also be appearing on a handful of tour dates. See below for the full list, and then keep reading for a peek at Vermis…

 

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Borracho Kick Off Their First-Ever European Tour!

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Borracho Kick Off Their First-Ever European Tour!

 

Okay folks, you know the drill by now. I’ve been talking about Borracho for years. Obviously I’m a big fan of these Washingtonian heavy-fuzzy-stoner-riff-rock dudes. And I’ve seen them every time they’ve come to Pittsburgh (twice in 2013, and then a third time about a month ago). But despite all that, at their most recent show (22 March 2014 at The Shop, along with Neon Warship from Dayton, and Pittsburgh’s own Carousel), they somehow managed to exceed all my expectations. All three guys seemed to be on fire that night, and the crowd seemed equally enthusiastic. If this trio is bringing that kind of energy with them across the Atlantic, I fully expect they’ll be making some huge waves all over Europe in the coming week and a half. Scroll down for a full list of their across-the-pond tour dates.

 

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Just Released: Gholas – Litanies

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Gholas – Litanies (Dullest Records, 11 February 2014)

 

Hello out there! I’m going to make this quick — because these folks are playing a show in Pittsburgh in just a couple of hours, and I wanted to make sure I told you all about them before that happens. Also they’ve got a brand-new album that just came out earlier this week, and so for those of you who don’t live near this area (or near any of their remaining tour dates — listed below), you’ll want to go check that out anyway.

I’ve written about new albums from people who happen to be touring and coming through this city before, but this one is pretty unique for me — because it just happens that my band LAST has been added as the opening act for this particular show! We’ll be joined by locals Low Man and SuperVoid (each of whom I’ve written about several times — see here and here) at the Rock Room in Polish Hill (1054 Herron Avenue). But of course the main attraction will be Gholas who are coming from Philadelphia. Based on their just-released album Litanies, I’m really looking forward to this one. You should be, too…

 

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Devouter Records Does It Again: Solar Halos’ Self-Titled Debut (Review)

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Solar Halos – Solar Halos (20 January 2014, Devouter Records)

 

When halo rings the moon or sun, rain’s approaching on the run.

So goes the old saying. The atmospheric phenomenon known as a halo (which could be solar or lunar) involves the refraction of light through ice crystals in the air; as a beam of light strikes the crystalline structure at just the right angle, it is refracted as if passing through a prism, and the rays end up being bent into an arc shape that appears (to the viewer on the ground) to encircle the source of that light (i.e. the sun or moon). Traditionally this has been seen as an omen of approaching bad weather — which makes sense because, as people discovered when they started learning more about the science behind meteorology, the conditions that produce this optical wonder involve a certain amount of moisture being in the air as well as the approach of a warmer front which would generally precipitate (pun intended) impending rainfall. A quick Google image search shows that these halos are beautiful to look at, even though they may be foreshadowing that things could soon turn dark and unpleasant.

There’s another truism that says an email that comes from Devouter Records is a sign of excellent music on its way. Although not nearly as old or well-known, I’ve found this statement to be 100% accurate, dating back to the 2012 LP Trephine by MAKE and through every release since then. Added just a week ago to this impressive list is the debut album by Solar Halos, who just happen to come from the same North Carolina town (Chapel Hill) as their labelmates.

 

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Go Beyond the Mirror’s Edge with Myopic

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Myopic – Beyond the Mirror’s Edge (17 January 2014 CD / 04 March 2014 cassette, Grimoire Records)

 

Good afternoon, folks, and HAPPY FRIDAY! You all are probably anxious to get the weekend started, perhaps with some awesome music to listen to, and perhaps without a lot of crap to read before you get to listening. I understand. I’ll try to make this short and sweet. Which makes sense, because with just four tracks spanning approximately 25 minutes, this EP that was just released a week ago by Baltimore-based Grimoire Records is short — and also pretty fucking sweet.

The Beyond the Mirror’s Edge EP is the first thing I’ve ever heard from both Myopic, a three-piece band from Takoma Park, Maryland (just outside Washington), and from the Grimoire label. But if this little package of blackened post metal (with just a touch on the experimental side) is any indication, then I’m pretty excited to see what the future holds for both of them.

 

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