Tag Archives: Led Zeppelin

Cormorant – Earth Diver (2014)

Posted by valleyofsteel on

unnamed-2

Cormorant – Earth Diver (self-released, 08 April 2014)

 

Well, sleep-walking my way to the bus this morning really felt like a reality check. Tuesday mornings are generally pretty tough anyway, but following a week and a half of vacation, it just makes it that much harder. To be clear, I’ve been back to work and back to “the real world” for several days now, but today I’m really feeling like “Oh yeah, I forgot how much going to work sucks, I could really use a vacation.”

Speaking of which, how was my vacation? It was nice, thanks for asking. I’ve learned that they don’t call Florida “The Sunshine State” for nothing, everything is way too bright there, and it was some god-awful temperature (well above 80° every single day — in the middle of March!!) and the humidity was nearly unbearable. But on the plus side, I did see all sorts of fascinating nature and wildlife — especially birds. There were birds everywhere, fancy exotic kinds I’d never seen outside of a zoo or even some I’d never seen anywhere. For example, the little guy pictured below, who I encountered in a mangrove swamp while hiking through a place called Bailey Tract on Sanibel Island.

 

Continue reading →

Ripple Music – The Second Coming of Heavy, Chapter One (2015) and Chapter Two (2016)

Posted by valleyofsteel on

a3754322116_10

The Second Coming of Heavy, Chapter One – Geezer / Borracho (Ripple Music, 26 July 2015)

 

a1909508530_10

The Second Coming of Heavy, Chapter Two – Supervoid / Red Desert (Ripple Music, 27 February 2016)

 

“Now it’s time for YOUR Classic Rock” says the title at the top of Ripple Music‘s website, and the slogan is fitting: since its formation back in 2010, the label has made a name for itself as one of the premier sources for stoner rock and metal, psychedelic rock, and all things fuzz-laden. We’ve talked about some of their releases in the past, for example here and also here, but more generally, the label has come to be known for putting out music of consistent quality, within the circles of those styles. And now (starting last summer), they have begun a brand-new series of 12″ splits called The Second Coming of Heavy, which so far has featured some pretty serious heavy hitters, with plenty more on the way. Today we’re going to take a look at the first two of these, Chapter One which came out nearly eight months ago, and Chapter Two which hit the streets at the end of February.

 

Continue reading →

Two Reviews: DRCARLSONALBION and Tumbleweed Dealer (2014)

Posted by valleyofsteel on

Gold Front

DRCARLSONALBION – Gold (16 June 2014)

 

a1390475759_10

Tumbleweed Dealer – Western Horror (23 June 2014)

 

Good afternoon, everyone. Today I’ve got two different albums to introduce to you, which coincidentally have a common thread between them. Released just a week apart, one of these was conceived as the soundtrack to an imaginary western movie, while the other features incidental music that was recorded for the score of an actual western film.

Both of these are purely instrumental affairs, and they’re both more on the mellow side. If that sounds appealing to you, then there’s a pretty good chance one or the other may be right up your alley. So just pour yourself a tequila sunrise, grab a pack of rolling papers, kick off your boots and relax.

 

Continue reading →

The Bloody Seamen – Ahoy, Motherfuckers (2013)

Posted by valleyofsteel on

TBS-cover

The Bloody Seamen – Ahoy Motherfuckers (self-released, 19 September 2013)

 

Hello there, friends and fans of great music! Here’s something I’d been planning on sharing with you last week, but I didn’t have a chance to get any writing done all week because shit got crazy at work. Between someone on vacation, someone at a week-long conference, someone having to go to the hospital, and a temp who doesn’t know how to do much yet, my department was reduced by about half. Which means instead of doing the work of two people, I was actually working for like three or four. No fun.

But really, this review is way more overdue than that — the album I’m telling you about was actually released nine months ago (coincidentally, last year’s International Talk Like a Pirate Day), and I’ve been listening to it over and over since then. The debut album by Pittsburgh’s premier pirate rock band, The Bloody Seamen, impressed me and exceeded my expectations so much, it gained a spot on my list of 2013’s best releases. And today (finally!) I’d like to tell you why.

 

Continue reading →

King Buzzo – This Machine Kills Artists (2014)

Posted by valleyofsteel on

ipc-159

King Buzzo – This Machine Kills Artists (Ipecac Recordings, 02 June 2014)

 

The bulk of my formative years were spent in the 1990s, from age eleven (when I was being introduced to Faith No More and Overkill) through twenty (when I was discovering Pentagram and Emperor). I experienced lot of music both new and old during that decade, all of which had a strong influence over my tastes and preferences, and frankly, made a huge impression on my life in general. And looking back, I think it could be argued that (taking into account both direct and indirect effects) singer/guitarist Roger “Buzz” Osborne and his band The Melvins had made at least as much of an impact as any other person or band, if not more.

After all, not only did I discover their own music somewhere in my teens (and found myself blown away by it), but that band can be said to have been almost singlehandedly responsible for entire genres of music — some of which rank among my absolute favorite. Where would sludge or grunge metal be, if it weren’t for their groundbreaking work? What would Crowbar or Eyehategod have sounded like; TAD or Harvey Milk; or dozens of other bands who’ve served such an important role in my life?

So clearly, I don’t think I could overemphasize how big of a deal they — and by extension, their one constant member over their thirty year history — really are. And so when Ipecac Recordings issues an album full of Osbourne solo acoustic material, needless to say I am very intrigued…

 

Continue reading →

VOS Videography 2013: A Mid-Year Retrospective (Part 2)

Posted by valleyofsteel on

VOStube

 
 

Mr. Smalls Theatre (Millvale, PA), 01 February 2013

 
Enslaved – “Riitiir” and “Ruun”

 
Enslaved – “Allfǫðr Oðinn” and “Immigrant Song” (Led Zeppelin cover)

 
Pallbearer – “An Offering of Grief” and “Foreigner”

 
Royal Thunder – “Shake and Shift”

 

31st Street Pub (Strip District / Pittsburgh, PA), 09 February 2013

 
Slaves BC – “Lucifer Bound”

 
This show originally included Supervoid in the line-up, but due to an emergency they had to cancel at the last minute, so some of the members of VEGA agreed to fill in. Here they are performing with their then-guitarist Lee playing drums. (For the record, this band has recently reformed as Dope Lake.)

VEGA – “Steal Your Light”

 
Meth Quarry – “Flatline Divinity”

 
NAVIGATION
 
Part 1 (28 December – 18 January)
 
Part 3 (16 February)
Part 4 (22 February)
Part 5 (23 February)
Part 6 (02 – 09 March)
Part 7 (10 March)
Part 8 (14 March)
Part 9 (16 March)
Part 10 (22 – 24 March)
Part 11 (28 – 29 March)
Part 12 (02 – 11 April)
Part 13 (12 – 19 April)
Part 14 (20 – 26 April)
Part 15 (04 – 05 May)
Part 16 (11 – 17 May)
Part 17 (18 – 27 May)
Part 18 (31 May – 20 June)
Part 19 (23 – 30 June)

Person or Persons Unknown: Six Questions with Solarburn Bassist Tony Thomas

Posted by valleyofsteel on

Person or Persons Unknown

 

Six Questions with Solarburn Bassist Tony Thomas

by Mrs. Valley of Steel

 

    
The first step is admitting it, right? So here goes… “Hello, my name is Mrs. VOS, and I am addicted to Solarburn.”  I have seen them numerous times, and will again soon; I had their CD in the CD changer in my car for a record 12 weeks straight, and for a long time it was the band that I would talk about every chance I got. It’s not as if I wish to be cured of my addiction or anything; in fact I’ve decided to just own it, and I am perfectly willing to help others get addicted too.

This pretty much is THE band for me, the band that opened up a whole new level of musical enjoyment in my life, and the band that I shamelessly promote every chance I get, quite like I am doing right now. Yes, if you haven’t seen them yet, you’re honestly missing (in my humble opinion) one of the BEST things about Pittsburgh! But you can fix that April 2nd when they open for Otep at the Altar Bar.

They are three of the nicest and most genuinely no-BS guys I have ever met in my life, and these dudes can shred like nobody’s business. So how did I just pick one of them for Person or Persons Unknown? As hard as it was (and honestly it WAS hard, because I am lucky enough to actually be friends with [guitarist] Mike [Stains], [drummer] Russ [Tompkins], and [bassist] Tony [Thomas]), I ended up choosing the person I connected with immediately in the beginning, at the first show at I ever saw Solarburn play — way back in August of last year. Immediately, I felt that Tony was more than just an awesome bass player, but that he also a had deep knowledge of music, which I respected and connected with. As you’ll see from this interview, that is definitely the case.

 
Continue reading →

Winter’s Wake Winterview: Vit

Posted by valleyofsteel on

vit-tds-cover

 
Good morning readers, here’s another Winter’s Wake band interview I’d like to share with you!

Once again, with so many people to talk to, I tried to keep these short and sweet. Just long enough for you (the reader) to get a bit of a lesson about each band’s history, to learn a little about where they came from and what they’re doing now, so that you can be as excited about seeing all of them as I am!

This one comes from Vit percussionist JK.

 
Continue reading →

VOS Interview: A Drummer Double Feature! Molasses Barge vs. Vulture!

Posted by valleyofsteel on

Hello folks, and a happy Friday to you! Just when it felt like it would never happen, the weekend’s finally here. I’ve got a feeling this is going to be an especially good one, because there’s a ton of amazing shows and events happening! I’ll have more on that later, so stay tuned.

One of them in particular stands out, though — tomorrow night at the 31st Street Pub is the first date on the joint headlining tour between Relapse Records artists 16 and Tombs. That by itself is reason enough to get excited, but opening the show will be two of my absolute favorite local bands, the heavy doom armada that is Molasses Barge and Steel City sludgelords Vulture!

I’ve only seen Molasses Barge once before (and it was over a year ago! — read more about that here), and (believe it or not) although I’ve been listening to Vulture for a long time, I’ve never had the chance to see them play live yet! So needless to say, I’m really looking forward to this show. I’ve already got my tickets (they can be ordered here) but if you don’t, it’s just twelve bucks when you show up at the door. More info on the show itself can be found here.

Anyway, in anticipation of this event, I decided to get a couple of interviews lined up. If you’ve been reading my reviews for a while, you may have picked up on the fact that I often tend to focus on drumming while listening to music. It’s just the way I hear things, I guess — and I don’t know if it’s because I play drums (occasionally) or if I chose to play that instrument because it’s something I pay a lot of attention to.

In either case, the drumming in each of these bands’ genres is one of the main things that attracts me to those particular styles. So, it only seemed natural for me to talk to the two bands’ drummers. Here, then, are the questions and answers from Molasses Barge’s Wayne Massey and Vulture’s Kelly Gabany…

 

 

 
Continue reading →

VOS Interview: Dethlehem!!

Posted by valleyofsteel on

 
Good evening, readers! As I mentioned earlier today, local RPG-nerd-metal band Dethlehem are headlining The Pittsburgh Scene‘s second birthday extravaganza at Stage AE tomorrow evening.

Preparations have been underway for this show for quite some time — the Dethlehem guys have been sharpening their swords and patching their chain mail, as well as rehearsing their music. But during a recent practice, they were kind enough to allow me exclusive access to their underground lair to sit down and chat, and to find out what’s been happening with the band.

 
Continue reading →